La damnation de Faust, H 111 (Berlioz, Hector)

Contents

Performances

Recordings

Selections

MP3 file (audio)
Rgagnaux (2017/4/26)

Performer Pages Régine Crespin (soprano)
Nicolai Gedda (tenor)
Ernest Blanc (baritone)
Orchestre national de France (orchestra)
Igor Markevitch (conductor)
Publisher Info. Lausanne: Radio Suisse Romande, 1959.
Performers Choeurs de la Radiodiffusion-Télévision française
Reissue Schattdorf: Gagnaux Collection
Copyright
Misc. Notes
NOTE
This file is in the public domain in many countries, but also available under the listed license in countries where it is not in the public domain. This file is in the public domain in Canada and European Union, but only available under the listed license in the United States. Where the file is in the public domain, there are no restrictions, but in countries where the copyright has not expired, the requirements of the license must be followed.
Recorded 1959, September, 24, Septembre Musical de Montreux
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TN-PMLP24627-Berlioz Damnation Faust Markevitch 24 09 1959 Montreux 256kbps-6438.jpg

MP3 file (audio)
Rgagnaux (2016/3/14)

Performer Pages Philharmonia Orchestra (orchestra)
Publisher Info. London: Parlophone, 1954. PMC 1022.
Performers Wilhelm Schüchter (conductor)
Copyright
Misc. Notes Recorded Novemeber 26, 1953 in London, Abbey Road, EMI Studio No.1
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Carolus (2010/8/30)

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Carolus (2010/8/30)

Performer Pages DuPage Symphony Orchestra (orchestra)
Barbara Schubert (conductor)
Publisher Info. DuPage, IL: DuPage Symphony Orchestra
Copyright
Misc. Notes Performed 9 February 2008. Naperville, IL: Pfeiffer Hall. From archive.org
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Naxos

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Sheet Music

Scores

Complete

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Publisher. Info. Holograph manuscript, 1845-46.
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Music Addict (2018/3/15)

4 more: Part 1 • Part 2 • Part 3 • Part 4

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Alaric (2009/7/12)

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Alaric (2009/7/12)

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Alaric (2009/7/12)

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Alaric (2009/7/12)

Editor Charles Malherbe (1853–1911)
Felix Weingartner (1863–1942)
Translator Felix Weingartner (1863–1942), German text
John Bernhoff (fl.1890–1915), English text
Publisher. Info. Hector Berlioz Werke, Serie V, Band 11–12 (pp.1-432)
Leipzig: Breitkopf und Härtel, 1901. Plate H.B. 29–30.
Reprinted New York: E.F. Kalmus, n.d.(1933-70). Catalog A2569.
Copyright
Misc. Notes German translation by Weingartner largely restores original texts by Goethe.
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4 more: Part 1 • Part 2 • Part 3 • Part 4

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Madcapellan (2011/7/14)

Editor Julian Rushton (b. 1941*)
Publisher. Info. New Edition of the Complete Works, Vol.8a
Kassel: Bärenreiter-Verlag, 1979. Plate BA 5448/I.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes 600 dpi
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Selections

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Philhar (2016/9/26)

Publisher. Info. Paris: Richault, n.d.[1855]. Plate 11605, 15875.R.
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Misc. Notes Publication noted in the Bibliographie de la France 1e série, 44e année (58e de la collection), Nº 1, 6 Janvier 1855, p.13, r.6.
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Afp0815 (2014/7/31)

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Publisher. Info. Leipzig: Breitkopf und Härtel, 1900. Plate Part.B. 1631-32.
Copyright
Misc. Notes 600 dpi
This file is part of the Sibley Mirroring Project. (#336894, 337026)
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Carolus (2010/5/13)

Publisher. Info. Paris: Heugel & Cie., n.d.(ca.1950). Plate H. 31415, P.H. 15.
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Parts

Complete

Full Orchestra

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M.kowalski49 (2023/4/13)

