Category talk:Donizetti, Gaetano

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Wishlist

It is not the general policy to allow a “dump“ of a composer’s complete œuvre in the wishlist pages – these have to balance all the possible requested works for various composers. Whoever added the following to the wishlist page should seriously consider making it into the basis for a separate composer’s work page (along with the works which are already available on IMSLP). Philip Legge @ © talk 23:34, 31 January 2011 (UTC)


  • L'assedio di Calais (melodramma lirico, 1836; publ. Ricordi); copies at the Library of Congress, Eastman School of Music, and Harvard University, and unavailable through interlibrary loan; no other known copies in North America
  • Sonata in C major for flute and piano
  • Il Campanello di notte - vocal score
  • Viola Concerto, Viola Solo part.

Choral works

  • Ave Maria
  • Grande Offertorio
  • Il sospiro
  • Messa da Requiem
  • Messa di Gloria e Credo
  • Miserere (Psalm 50)

Orchestral works

  • Allegro for Strings in C major
  • L'ajo nell'imbarazzo: Sinfonia
  • Larghetto, tema e variazioni in E flat major
  • Roberto Devereux: Sinfonia
  • Sinfonia Concertante in D major (1818)
  • Sinfonia for Winds in G minor (1817)
  • Sinfonia in A major
  • Sinfonia in C major
  • Sinfonia in D major
  • Sinfonia in D minor
  • Ugo, conte di Parigi: Sinfonia
  • Orchestral overture to: Il Pigmalione (written 1816; premiere: 13 October 1960, Teatro Donizetti, Bergamo)
  • Orchestral overture to: Olimpiade (1817, incomplete, libretto by Metastasio)
  • Orchestral overture to: L'ira di Achille (1817)
  • Orchestral overture to: Enrico di Borgogna (14 November 1818, Teatro San Luca, Venice)
  • Orchestral overture to: Una follia (17 December 1818, Teatro San Luca, Venice) (lost)
  • Orchestral overture to: I piccioli virtuosi ambulanti (1819), opera buffa in one act
  • Orchestral overture to: Pietro il Grande zar di tutte le Russie ossia Il Falegname di Livonia (26 December 1819, Teatro San Samuele, Venice),
  • Orchestral overture to: Le nozze in villa (1820; 1821? Teatro Vecchio, Mantua)
  • Orchestral overture to: Zoraida di Granata or Zoraïda di Granata (28 January 1822, Teatro Argentina, Rome, rev. 7 January 1824 at the same theatre)
  • Orchestral overture to: La Zingara (12 May 1822, Teatro Nuovo, Naples)
  • Orchestral overture to: La lettera anonima (29 June 1822, Teatro del Fondo, Naples)
  • Orchestral overture to: Chiara e Serafina, ossia I pirati (26 October 1822, Teatro alla Scala, Milan)
  • Orchestral overture to: Alfredo il grande (2 July 1823, Teatro San Carlo, Naples)
  • Orchestral overture to: Il fortunato inganno (3 September 1823, Teatro Nuovo, Naples)
  • Orchestral overture to: L'ajo nell'imbarazzo (4 February 1824, Teatro Valle, Rome)
  • Orchestral overture to: Emilia di Liverpool (L'eremitaggio di Liverpool) (28 July 1824, Teatro Nuovo, Naples)
  • Orchestral overture to: Alahor in Granata (7 January 1826 Teatro Carolino, Palermo)
  • Orchestral overture to: Don Gregorio [rev of L'ajo nell'imbarazzo] (11 June 1826, Teatro Nuovo, Naples)
  • Orchestral overture to: Elvida (6 July 1826, Teatro San Carlo, Naples)
  • Orchestral overture to: Gabriella di Vergy (written: 1826; premiere: 29 November 1869, Teatro San Carlo, Naples) (Gabriella)
  • Orchestral overture to: Olivo e Pasquale (7 January 1827 Teatro Valle, Rome)
  • