God grant with grace (Tallis, Thomas)

Contents

Performances

Naxos

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Synthesized/MIDI

For 2 Trumpets and 2 Trombones (Rondeau)

MP3 file (audio)
Michrond (2012/6/14)

Publisher Info. Michel Rondeau
Performers MIDI
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Scores

PDF typeset by editor
Reccmo (2011/10/25)

Editor Christian Mondrup
Publisher. Info. Christian Mondrup
Copyright
Misc. Notes Version from The Whole Booke of Psalmes, 1621. Set to "Praise the Lord O Ye Gentils All"
These file(s) are part of the Werner Icking Music Collection.
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Arrangements and Transcriptions

For 2 Trumpets and 2 Trombones (Rondeau)

PDF typeset by Michel Rondeau
Michrond (2012/6/14)

PDF typeset by Michel Rondeau
Michrond (2012/6/14)

PDF typeset by Michel Rondeau
Michrond (2012/6/14)

ZIP typeset by Michel Rondeau
Michrond (2012/6/14)

Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
Copyright
Misc. Notes Version from The Whole Booke of Psalmes, 1621.
These file(s) are part of the Werner Icking Music Collection.
Purchase
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Added Descants

For Voice and Keyboard (Braithwaite)

PDF typeset by Fynn Titford-Mock
Fynnjamin (2011/1/17)

Arranger Walter Heurtley Braithwaite (1906-1991)
Editor Fynn Titford-Mock
Publisher. Info. Fynn Titford-Mock
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General Information

Work Title God Grant with Grace
Alternative. Title Praise the Lord O Ye Gentils All; Tallis's Canon; Evening Hymn; Glory to Thee, my God, this night
Composer Tallis, Thomas
I-Catalogue NumberI-Cat. No. ITT 4
First Publication. 1567 - in Tunes for Parker’s Psalter
Librettist Matthew Parker (1504-1575), after Psalm LXVII
Language English
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 4 voices

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According to Grove Music "Tallis contributed nine four-voice psalm tunes (one of which has since been made famous by Vaughan Williams) for one of the many metrical psalters published at this time, that of Archbishop Parker in 1567. Otherwise, however, his English music of this period was almost entirely for five voices and was probably written for routine use in the Chapel Royal."