15 more: Oboe 1/English Horn, Oboe 2/English Horn • Clarinet 1, 2, Bass Clarinet • Bassoon 1/3, 2/4 • Horn 1, 2, 3, 4 • Cornet 1, 2 • Trumpet 1, 2 • Trombone 1, 2, 3, Tuba 1/2 • Timpani 1, 2 • Bass Drum/Cymbals, Snare Drum/Triangle, Tam-Tam, Bells • Harp 1, 2 • Violins I • Violins II • Violas • Cellos • Basses

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Editor Charles Malherbe (1853–1911)
Felix Weingartner (1863–1942)
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1910). Plate OB 1300/03.
Reprinted New York: E.F. Kalmus, n.d.(1933-70). Catalog A2569.
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Misc. Notes Parts are 10 x 13 scans.
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Daphnis (2009/11/9)

Editor Charles Malherbe (1853–1911)
Felix Weingartner (1863–1942)
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1910).
Reprinted New York: E.F. Kalmus, n.d.(1933-70). Catalog A2569.
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16 more: Oboe/English Horn 1, 2 • Clarinet 1, 2 • Bass Clarinet (B♭) • Bassoon 1/2, 3/4 • Horn 1, 2, 3, 4 • Trumpet 1, 2 • Cornet 1, 2 • Trombone 1, 2, 3 • Tuba • Timpani 1/2, Percussion • Harp 1, 2 • Violins I (with bowings) • Violins II (with bowings) • Violas (with bowings) • Cellos (with bowings) • Basses (with bowings)

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Editor Julian Rushton (1941*)
Publisher. Info. New Edition of the Complete Works, Vol.8a
Kassel: Bärenreiter-Verlag, 1979. Plate BA 5448/I.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Off-stage Instruments

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Editor Julian Rushton (b. 1941*)
Publisher. Info. New Edition of the Complete Works, Vol.8a
Kassel: Bärenreiter-Verlag, 1979. Plate BA 5448/I.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Marche hongroise (No.3)

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13 more: Oboe 1/2 • Clarinet 1/2 (A) • Bassoon 1/2, 3/4 • Horn 1/2, 3/4 (A, D) • Trumpet 1/2 (C) • Piston 1/2 (A) • Trombone 1, 2, 3 • Timpani • Snare Drum/Triangle, Cymbals/Bass Drum • Violins I • Violins II • Violas • Cellos/Basses

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Publisher. Info. Paris: Richault, n.d. Plate 11606 R.
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Misc. Notes Tuba missing, Timpani manuscript.
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16 more: Flute 1, 2 • Oboe 1, 2 • Clarinet 1, 2 (A) • Bassoon 1/3, 2/4 • Horn 1, 2 (A), 3, 4 (D) • Trumpet 1, 2 (C) • Cornet 1, 2 • Trombone 1, 2, 3 • Tuba • Timpani • Percussion / Bass Drum/Cymbals, Tambourine/Triangle • Violins I • Violins II • Violas • Cellos • Basses

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Publisher. Info. Leipzig: Breitkopf & Härtel, 1900. Plate Orch.B.1326.
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Misc. Notes 600 dpi. Oboe 1 is Kalmus reprint.
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Ballet des Sylphes

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7 more: Clarinet 1/2 (A) • Timpani • Harp 1, 2 • Violins I • Violins II • Violas • Cellos/Basses

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Publisher. Info. Paris: Richault, n.d. Plate 15875.R.
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Oboemily (2023/7/16)

Publisher. Info. Luck's Music Library
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Misc. Notes Score in bass clef.
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Vocal Scores

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Carolus (2014/4/16)

Language French / German
Translator M. Minslaff (or Münzlaff), German text
Publisher. Info. Paris: Richault & Cie., n.d.(ca.1855). Plate 11,607.R.
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Carolus (2011/1/1)

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Ottaviano (2008/8/4)

Arranger Charles Malherbe (1853-1911), piano reduction
Language French
Publisher. Info. Paris: Costallat & Cie., n.d.[1911]. Plate C. & C. 516.
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Zoé (2010/1/20)

