Extase, Op.21 (Ysaÿe, Eugène)

		Genre Categories Symphonic poems; For violin, orchestra; Scores featuring the violin; Scores featuring the orchestra; For orchestra with soloists; For violin, piano (arr); For 2 players; Scores featuring the piano; For 2 violins (arr)

Sheet Music

• Arrangements and Transcriptions (4)

Arrangements and Transcriptions

For Violin and Piano (Composer)

 Violin and Piano score, solo part
*#07909 - 2.24MB, 18 (14 + 4) pp. -  6.0/10 2 4 6 8 10 (1) - V/V/V - 1238x⇩

PDF scanned by Debrecen Univ.
Mcroskell (2007/6/15)

 Violin and Piano score, solo part
*#33567 - 0.89MB, 20 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 652x⇩

PDF scanned by Sibley Library
Jdeperi (2009/6/27)

 Piano Score (color scan)
*#48244 - 15.94MB, 14 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 219x⇩

PDF scanned by Royal Library of Belgium
Peter (2009/12/6)

Publisher Info.:

Brussels: Editions A. Ysaÿe/Schott Freres, 1921. Plate S. F. 5596.

Copyright:

Public Domain [tag/del]

Misc. Notes:

This file is part of the Sibley Mirroring Project.

Purchase:

Javascript is required for this feature.

For 2 Violins (Composer)

 Composer's reduction of the orchestra part for a 2nd violin.
*#22434 - 1.00MB, 6 pp. -  8.0/10 2 4 6 8 10 (1) - V/V/V - 663x⇩

PDF scanned by Dsoslglece
Dsoslglece (2008/9/29)

Editor:

[composer's arrangement]

Publisher Info.:

Manuscript, n.d.

Copyright:

Public Domain [tag/del]

Misc. Notes:

bitmap 300dpi, good quality

Purchase:

Javascript is required for this feature.

Javascript is required to submit files.

General Information

Work Title	Extase, Op.21
Alternative Title	Extase, 4me Poeme pour Violin et Orchestra

Composer	Ysaÿe, Eugène
Opus/Catalogue Number	Op.21
Dedication	Mischa Elman
Piece Style	Romantic
Instrumentation	Violin and Orchestra

Misc. Comments

The "Poème de l'extase", is a very profound and expressive piece, and indeed was one of Ysaÿe's prefered works.

The second violin part is the manuscript copy from Ysaÿe's original manuscript (written in pencil and not easily readable... he always wrote with pencil!), he used to accompany his pupils on the violin. This manuscript (with few others) was at the time (1964) in possession of Maurice Raskin, lecturer at the Royal conservatoire Bruxelles, and who was the violin from the "Quatuor Belge de Londres".