Cello Sonata (Fine, Vivian)
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Performances
Recordings
1. Poco lento - tempo giusto
*#175580 - 1.66MB - 3 1/2 minutes - (0) - - !N/!N/!N - 160x⇩
MP3 file (audio)
Peggy Karp (2012/2/3)
MP3 file (audio)
Peggy Karp (2012/2/3)
3-4. Allegro; Con piena voce
*#175582 - 2.46MB - 5 1/2 minutes - (0) - - !N/!N/!N - 64x⇩
MP3 file (audio)
Peggy Karp (2012/2/3)
Maxine Neuman, cello and Joan Stein, piano
Vivian Fine Estate
Creative Commons Attribution Non-commercial No Derivatives 3.0 [tag/del]
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Sheet Music
Scores and Parts
Complete score
*#173452 - 4.97MB, 32 pp. - (0) - !N/!N/!N - 205x⇩
PDF scanned by Paul Hawkins
Peggy Karp (2012/1/24)
Cello part
*#173453 - 1.36MB, 7 pp. - (0) - !N/!N/!N - 188x⇩
PDF scanned by Paul Hawkins
Peggy Karp (2012/1/24)
Vivian Fine Estate
Performance Restricted Attribution Non-commercial No Derivatives 1.0 [tag/del]
However, the lawful copyright owner has generously released the file for distribution at IMSLP under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances.
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General Information
| Work Title | Sonata for Violoncello and Piano (in homage to Claude Debussy) |
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| Alternative Title |
| Composer | Fine, Vivian |
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| Movements/Sections | 4 movements
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| Year/Date of Composition | 1986 |
| First Performance | 1988-3-13 in New York City Maxine Neuman, cello, Joan Stein, piano |
| Average Duration | 13 minutes |
| Piece Style | Modern |
| Instrumentation | cello, piano |
| External Links | Vivian Fine website |
Misc. Comments
“[The piece] was directly inspired by a recorded performance of the Debussy Sonata by Benjamin Britten and Mstislav Rostropovich, which I felt penetrated the music in new and wonderful ways. My musical language is very different from Debussy’s, but I sought to capture some of the textures and momentum of his sonata. The careful listener will find a brief quotation in the first movement.”
- —Vivian Fine, note to the score

