Home, Sweet Home (Bishop, Henry Rowley)

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Sheet Music

Scores

 Complete Score
#119287 - 0.25MB, 4 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 1941x

PDF scanned by US-R
Jemiller226 (2011/9/5)

SIBLEY1802.6708.b2ec-39087011207927.pdf
Editor:

5th edition

Publisher Info.:

London: Goulding, D’Almain & Co., n.d.(ca.1825).

Copyright:

Public Domain [tag/del]

Misc. Notes:

This file is part of the Sibley Mirroring Project.

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 Complete Score
#06268 - 0.06MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 1492x

PDF typeset by editor
Jujimufu (2007/5/23)

Bishop - Home, Sweet Home.pdf
Editor:

Stan Sanderson

Publisher Info.:

Mutopia Project

Copyright:

Creative Commons Attribution 3.0 [tag/del]

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Arrangements and Transcriptions

For 4 Voices (Linder)

 Wo findet die Seele die Heimat, die Ruh - Piano Score
#05825 - 0.33MB, 1 pp. -  9.5/10 2 4 6 8 10 (4) - V/V/V - 497x

PDF scanned by Keller, Klaus-Dieter
Keller, Klaus-Dieter (2007/5/9)

Henry Bishop - Wo findet die Seele die Heimat, die Ruh.pdf
Arranger:

August Linder

Language:

German

Translator:

Franz Ludwig Jörgens (1792-1838/40), German text

Publisher Info.:

Deutsche Weisen, No.243
Stuttgart: Albert Auer's Musikverlag, n.d.[1900]. Plate A. 30 A.

Copyright:

Public Domain [tag/del]

Misc. Notes:

Highest note is melody.

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For 3 Voices (Wakefield)

 Complete Score
#96921 - 0.08MB, 1 pp. -  8.0/10 2 4 6 8 10 (1) - V/V/V - 275x

PDF scanned by US-Wc
Fynnjamin (2011/3/21)

PMLP15180-Sweet Home - de Wakefield.pdf
Arranger:

Samuel Wakefield, (1799–1895)

Language:

German

Publisher Info.:

Deutsches Choralbuch: Eine Sammlung von deutschen und englischen Kirchenmelodien, nebst einer Anweisung fur Erlernung der Vokalmusik
Cincinnati: L. Swormstedt & A. Poe, 1852.

Copyright:

Public Domain [tag/del]

Misc. Notes:

Melody in the top line.

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For 3 Voices (Walker)

 Complete Score
#96920 - 0.49MB, 1 pp. -  8.0/10 2 4 6 8 10 (1) - V/V/V - 262x

PDF scanned by Southern Harmony Online
Fynnjamin (2011/3/21)

PMLP15180-Walker Sweet Home bw.pdf
Arranger:

William Walker (1809-1875)

Publisher Info.:

The Southern Harmony, and Musical Companion
Philadelphia: E.W. Miller, 1847.

Copyright:

Public Domain [tag/del]

Misc. Notes:

4-shape notation; Melody in the Tenor (middle line).
Text (1837) by David Denham (1791-1848).

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 Complete Score
#96489 - 0.31MB, 1 (#84) pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 243x

PDF scanned by Fynn Titford-Mock
Fynnjamin (2011/3/18)

PMLP15180-Sweet Home.pdf
Arranger:

William Walker (1809-1875)

Editor:

John Gordon McCurry (1821–1886)

Publisher Info.:

The Social Harp
Philadelphia: T.K. Collins, Jr., 1855.

Copyright:

Public Domain [tag/del]

Misc. Notes:

4-shape notation; as above.

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For Organ (Buck)

 Complete Score
#268504 - 0.51MB, 5 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 187x

PDF scanned by US-R
Cypressdome (2013/2/4)

SIBLEY1802.26277.2e0e-39087012431922op30.pdf
Arranger:

Dudley Buck (1839-1909)

Publisher Info.:

New York: S.T. Gordon & Son, 1880. Plate 4386.

Copyright:

Public Domain [tag/del]

Misc. Notes:

This file is part of the Sibley Mirroring Project. Copyright date not visible on this copy but is shown on the copy at the Library of Congress. Published as Buck's Opus 30.

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For Harp (Chipp)

 Complete Score
#95608 - 0.61MB, 8 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 308x

PDF scanned by DK-Kk
Fynnjamin (2011/3/10)

PMLP15180-bishop home sweet home arr chipp.pdf
Arranger:

Thomas Paul Chipp (1793-1870)

Publisher Info.:

London: Goulding, D'Almaine, Potter & Co., n.d.

Copyright:

Public Domain [tag/del]

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For Guitar (Foden)

 Complete score
#74786 - 2.36MB, 7 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/C - 329x

PDF scanned by US-SLug
Mikemoral (2010/8/11)

PMLP150027-b29899710.pdf
Arranger:

William Foden (1860–1947)

Publisher Info.:

St. Louis: William Foden, 1892.

