Fugue in B-flat major, BWV 955 (Bach, Johann Sebastian)

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Ambox notice.pngThis fugue was previously attributed to Johann Christoph Erselius, but has recently been identified as an original work by Johann Sebastian Bach.


Sheet Music

Scores

 Complete Score
#05829 - 0.20MB, 4 (#55-58) pp. -  0.0/10 2 4 6 8 10 (0- V/V/V - 3714x

PDF scanned by Unknown
Peter (2007/5/10)

 Complete Score (alternative version)
#06436 - 0.14MB, 2 pp. -  10.0/10 2 4 6 8 10 (1- V/V/V - 1012x

PDF scanned by Unknown
Peter (2007/5/26)

Bach - BGA - BWV 955.pdf
Editor:

Ernst Naumann (1832–1910)

Publisher Info.:

Bach-Gesellschaft Ausgabe, Band 42
Leipzig: Breitkopf & Härtel, 1894. Plate B.W. XLII.

Copyright:

Public Domain [tag/del]

Misc. Notes:

Attributed to Johann Christoph Erselius in this edition.

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General Information

Work Title Fugue
Alternative Title Fuge
Composer Bach, Johann Sebastian
Opus/Catalogue Number BWV 955
Key B major
Movements/Sections 1
First Publication 1880
Piece Style Baroque
Instrumentation Clavier


Misc. Comments

  • This fugue was previously thought to have been arranged from a work by Johann Christoph Erselius. More recent analysis by Karl Heller ascertained that: "The B-flat major fugue, BWV 955, has hitherto been considered an arrangement by Bach of a G-major fugue by Johann Christopher Erselius (ca.1703-72), a hypothesis now disproven by source and textual studies. The G-major version is actually a transposition of an early version (BWV 955a) of the B-flat major fugue; both date from Bach's early years as a composer" — 'Die Klavierfuge BWV 955: Zur Frage ihres Autors und ihrer verschiedenen Fassungen', Das Fruhwerk Johann Sebastian Bachs: Kolloquium veranstaltet vom Institut fur Musikwissenschaft der Universitat Rostock, 11.-13. September 1990 (Koln: Studio, 1995) p.130–141.
    • Both BWV 955a, 955 discussed (as works in volume 3 of Schulenberg's 2013 "The Keyboard Music of J.S. Bach" - brief BWV955 analysis and discussion. (Schulenberg notes that it is not, pace!! Heller's statement, regarded as a matter quite disproven, but Schulenberg has no problem with 955 being accepted as part of the Bach canon - on the one hand "it will appear in the N[eue]B[ach]A[usgabe] reserved for doubtful clavier works", on the other, "less well documented works have been accepted into the Bach canon".
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