Gott, man lobet dich in der Stille, BWV 120 (Bach, Johann Sebastian)

Free public domain sheet music from IMSLP / Petrucci Music Library
Jump to: navigation, search

Sheet Music

Full Scores

 Complete Score
#01374 - 3.20MB, 38 pp. -  8.0/10 2 4 6 8 10 (5) - V/V/V - 1921x

PDF scanned by Unknown
Feldmahler (2006/8/29)

BWV0120.pdf
Editor:

Alfred Dörffel (1821–1905)

Publisher Info.:

Bach-Gesellschaft Ausgabe, Band 24
Leipzig: Breitkopf & Härtel, 1876. Plate B.W. XXIV.

Copyright:

Public Domain [tag/del]

Purchase:

Javascript is required for this feature.

Vocal Scores

 Complete Score
#24293 - 1.76MB, 28 pp. -  0.0/10 2 4 6 8 10 (0) - C/V/C - 749x

PDF scanned by bh2000
Perlnerd666 (2008/11/9)

PMLP04365-bwv120.pdf
Arranger:

Bernhard Todt (1822–1907) [?]

Publisher Info.:

Leipzig: Breitkopf & Härtel, n.d.(ca.1890)

Copyright:

Public Domain [tag/del]

Misc. Notes:

Vocal Scores based on Bach-Gesellschaft Ausgabe

Purchase:

Javascript is required for this feature.

Javascript is required to submit files.

General Information

Work Title Gott, man lobet dich in der Stille
Alternative Title 'O God, they praise you in the Stillness'
Composer Bach, Johann Sebastian
Opus/Catalogue Number BWV 120
Movements/Sections 6 movements
  1. (Alto): Gott, man lobet dich in der Stille (A major)
  2. Chor: Jauchzet, ihr erfreuten Stimmen (D major)
  3. Recitativo (Bass): Auf, du geliebte Lindenstadt (B minor)
  4. Aria (Soprano): Heil und Segen (G major)
  5. Recitativo (Tenor): Nun, Herr, so weihe selbst das Regiment (D major-F minor)
  6. Choral: Nun hilf uns, Herr, den Dienern dein (B minor-D major)
Language German
Average Duration 26 minutes
Piece Style Baroque
Instrumentation Vocal — Soloists (SATB), Chorus (SATB)
Orchestra — 2 oboes d'amore, 3 trumpets, timpani, strings, continuo
External Links WIkipedia article
Bach-Cantatas.com


Misc. Comments

For a Council Election (1742?)

Commentary on the movements

  1. (Alto): Gott, man lobet dich in der Stille. An extremely unusual opening movement: a solo, not with the full orchestra, and for alto at that. Dürr1 speculates upon textual considerations;
    regardless, the movement is highly attractive and a welcome relief from Bach's standard "pulling out all the stops" opening choruses.
  2. Chor: Jauchzet, ihr erfreuten Stimmen. The peaceful mood does not last; this praising chorus—later reused as the Et expecto resurrectionem in BWV 232—is full of trumpets-and-drums fanfares,
    melismatic fugal splendor, and other standard festal devices.
  3. Recitativo (Bass): Auf, du geliebte Lindenstadt. Secco recitative.
  4. Aria (Soprano): Heil und Segen. The soprano voice and solo violin here offer a comforting tone, along with the "relaxed" G major tonality after the blazing brass fanfares that preceded.
  5. Recitativo (Tenor): Nun, Herr, so weihe selbst das Regiment. Recitative with string accompaniment.
  6. Choral: Nun hilf uns, Herr, den Dienern dein. A plain choral setting.

Version History

  1. The arias in BWV 120a (1729) are parodies, but the original is lost. The same arias are used here.
  2. BWV 120b (1730) again reuses the arias.
  3. This version, perhaps from 1742, is thought to be the latest parody version.

Print Sources Consulted

Oxford: Oxford University Press, 2005.
Cantatas by Johann Sebastian Bach
Personal tools
Variants
Actions
Navigation
Browse scores
Browse recordings
Participate
Other
For iPhone & iPad

Purchase

Toolbox
Associated with