La lugubre gondola, S.200 (Liszt, Franz)

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Performances

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janno (2011/12/4)

Performer Pages Jean Dubé (piano)
Publisher Info. Jean Dubé
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Sheet Music

Scores

2nd version

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Editor José Vianna da Motta (1868–1948)
Publisher. Info. Musikalische Werke. Serie II, Band 9
Leipzig: Breitkopf & Härtel, 1927. Plate F.L. 81.
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Misc. Notes Originally scanned at about 160pi, converted to 600dpi monochrome.
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Funper (2010/9/1)

Publisher. Info. Moscow: Muzgiz, n.d.
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piupianissimo (2011/4/30)

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Editor Imre Mező (1932–)
Imre Sulyok (1912–2008)
Publisher. Info. Neue Liszt-Ausgabe. Serie 1, Band 12
Budapest: Editio Musica, 1978. Plate Z.6217.
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This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

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Copyright
Misc. Notes
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
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3rd version

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NachoBA (2007/2/25)

PDF scanned by D-Mbs
piupianissimo (2010/3/6)

Editor José Vianna da Motta (1868–1948)
Publisher. Info. Musikalische Werke. Serie II, Band 9
Leipzig: Breitkopf & Härtel, 1927. Plate F.L. 82.
Copyright
Misc. Notes Originally scanned at about 160pi, converted to 600dpi monochrome.
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PDF scanned by piupianissimo
piupianissimo (2011/4/30)

PDF scanned by piupianissimo
piupianissimo (2011/4/30)

Editor Imre Mező (1932–)
Imre Sulyok (1912–2008)
Publisher. Info. Neue Liszt-Ausgabe. Serie 1, Band 12
Budapest: Editio Musica, 1978. Plate Z.6217.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
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Arrangements and Transcriptions

For Violin or Cello and Piano (Composer)

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Janno (2011/1/15)

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Janno (2011/1/15)

Editor István Szelényi (1904-1972)
Publisher. Info. Budapest: Editio Musica Budapest, 1974. Plate Z.6652.
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General Information

Work Title La lugubre gondola
Alternative. Title Die Trauer-Gondel
Name Translations Gyászgondola
Authorities WorldCat; Wikipedia; VIAF: 204582200; LCCN: n83162772; GND: 300094868; BNF: 13918295b
Composer Liszt, Franz
Opus/Catalogue NumberOp./Cat. No. S.199a/1 ; LW.A319 (1st version)
S.200/1 ; LW.A319a (2nd version)
S.200/2 ; LW.A319b (3rd version)
I-Catalogue NumberI-Cat. No. IFL 229
Movements/SectionsMov'ts/Sec's 1
Year/Date of CompositionY/D of Comp. 1882 (1st version)
1882–83 (2nd version)
1885 (3rd version)
First Publication. 1886 (2nd/3rd versions)
Dedication Ugo Bassani (1851–1914)
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Piano (solo)

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Version History

  • Composed for solo piano, 1882, as Die Trauer-Gondel (= 1st version, S.199a/1)
Published 2002 by Rugginenti as La lugubre gondola
  • Revised 1882–83, as La lugubre gondola (= 2nd version, S.200/1)
Published 1886 by Fritsch (Leipzig) as La lugubre gondola I
  • 2nd version arranged for violin and piano, 1882–83 (= S.134bis)
Published 1974 by Editio Musica Budapest (Budapest)
  • 1st version further revised 1885, as La lugubre gondola (= 3rd version, S.200/2)
Published 1886 by Fritsch (Leipzig) as La lugubre gondola II
  • 3rd version arranged for cello and piano, 1885 (= S.134)
Published 1974 by Editio Musica Budapest (Budapest)