Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)

Contents

Performances

Sheet Music

Scores

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Publisher. Info. Leipzig: C.F. Kahnt, n.d.[1871]. Plate 1230.
Post-1886 printing.
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Parts

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30 more: Flute 2 • Flute 3/Piccolo • Oboe 1 • Oboe 2 • English horn • Clarinet 1 • Clarinet 2 • Bassoon 1 • Bassoon 2 • Horn 1 • Horn 2 • Horn 3 • Horn 4 • Trumpet 1 • Trumpet 2 • Trumpet 3 • Trombone 1 • Trombone 2 • Trombone 3 • Tuba • Timpani • Percussion / (Side drum, Cymbals, Bass Drum, Low Bell in E) • Harmonium (also Organ) • Harp • Violins I • Violins II • Violas • Cellos • Basses • Editorial Notes

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Editor Gyula Pfeiffer
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Vocal Scores

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Publisher. Info. Leipzig: C.F. Kahnt, n.d.[1868]. Plate 1156.
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Editor Constance Bache (1846-1903), English text
Language English
Publisher. Info. London: Novello, Ewer & Co., n.d.(1884?).
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Arrangements and Transcriptions

Selections

For Piano solo (Liszt)

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Editor First edition
Publisher. Info. Leipzig: C.F. Kahnt, n.d.[1872]. Plate 1156, 1239.
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Misc. Notes From the Ruth Dana Collection of Liszt Editions.
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Editor First edition.
Publisher. Info. Leipzig: C.F. Kahnt, n.d.[1872]. Plate 1239. [later reprint?]
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Editor Imre Mező (1932–)
Imre Sulyok (1912–2008)
Publisher. Info. Neue Liszt-Ausgabe. Serie 1, Band 16 (pp.72-99)
Budapest: Editio Musica, 1982. Plate Z.8859.
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This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Misc. Notes scan: score scanned at 600dpi
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Einleitung

For Organ (Liszt and Müller-Hartung)

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Arranger Composer and Carl Müller-Hartung (1834-1908)
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Librettos

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Language German
Publisher. Info. Leipzig: C.F. Kahnt, n.d.
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General Information

Work Title Die Legende von der Heiligen Elisabeth
Alternative. Title The Legend of Saint Elizabeth
Composer Liszt, Franz
Opus/Catalogue NumberOp./Cat. No. S.2 ; LW.I4
I-Catalogue NumberI-Cat. No. IFL 219
Movements/SectionsMov'ts/Sec's 2 sections
  • Erster Theil:
Einleitung (Orchestral Introduction)
1. Ankunft der Elisabeth auf Wartburg:
a) Bewillkommung des Volks und des Landgrafen Hermann
b) Ausprache des ungarischen Magnaten, und Einstimmung des Chors
c) Erwiderung des Landgrafen Hermann
d) Erstes Mittheilen Ludwig's und Elisabeth's
e) Kinderspiele und Kinderchor
f) Wiederholte Bewillkommung des Chors
2. Ludwig:
a) Jagdlied
b) Begegung Ludwig's mit Elisabeth
c) Das Rosenmirakel
d) Danksagung's-Gebet Ludwig's und Elisabeth's mit Zufügung des Chors
3. Die Kreuzritter:
a) Chor der Kreuzritter
b) Recitativ des Landgrafen Ludwig
c) Der Abschied Ludwig's von Elisabeth
d) Chor und Marsch der Kreuzritter
e) Marsch des Kreuzzugs
  • Zweiter Theil:
4. Landgräfin Sophie:
a) Dialog der Landgräfin Sophie mit dem Seneschul
b) Klage der Elisabeth
c) Ihre Vertreibung aus Wartburg
d) Sturm
5. Elisabeth:
a) Gebet
b) Heimath's-Traum und Gedenken
c) Chor der Armen. Stimmen der Werke der Barmherzigkeit
d) Elisabeth's Hinscheiden
e) Chor der Engel
6. Feierliche Bestattung der Elisabeth
a) Recapitulirung der Haupmotiv als Orchester-Interludium
b) Der Kaiser Friederich II von Hohenstaufen
c) Trauerchor der Armen und des Volks
d) Aufzug der Kreuzritter
e) Kirchenchor. Ungarische und deutsche Bischöfe
Year/Date of CompositionY/D of Comp. 1857–62
First Performance. 1865-08-15 in Pest
First Publication. 1867 or 1868 (vocal score)
1869 (full score)
Librettist Otto Roquette (1824–1896)
Language German
Dedication Ludwig II King of Bavaria (1845–1886)
Average DurationAvg. Duration 2 hours ca.
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voices, chorus, orchestra
Voices
soprano, mezzo-soprano, 3 baritones, 2 basses
Mixed Chorus (SATB)
Orchestra
3 flutes (3rd also piccolo), 2 oboes, English horn, 2 clarinets, 2 bassoons
4 horns, 3 trumpets, 3 trombones, tuba
timpani, snare drum, cymbals, bass drum, bell
harmonium, organ, harp, strings

Navigation etc.

Ludwig II was not king during the composition of the work (1857-62) but dedications are often, if not usually, decided at time of publication.

Version History

  • Composed for solo voices, mixed chorus, organ and orchestra, 1857–62 (= S.2)
Published 1868 (vocal score), 1871 (full score) by C.F. Kahnt (Leipzig)
  • Introduction, No.3e and No.6a arranged for solo piano, 1857–62 (= S.498a)
Published 1868 by C.F. Kahnt (Leipzig)
  • No.2c and No.4d arranged for solo piano, 1862 (= S.693a)
Version not published[?]
  • Introduction, No.3e, No.4d and No.6a arranged for piano 4 hands, 1862–66? (= S.578)
Published 1868 by C.F. Kahnt (Leipzig)
  • Introduction arranged for organ (or harmonium, or pedal piano), arranged by Liszt and Carl Müller-Hartung, 1872 (= S.663a)
Published 1873 by C.F. Kahnt (Leipzig)