Editor Leopold Damrosch (1832-1885)
Engraver M. Henschkel
Language English / German
Publisher. Info. New York: G. Schirmer, 1880. Plate 2376.
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Carolus (2014/4/16)

Language German
Translator Fritz Volbach (1861-1940), German text
Publisher. Info. Leipzig: Breitkopf & Härtel, n.d.(ca.1905). Plate 26700.
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Unl (2016/11/1)

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Unl (2016/11/1)

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Unl (2016/11/1)

Language Italian / German
Translator Ettore Gentili (fl.1880s-1893), Italian text
Julius Kniese, as Giulio Kniese (1848–1905), German text
Publisher. Info. Milan: Edoardo Sonzogno, 1890. Plate 19140 R.
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Misc. Notes This file is part of the University of Nebraska-Lincoln
Rokahr Family Archive Mirroring Project.
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Massenetique (2011/8/22)

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Language Russian / French
Publisher. Info. Moscow: P. Jurgenson, n.d.(ca.1890).
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Misc. Notes Foliation = iii, #5-273
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Carolus (2011/1/2)

Language English
Translator Paul England (ca.1863–1932), English text
Publisher. Info. London: Novello & Co., 1903. Plate 11781.
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Misc. Notes *Pages 4, 162 missing from scan
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Morel (2020/1/9)

Publisher. Info. Album Musica, No.66
Paris: Pierre Lafitte, 1908.
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Arrangements and Transcriptions

Complete

For Piano (Redon)

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Carolus (2010/12/2)

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Carolus (2010/12/2)

Arranger Ernest Redon (1835-1907)
Publisher. Info. Paris: Richault & Cie., n.d.(1877). Plate 11607.Bis.
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Misc. Notes "Nouvelle edition revue / par Ernest Redon"
This file is part of the Sibley Mirroring Project.
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For Piano 4 Hands (Redon)

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Berwald (2023/11/5)

Arranger Ernest Redon (1835-1907)
Publisher. Info. Paris: Richault, n.d.[ca 1878]. Plate 16657. R.
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Misc. Notes BNF notice bibliographique
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Selections

For Theatre Orchestra (Winter)

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Arranger Aubrey Winter (1870-1955)
Publisher. Info. London: Boosey & Hawkes, 1935. Plate B. & H. 7570.
Copyright
Misc. Notes Piano (condensed score), Strings, Picc I & II, Flute I & II, Oboe I & II, Clar I (in A), Clar II (in A), Fag I - IV, Horn I & II (in F), Cornet I (in A), Cornet II (in A), Tru (in B flat), Pos I & II, Bass Pos, Timp I, Timp II, Cymbals, Triangle, Harp I, Harp II, , .
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For Piano solo (Pfeiffer)

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Massenetique (2015/12/9)

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Arranger Georges Jean Pfeiffer (1835-1908)
Publisher. Info. Paris: Richault, n.d.(ca.1878). Plate R.16744 and 16754.
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Marche Hongroise (Part I, Scene 3)

For String Quartet or Quintet (Allaga)

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Generoso (2009/10/19)

7 more: Complete Parts • Violin 1 • Violin 2 • Viola • Cello • Double Bass (ad lib.) • Color Cover

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Generoso (2009/10/19)

Arranger Géza Allaga (1841-1913)
Publisher. Info. Budapest: Rozsnyai Károly, n.d. Plate R.K. 54.
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Misc. Notes This arrangement has an ad lib. double bass part.
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For Violin and Piano (Strauss)

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Editor Henry Strauss
Publisher. Info. New York: Century Music, n.d. Plate 539-6.
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For Piano and Harmonium (Guilmant)

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Arranger Alexandre Guilmant (1837-1911)
Publisher. Info. Paris: Richault, n.d.(ca.1875). Plate R. 14122.
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For Organ (Brewer)

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Arranger Alfred Herbert Brewer (1865-1928)
Publisher. Info. London: Novello & Co., Ltd., n.d.(ca.1915). Plate 14007.
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For Organ (Righetti)

