Herzlich tut mich verlangen, F 8.2 (Kellner, Johann Peter)

Contents

Performances

Recordings

MP3 file (audio)
Bartfloete (2013/5/2)

Performer Pages Michael Schopen (Organ)
Publisher Info. Michael Schopen
Copyright
Misc. Notes Played live at a MIDI console using the virtual pipe organ software Hauptwerk and the sampleset Velesovo
Purchase
Javascript is required for this feature.

Naxos

Javascript not enabled.

Sheet Music

Scores

PDF typeset by Roland Lopes
wrshannon (2012/3/28)

Editor Roland Lopes
Publisher. Info. Roland Lopes
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
Purchase
Javascript is required for this feature.

Arrangements and Transcriptions

For Flugelhorn (Rondeau)

PDF typeset by Michel Rondeau
Michrond (2012/11/20)

ZIP typeset by Michel Rondeau
Michrond (2012/11/20)

Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
Purchase
Javascript is required for this feature.

Javascript is required to submit files.

General Information

Work Title Herzlich tut mich verlangen
Alternative. Title Ach Herr mich armen Sünder
Composer Kellner, Johann Peter
Opus/Catalogue NumberOp./Cat. No. BWV Anh.2:47/Anh.3:172 ; FecK 8.2
I-Catalogue NumberI-Cat. No. IJK 3
Key A minor
Movements/SectionsMov'ts/Sec's 1
Year/Date of CompositionY/D of Comp. 1764 or earlier
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation Organ
External Links RISM 452015503 (1764 Ms copy at Staatsbibliothek zu Berlin.)

RISM 452015516 (another Ms copy at Berlin.)
RISM 190002856 (ms copy, Lund)
RISM 700005921 (ms copy, Brussels)

Navigation etc.

(title in each manuscript copy says soprano (top voice of organ perhaps?) and organ/2 keyboards and pedal. RISM classes as for organ solo.) Begins in A minor (inflected / natural minor / modal / etc.) and ends on the dominant (E major chord), though this at least is open to interpretation (subdominant region of E minor --> E major) etc. (taking no account of the in-between music and progressions- which need to be taken account of.)