Copyright:

Public Domain [tag/del]

Misc. Notes:

This file is part of the Gaylord Library Mirroring Project.

This item, public domain in its country of origin, is possibly likewise public domain in the EU due to the EU's implementation of Rule of the Shorter Term for non-EU works. This EU ruling might be superseded by bilateral treaties still in force between some EU countries and countries outside the EU (notably the USA).
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.

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For Piano solo (Bellak)

 Complete score
#313518 - 0.04MB, 3 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 105x

PDF typeset by editor
Rah9639 (2014/1/28)

PMLP15180-Sweet Home Bellak.pdf
Arranger:

James Bellak

Editor:

Robert A. Hudson

Publisher Info.:

Robert A. Hudson

Copyright:

Creative Commons Attribution 4.0 [tag/del]

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For Piano solo (Oesten)
See: No.1 of 2 Volksweisen, Op.329 (Oesten, Theodore)

Texts

Addfilenum[3]

Religious Text (Denham)

1. 'Mid scenes of confusion and creature complaints,
How sweet to the soul is communion with saints!
To find at the banquet of mercy there's room,
And feel in the presence of Jesus at home.
Chorus
Home! home! sweet, sweet home!
Prepare me, dear Savior, for glory, my home.

2. Sweet bonds that unite all the children of peace!
And, thrice precious, Jesus, whose love cannot cease,
Though oft from thy presence in sadness I roam,
I long to behold thee in glory, at home.

3. I sigh from this body of sin to be free,
Which hinders my joy and communion with thee;
Though now my temptations like billows may foam,
All, all will be peace, when I'm with thee at home.

4. While here in the valley of conflict I stay,
O give me submission and strength as my day!
In all my afflictions to thee would I come,
Rejoicing in hope of my glorious home.

5. Whate'er thou deniest, O give my thy grace!
The Spirit's sure witness, and smiles of thy face;
Endue me with patience to wait at thy throne,
And find, even now, a sweet foretaste of home.

6. I long, dearest Lord, in thy beauties to shine,
No more as an exile in sorrow to pine,
And in thy fair image, arise from the tomb,
With glorified millions to praise thee at home.
Last verse Chorus:
Home! home! sweet, sweet home!
Receive me, dear Savior, in glory, my home.


German Text (Wakefield)

Bei aller Verwirrung und Klage allhier,
Ist mir, o mein Jesu, so heimlich bei Dir;
Im Kreise der Deinen spricht Friede! Du aus,
Da bin ich in Deiner Gemeinschaft zu Haus.
Heim! Heim! Ach, nur heim!
Ach kam' ich, mein Heiland, doch recht zu Dir heim!

German Text (Jörgens)

1. Wo findet die Seele die Heimat, der Ruh?
Wer deckt sie mit schützenden Fittichen zu?
Ach, bietet die Welt keine Freistatt mir an,
Wo Sünde nicht kommen, nicht anfechten kann?
Nein, nein, nein, nein, hier ist sie nicht,
die Heimat der Seelen ist droben im Licht!

2. Verlasse die Erde, die Heimath zu sehn,
Die Heimat der Seele, so herrlich, so schön,
Jerusalem droben, von Golde gebaut,
Ist dieses die Heimath der Seele, der Braut?
Ja, ja, ja, ja, dieses allein
Kann Ruhplatz und Heimat der Seele nur sein.

3. Wie selig die Ruhe bei Jesu im Licht!
Tod, Sünde und Schmerzen, die kennt man dort nicht.
Das Rauschen der Harfen, der liebliche Klang
Empfängt die Erlösten mit süßem Gesang.
Ruh', Ruh', Ruh', Ruh', himmlische Ruh',
Im Schoße des Mittlers, ich eile dir zu!

additional/zusätzlich:
4. Bei aller Verwirrung und Klage allhier,
Ist mir, o mein Heiland, so wohl stehts bei dir!
Im Kreise der Deinen sprichst „Friede!“ du aus,
Da bin ich mit deiner Gemeinschaft zu Haus!
Heim, heim, heim, heim, ach ja nur heim!
O komme, mein Heiland, und hole mich heim!

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General Information

Work Title Home, Sweet Home
Alternative Title There's No Place Like Home ; Sweet Home
Composer Bishop, Henry Rowley
Key E major
Movements/Sections 1
Year/Date of Composition 1821
First Publication 1821
Librettist John Howard Payne (1791–1852)
Language English
Piece Style Romantic
Instrumentation Voice, Piano
External Links Wikipedia article


Misc. Comments

Although Bishop composed this song, it was adapted from John Howard Payne's 1823 opera Clari, Maid of Milan. The melody is Bishop's, the text is Payne's. The song itself is not an extract from Payne's opera.
It is interesting, in comparing different versions, to see how the melody has altered widely through the folk process.

Also see the discussion of this song in The Works of Sir Henry Bishop (last few pages of that article).

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