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Arranger Benjamin Righetti (b. 1982)
Publisher. Info. Benjamin Righetti, 2019.
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For Piano (Taubmann)

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Arranger Otto Taubmann (1859-1929)
Publisher. Info. Leipzig: Breitkopf & Härtel, 1903. Plate Klav.Bibl. 23849.
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Misc. Notes 600 dpi
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For Simplified Piano (Battmann)
See: Célèbre marche hongroise de Rakoczy, Op.421 No.1, by Battmann

Chant de la Fête de Pâques (Part II, Scene 4)

For Organ (Guilmant)

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Ralph Theo Misch (2013/8/22)

Arranger Alexandre Guilmant (1837-1911)
Publisher. Info. Paris: Richault, n.d.(ca.1890). Plate 19187.
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Arranger Alexandre Guilmant (1837-1911)
Editor Alain Brunet
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Chanson de Méphistophélès (Part II, Scene 6)

For Piano (Schad)

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Arranger Joseph Schad (1812-1879)
Publisher. Info. Paris: Richault, n.d. Plate 16682.R.
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Ballet des Sylphes (Part II, Scene 7)

For Violin, Cello and Piano (Sauer)

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Arranger Ludwig Sauer (1861-1940)
Publisher. Info. Heilbronn: C.F. Schmidt, n.d. Plate C.F.S. 2179/80.
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For Piano and Harmonium (Guilmant)

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Arranger Alexandre Guilmant (1837-1911)
Publisher. Info. Paris: Richault, n.d.(ca.1875). Plate R. 14121.
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For Piano 4 Hands (Miramont-Tréogate)

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Massenetique (2018/2/13)

Arranger Marie-Louise de Miramont-Tréogate (d. 1911)
Publisher. Info. Paris: Richault et Cie., n.d.[1878]. Plate 16686.R.
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Misc. Notes Publication noted in the Bibliographie de la France :
2e série, 67e année, Nº 13, 30 Mars 1878, p.177, reg.1089.
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For Guitar (Tárrega)

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Stefan Apke (2020/5/29)

Arranger Francisco Tárrega (1852-1909)
Editor Stefan Apke
Publisher. Info. Stefan Apke, 2013/2020.
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Marguerite. Le Roi de Thulé (Part III, Scene 11)

