Jephtha, HWV 70 (Handel, George Frideric)

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 Complete score (facsimile)
#18918 - 38.92MB, 276 pp. -  6.0/10 2 4 6 8 10 (5- V/V/V - 2856x

PDF scanned by D-Mbs
Ivdruiz (2008/7/16)

 Complete Score (facsimile)
#296979 - 11.79MB, 276 pp. -  0.0/10 2 4 6 8 10 (0- V/V/V - 636x

PDF scanned by D-Mbs
Irishmaestro (2013/9/22)

PMLP44707-HG Band 44a.pdf
Copyist:

Friedrich Chrysander (1826–1901)

Publisher Info.:

Manuscript, n.d.[1751].

Reprinted:

Georg Friedrich Händels Werke. Band 44a.
Leipzig: Deutsche Händelgesellschaft, 1885. Plate H.W. 44a.

Copyright:

Public Domain [tag/del]

Misc. Notes:

#296979 - Converted to 600dpi; cleaned, despecked and deskewed.

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 Complete Score
#18917 - 63.49MB, 289 pp. -  4.8/10 2 4 6 8 10 (5- V/V/V - 5918x

PDF scanned by D-Mbs
Ivdruiz (2008/7/16)

PMLP44707-HG Band 44.pdf
Editor:

Friedrich Chrysander (1826–1901)

Publisher Info.:

Georg Friedrich Händels Werke. Band 44.
Leipzig: Deutsche Händelgesellschaft, 1886. Plate H.W. 44.

Copyright:

Public Domain [tag/del]

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Vocal Scores

Complete

 Complete Score
#39853 - 8.76MB, 193 pp. -  5.0/10 2 4 6 8 10 (2- V/V/V - 5289x

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operalala (2009/9/22)

PMLP44707-Handel--Jephtha--vocal score, K 6873.pdf
Publisher Info.:

London: Novello, n.d.(ca.1880).

Reprinted:

New York: Edwin F. Kalmus, n.d.(after 1933). Plate K 6873.

Copyright:

Public Domain [tag/del]

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Selections

 Recitative and Aria: The smiling dawn of happy days (Part I)
#149326 - 0.61MB, 5 (i, #56-59) pp. -  6.0/10 2 4 6 8 10 (1- V/V/V - 650x

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Massenetique (2011/11/10)

PMLP44707-Handel - Jephtha - The smiling dawn VS Sibley.1802.13774.pdf
Arranger:

Vincent Novello (1781-1861), piano reduction

Publisher Info.:

London: Novello and Company, n.d.

Copyright:

Public Domain [tag/del]

Misc. Notes:

This file is part of the Sibley Mirroring Project.

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 Recitative and Aria: Waft her, angels, to the skies (Part III)
#146325 - 0.60MB, 9 (#183-191) pp. -  6.0/10 2 4 6 8 10 (2- V/V/V - 1991x

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Massenetique (2011/11/4)

 Aria: Farewell, ye limpid springs and floods (Part III)
#146324 - 0.36MB, 6 (#192-197) pp. -  7.0/10 2 4 6 8 10 (2- V/V/V - 885x

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Massenetique (2011/11/4)

PMLP44707-Handel - Jephtha - Waft her angels VS Sibley.1802.16201.pdf
Editor:

Ebenezer Prout (1835-1909)

Publisher Info.:

Songs and Airs by George Frideric Handel, Volume I: For High Voice.
Boston: Oliver Ditson Company, 1905. Plates ML-1115-1116.

Copyright:

Public Domain [tag/del]

Misc. Notes:

This file is part of the Sibley Mirroring Project.

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Arrangements and Transcriptions

Recitative and Aria: Waft her, angels, to the skies (Part III)

For Cello and Organ (Marpert)

 Complete score
#349614 - 0.06MB, 3 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 52x

PDF typeset by arranger
Petitereprise (2014/10/28)

PMLP44707-Waft her, angels, through the sky.pdf
Arranger:

Michel Marpert

Publisher Info.:

Petite Reprise Weingarten

Copyright:

Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del]

