Sollt es gleich bisweilen scheinen (Witt, Christian Friedrich)

Contents

Performances

Recordings

Synthesized/MIDI

For Orchestra (Gauntlett/Choe)

MP4 file (audio/video)
TradViolin (2022/11/17)

Publisher Info. Joshua Choe, 2022.
Performers Finale v27
Copyright
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For 2 Trumpets, 2 Trombones and Timpani (Gauntlett/Rondeau)

MID file (audio/video)
Michrond (2012/2/10)

Publisher Info. Michel Rondeau
Performers MIDI
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Arrangements and Transcriptions

Stuttgart

For Orchestra (Gauntlett/Choe)

PDF typeset by arranger
TradViolin (2022/11/17)

PDF typeset by arranger
TradViolin (2022/11/17)

Arranger Henry John Gauntlett (1805-1876)
Joshua Choe
Publisher. Info. Joshua Choe, 2022.
Copyright
Misc. Notes "Come, Thou Long-Expected Jesus" - text (not included) by Charles Wesley (1707-1788)
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For 2 Trumpets, 2 Trombones and Timpani (Gauntlett/Rondeau)

PDF typeset by arranger
Michrond (2012/2/10)

5 more: Trumpet 1/2 (C) • Trumpet 1/2 (B♭) • Trombone 1/2 • Timpani • Engraving files (Finale)

PDF typeset by arranger
Michrond (2012/2/10)

PDF typeset by arranger
Michrond (2012/2/10)

PDF typeset by arranger
Michrond (2012/2/10)

PDF typeset by arranger
Michrond (2012/2/10)

ZIP typeset by arranger
Michrond (2012/2/10)

Arranger Henry John Gauntlett (1805-1876)
Michel Rondeau
Publisher. Info. Michel Rondeau
Copyright
Misc. Notes "Hark What Mean those Holy Voices" - text (not included) by John Cawood (1775-1852)
These file(s) are part of the Werner Icking Music Collection.
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General Information

Work Title Sollt es gleich bisweilen scheinen
Alternative. Title Stuttgart
Composer Witt, Christian Friedrich
I-Catalogue NumberI-Cat. No. ICW 322
Key G major
First Publication. 1715 in Psalmodia Sacra (No.551), compiled by Christian Friedrich Witt
Librettist Christian Tietze (1641-1703)
Language German
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation voice, continuo
Extra Information The tune is not attributed in the source, but is highly likely to be the composition of Witt. It is best known in English hymnals in the version by J. H. Gauntlett, under the title "Stuttgart".