Ich hab in Gottes Herz und Sinn, BWV 92 (Bach, Johann Sebastian)

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Sheet Music

Full Scores

 Complete Score
#01339 - 4.56MB, 36 pp. -  8.0/10 2 4 6 8 10 (2- V/V/V - 1971x

PDF scanned by Unknown
Carolus (2006/8/27)

BWV0092.pdf
Editor:

Wilhelm Rust (1822–1892)

Publisher Info.:

Bach-Gesellschaft Ausgabe, Band 22
Leipzig: Breitkopf & Härtel, 1875. Plate B.W. XXII.

Copyright:

Public Domain [tag/del]

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Vocal Scores

 Complete Score
#24265 - 2.38MB, 36 pp. -  0.0/10 2 4 6 8 10 (0- C/V/C - 929x

PDF scanned by bh2000
Perlnerd666 (2008/11/9)

PMLP04162-bwv092.pdf
Arranger:

Bernhard Todt (1822–1907) [?]

Publisher Info.:

Leipzig: Breitkopf & Härtel, n.d.(ca.1890)

Copyright:

Public Domain [tag/del]

Misc. Notes:

Vocal Scores based on Bach-Gesellschaft Ausgabe

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Arrangements and Transcriptions

For Organ solo (Bækgaard)

 4. Chorale: Zudem ist Weisheit und Verstand
#131911 - 0.07MB, 3 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 248x

PDF typeset by Peter Bækgaard
wrshannon (2011/10/3)

 transposed to A minor
#131912 - 0.05MB, 3 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 141x

PDF typeset by Peter Bækgaard
wrshannon (2011/10/3)

 about the transcription
#134706 - 0.00MB, 1 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 77x

PDF typeset by Peter Bækgaard
wrshannon (2011/10/3)

 Engraving files (Finale)
#176946 - 0.03MB, ? pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 61x

ZIP typeset by Peter Bækgaard
wrshannon (2011/10/3)

WIMA.c0c8-zudem.pdf
Arranger:

Peter Bækgaard

Publisher Info.:

Peter Bækgaard

Copyright:

Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]

Misc. Notes:

These file(s) are part of the Werner Icking Music Collection, and are also included in the Peter Bækgaard Collection.

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General Information

Work Title Ich hab in Gottes Herz und Sinn
Alternative Title I have to God's heart and mind
Composer Bach, Johann Sebastian
Opus/Catalogue Number BWV 92
Key B minor
Movements/Sections 9 movements
  1. Chorale: Ich hab in Gottes Herz und Sinn (B minor)
  2. Recitativo (Bass): Es kann mir fehlen nimmermehr! (E minor)
  3. Aria (Tenor): Seht, seht! wie reißt, wie bricht, wie fällt (B minor)
  4. Choral (Alto): Zudem ist Weisheit und Verstand (F minor)
  5. Recitativo (Tenor): Wir wollen nun nicht länger zagen (D major-B minor)
  6. Aria (Bass): Das Brausen/Stürmen von den rauhen Winden (D major)
  7. Recitativo (SATB): Ei nun, mein Gott, so fall ich (B minor-D major)
  8. Aria (Soprano): Meinem Hirten belieb ich treu (D major)
  9. Choral: Soll ich denn auch des Todes weg (B minor)
Year/Date of Composition 1725
First Performance 1725-01-28 in Leipzig
Librettist after Paul Gerhardt (1607-1676), 1647
Language German
Average Duration 33 minutes
Piece Style Baroque
Instrumentation Vocal — Soloists (SATB), Chorus (SATB)
Orchestra — 2 oboes d'amore, strings, continuo
External Links Bach-Cantatas.com


Misc. Comments

For Septuagesima Sunday

Commentary on the movements

  1. Chorale: Ich hab in Gottes Herz und Sinn. The longest movement by far. The opening ritornello is a beautiful alternation of oboes d'amore (in their favorite key) and strings. The themes are not derived from the chorale this time.
  2. Recitativo (Bass): Es kann mir fehlen nimmermehr! A strange movement, blending the bass singing the chorale with arioso-recitative passages. The continuo players get plenty of work in this movement.
  3. Aria (Tenor): Seht, seht! wie reißt, wie bricht, wie fällt. An animated, "passionate" aria with strings1. Overall, the "jumpy" nature of the tenor line adds to the nervous energy.
  4. Choral (Alto): Zudem ist Weisheit und Verstand. The alto now gets to sing the chorale, with two oboes d'amore to lead the way. F minor)
  5. Recitativo (Tenor): Wir wollen nun nicht länger zagen. Secco recitative.
  6. Aria (Bass): Das Brausen/Stürmen von den rauhen Winden. A continuo aria, also with a "busy" continuo part. In contrast to the tenor aria, long melismatic runs dominate the movement.
  7. Recitativo (SATB): Ei nun, mein Gott, so fall ich. Akin to the second movement, the entire soloistic ensemble delivers verses of the chorale as a unit, while each in turn gives a recitative interjection.
  8. Aria (Soprano): Meinem Hirten belieb ich treu. For an inspired instrumentation of oboe d'amore and plucked cellos and basses (no organ, presumably no harpsichord). The lilt of this movement gives it a dancing quality.
  9. Choral: Soll ich denn auch des Todes weg. A plain chorale setting.

Print Sources Consulted

Oxford: Oxford University Press, 2005.
Cantatas by Johann Sebastian Bach
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