Classique et moderne (Mařák, Jan)

		Movements/Sections 6 volumes Volume 6: Antonín Dvořák 4 Romantic Pieces, No.3 rev. Jan Mařák (1870–1932) 4 Romantic Pieces, No.4 rev. Jan Mařák (1870–1932) From the Bohemian Forest, No.5 (Klid / Waldesruhe / Silent Woods) 8 Humoresques, No.7 arr. August Wilhelmj (1845–1908) Poetic Tone Pictures, No.6 (Rêverie / Klagendes Gedenken) arr. Paul Klengel (1854–1935) Waltzes, No.7 arr. Jan Mařák (1870–1932) Slavonic Dances, No.7 arr. Richard Barth (1850–1923) Mazurek, rev. Jan Mařák (1870–1932) Violin Concerto, II. Adagio rev. Jan Mařák (1870–1932) First Publication 1911 Genre Categories Pieces; For violin, piano; Scores featuring the violin; Scores featuring the piano; For 2 players

Sheet Music

• Scores and Parts (1)

Scores and Parts

 Piano Score and Violin Part
*#225706 - 9.68MB, 73 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 260x⇩

PDF scanned by Debrecen Univ.
Cypressdome (2012/5/27)

Editor:

Jan Mařák (1870–1932)

Publisher Info.:

Berlin: N. Simrock, Ed. M.U.207f, 1911.

Copyright:

Public Domain [tag/del]

Misc. Notes:

Original images: 150dpi grayscale jpg files approx. 1430 by 2000 pixels.
Editing: converted to black and white tif files, de-skewed, re-sampled to 600dpi, and set uniform margins.

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General Information

Work Title	Classique et moderne
Alternative Title

Composer	Mařák, Jan
Movements/Sections	6 volumes Volume 6: Antonín Dvořák 4 Romantic Pieces, No.3 rev. Jan Mařák (1870–1932) 4 Romantic Pieces, No.4 rev. Jan Mařák (1870–1932) From the Bohemian Forest, No.5 (Klid / Waldesruhe / Silent Woods) 8 Humoresques, No.7 arr. August Wilhelmj (1845–1908) Poetic Tone Pictures, No.6 (Rêverie / Klagendes Gedenken) arr. Paul Klengel (1854–1935) Waltzes, No.7 arr. Jan Mařák (1870–1932) Slavonic Dances, No.7 arr. Richard Barth (1850–1923) Mazurek, rev. Jan Mařák (1870–1932) Violin Concerto, II. Adagio rev. Jan Mařák (1870–1932)
First Publication	1911
Piece Style	Romantic
Instrumentation	Violin, piano

Misc. Comments

Includes works originally written for violin and piano and arrangements. Volume 5 is devoted to the works of Henri Wieniawski. The other four volumes cover various composers from the Baroque to late Romantic period.