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General Information

Work Title Jephtha
Alternative Title
Composer Handel, George Frideric
Opus/Catalogue Number HWV 70
Movements/Sections 3 Parts
  • Part 1
1. Overture
2. Recitative: It must be so (Zebul)
3. Aria: Pour forth no more unheeded prayers (Zebul)
4. Chorus: No more to Ammon's god and king
Chorus: Chemosh no more
5. Recitative: But Jephtha comes (Zebul)
6. Aria: Virtue my soul shall still embrace (Jephtha)
7. Recitative: 'Twill be a painful separation (Storge)
8. Aria: In gentle murmurs will I mourn (Storge)
9. Recitative: Happy this embassy (Hamor)
10. Aria: Dull delay, in piercing anguish (Hamor)
11. Recitative: Ill suits the voice of love (Iphis)
12. Aria: Take the heart you fondly gave (Iphis)
13. Recitative: I go, my soul, inspir'd (Hamor)
14. Duet: These labours past (Iphis, Hamor)
15. Recitative: What mean these doubtful fancies (Jephtha)
16. Recitative: If, Lord, sustain'd by thy almighty pow'r (Jephtha)
17. Recitative: 'Tis said (Jephtha)
18. Chorus: O God, behold our sore distress
19. Recitative: Some dire event (Storge)
20. Aria: Scenes of horror, scenes of woe (Storge)
21. Recitative: Say, my dear mother (Iphis, Storge)
22. Aria: The smiling dawn of happy days (Iphis)
23. Recitative: Such, Jephtha (Zebul)
24. When his loud voice in thunder spoke (Chorus)
  • Part 2
25. Recitative: Glad tidings of great joy (Hamor)
26. Chorus: Cherub and Seraphim
27. Aria: Up the dreadful steep ascending (Hamor)
28. Recitative: 'Tis well (Iphis)
29. Aria: Tune the soft melodious lute (Iphis)
30. Recitative: Again heav'n smiles (Zebul)
31. Aria: Freedom now once more possessing (Zebul)
32. Recitative: Zebul, thy deeds were valiant (Jephtha)
33. Aria: His mighty arm (Jephtha)
34. Chorus: In glory high
35. Symphony
36. Recitative: Hail, glorious conqueror! (Iphis)
37. Aria: Welcome as the cheerful light (Iphis)
38. Semi-Chrorus: Welcome thou
39. Recitative: Horror! Horror! (Jephtha)
40. Aria: Open thy marble jaws (Jephtha)
41. Recitative: Why is my brother thus afflicted (Zebul)
42. Recitative: First perish thou (Storge)
43. Recitative: If such thy cruel purpose (Hamor)
44. Aria: On me let blind mistaken zeal (Hamor)
45. Quartet: O spare your daughter (Storge, Hamor, Jephtha, Zebul)
46. Recitative: Such news flies swiftly (Iphis)
47. Recitative: For joys so vast (Iphis)
48. Aria: Happy they (Iphis)
49. Recitative: Deeper and deeper still (Jephtha)
50. Chorus: How dark, O Lord, are Thy decrees
  • Part 3
51. Recitative: Hide thou thy hated beams (Jephtha)
52. Recitative: A father, off'ring up his only child (Jephtha)
53. Aria: Waft her, angels (Jephtha)
54. Recitative: Ye sacred priests (Iphis)
55. Aria: Farewell, ye limpid springs (Iphis)
56. Chorus: Doubtful fear
57. Symphony
58. Recitative: Rise Jephtha (Angel)
59. Aria: Happy, Iphis, shalt thou live (Angel)
60. Aria: For ever blessed be thy holy name (Jephtha)
61. Chorus: Theme sublime of endless praise
62. Recitative: Let me congratulate (Zebul)
63. Aria: Laud her, all ye virgin train (Zebul)
64. Recitative: O let me fold thee (Storge)
65. Aria: Sweet as sight to the blind (Storge)
66. Recitative: With transport, Iphis (Hamor)
67. Aria: 'Tis heav'n's all-ruling power (Hamor
68. Recitative: My faithful Hamor (Iphis)
69. Aria: Freely I to heav'n resign (Iphis)
70. Quintet: All that is in Hamor mine (Iphis, Hamor, Storge, Jephtha, Zebul)
71. Chorus: Ye house of Gilead
Year/Date of Composition 1751-08-30 (end date)
First Performance 1752-02-26 in London: Covent Garden
Librettist Thomas Morell (1703-1784)
after "Judges" (Chapter 11) and G. Buchanan's "Jephthas sive votum"
(translation: "Jeptha or the Vow") (1554)
Language English
Piece Style Baroque
Instrumentation Vocal soloists (2 sopranos, mezzo-soprano, alto, tenor, bass), Chorus, Orchestra


Misc. Comments

Roles

  • Jephtha (tenor)
  • Iphis, his daughter (soprano)
  • Storgè, his wife (mezzo-soprano)
  • Zebul, his brother (bass)
  • Hamor, in love with Iphis (alto)
  • Angel (soprano)
  • Chorus of Israelites, Chorus of Priests, Chorus of Virgins
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