Double Variations for Piano Solo (Fine, Vivian)
Free public domain sheet music from IMSLP / Petrucci Music Library
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Performances
Recordings
Complete performance
*#246925 - 17.20MB - 9:23 - (0) - - !N/!N/!N - 59x⇩
MP3 file (audio)
rhymesandchymes (2012/8/17)
Performers:
Claudia Stevens, piano
Publisher Info.:
Vivian Fine Estate
Copyright:
Creative Commons Attribution Non-commercial No Derivatives 3.0 [tag/del]
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Sheet Music
Piano Scores
Complete score
*#173647 - 5.29MB, 16 pp. - (0) - !N/!N/!N - 222x⇩
PDF scanned by Paul Hawkins
Peggy Karp (2012/1/26)
Publisher Info.:
Vivian Fine Estate
Copyright:
Performance Restricted Attribution Non-commercial No Derivatives 1.0 [tag/del]
However, the lawful copyright owner has generously released the file for distribution at IMSLP under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances.
Misc. Notes:
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Report performances to Vivian Fine Estate
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General Information
| Work Title | Double Variations for Piano Solo |
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| Alternative Title |
| Composer | Fine, Vivian |
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| Year/Date of Composition | 1982 |
| First Performance | 1983-12-5 in New York, Carnegie Recital Hall. Claudia Stevens, piano |
| Dedication | Claudia Stevens |
| Average Duration | 9 1/2 minutes |
| Piece Style | Modern |
| Instrumentation | piano |
| External Links | Vivian Fine website |
Misc. Comments
- Composer’s program notes:
- The first five variations are transformations of the opening material. Beginning with the sixth variation a fragment from Carter’s Double Concerto is introduced. This is combined with the opening statement for the remaining seven variations.
- From Leslie Jones, “The Solo Piano Music of Vivian Fine,” Doctor of musical arts thesis, University of Cincinnatti, 1994:
- Double Variations marked the occasion of Elliot Carter’s seventy-fifth birthday. Pianist Claudia Stevens commissioned and premiered the work at Carnegie Recital Hall, December 5, 1983.
- Double Variations recalls the textural and metrical complexities of Carter’s writing and his affinity for interweaving contrapuntal lines. Carter’s String Quartet No. 1 (1951), with these characteristics in an atonal context, influenced Fine’s writing of Double Variations. She commented on the piece: “The two-theme format of Double Variations refers to Carter’s String Quartet. There is a dialogue element to Double Variations and it is extremely difficult. I’ve never played it.”
- ...[U]nusual meter, rhythms, pedaling, disjunct linear writing, exploitation of contrasting registers, harmonic construction, and variation format provide an enormous spectrum of textural contrasts and pianistic challenges; however, it is Fine’s manipulation of various pitch sets and groupings that provide the greatest cohesive factor in Double Variations.