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General Information

Work Title La damnation de Faust, Légende dramatique (Opéra de concert)
Alternative. Title The damnation of Faust, dramatic legend (Concert opera)
Name Translations 浮士德的天谴; 浮士德的天譴; Potępienie Fausta; 파우스트의 겁벌; Осуждение Фауста; La Damnation de Faust; La condenación de Fausto; La damnation de Faust; ファウストの劫罰; Fausts fordømmelse; Ֆաուստի նզովքը; Faustoren kondenazioa; A Danação de Fausto; Fausta pazudināšana; La Damno de Faŭsto; Засудження Фауста; Η καταδίκη του Φάουστ
Name Aliases Damnation de Faust; La maldicion de Fausto; La maldición de Fausto; La condenacion de Fausto; La dannazione di Faust; Fausts Verdammnis
Authorities WorldCat; Wikipedia; VIAF: 5297147270469435700008; LCCN: n81133549; GND: 300019181; BNF: 13908492n; NKC: aun2014829722
Composer Berlioz, Hector
Opus/Catalogue NumberOp./Cat. No. Œuvre 24 ; H 111
I-Catalogue NumberI-Cat. No. IHB 15
Movements/SectionsMov'ts/Sec's 4 parts:
  • Première partie (Plaines de Hongrie)
Scène 1. Introduction
2. Ronde des Paysans
3. Marche Hongroise
  • Deuxième partie (Nord de l’Allemagne)
4. Faust seul dans son cabinet de travail. Chant de la Fête de Pâques
5. Faust. Méphistophélès
(La Cave d’Auerbach à Leipzig)
6. Chœur de Buveurs. Chanson de Brander.
Fugue sur le thème de la Chanson de Brander. Chanson de Méphistophélès
(Bosquets et prairies du bord de l’Elbe)
7. Air de Méphistophélès. Chœur de Gnomes et de Sylphes. Ballet des Sylphes
8. Chœur de Soldats. Chanson d’Étudiants
  • Troisième partie (Dans la chambre de Marguerite)
9. Tambours et Trompettes sonnant la retraite. Air de Faust
10. Faust. Méphistophélès
11. Marguerite. Le Roi de Thulé
12. Evocation. Menuet des Follets. Sérénade de Méphistophélès avec Chœur de Follets
13. Duo
14. Trio et Chœur
  • Quatrième partie
15. Romance de Marguerite
16. Invocation à la nature
17. Récitatif et Chasse
18. La Course à l’Abime
19. Pandæmonium
20. Dans le Ciel
Year/Date of CompositionY/D of Comp. 1845–46
First Performance. 1846-12-06 in Paris, Opéra-comique
Hector Berlioz (conductor)
First Publication. 1854 - Paris: S. Richault
Publication History
Librettist Gérard de Nerval (1808-1855), Almire Gandonnière (1813-1863), and Hector Berlioz
after Johann Wolfgang von Goethe (1749-1832)
Language French (and Latin in Chanson d’Étudiants)
Average DurationAvg. Duration 120 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voices, mixed chorus (SATB), orchestra
Cast
Marguerite (mezzo-soprano)
Faust (tenor)
Méphistophélès (baritone or bass)
Brander (bass)
Chorus
6-part mixed chorus (SSTTBB), Children’s Chorus (SS)
Orchestra
3 flutes (also 3 piccolos), 2 oboes (2nd also English horn),
2 clarinets, bass clarinet, 4 bassoons
4 horns, 2 trumpets, 2 cornets, 3 trombones, ophicleide, tuba
timpani, percussion*, 2 harps, strings (15-15-10-10-9 players)
*(snare drum, bass drum & cymbal, suspended cymbal, triangle, tamtam, tubular bell)
Related Works Pieces based on 'La damnation de Faust'
External Links Wikipedia article
Libretto (Berlioz Website)
Online scores (Scorch format) of 3 orchestral pieces at Berlioz website
Extra Information This work, which Berlioz originally subtitled as an “Opéra de concert” and later described as a “dramatic legend”, incorporates music from two prior compositions, the withdrawn 8 scènes de Faust, H 33 of 1829 (H 33), and Berlioz’s arrangement of the Hungarian Marche de Rákóczy (H 109). The first operatic performance of the work was by the Opéra de Monte-Carlo on 18 February 1893, and the work is to the current day occasionally staged as an opera rather than in the concert hall.

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Compositions and Literary Works by Hector Berlioz
Operas

Les francs-juges, H 23 · Benvenuto Cellini, H 76 · Les Troyens, H 133 · Béatrice et Bénédict, H 138

Symphonies

Symphonie fantastique, H 48 · Harold en Italie, H 68 · Roméo et Juliette, H 79 · Grande symphonie funèbre et triomphale, H 80

Concert Overtures

Grande ouverture de Waverley, H 26 · Grande ouverture du Roi Lear, H 53 · Intrata di Rob-Roy MacGregor, H 54 · Le carnaval romain, H 95 · Le Corsaire, H 101

Liturgical works

Messe solennelle, H 20 · Grande messe des morts, H 75 · Te Deum, H 118

Other choral works

Lélio, ou le retour à la vie, H 55 · La damnation de Faust, H 111 · Tristia, H 119 · Vox populi, H 120 · L’enfance du Christ, H 130

Songs and cantatas

Herminie, H 29 · Cléopâtre, H 36 · Irlande, H 38 · Les nuits d’été, H 81 · Feuillets d’album, H 121 · Fleurs des landes, H 124

Writings

Grand traité d’instrumentation et d’orchestration modernes · Les Soirées de l’Orchestre · Les Grotesques de la Musique · À Travers Chants · Mémoires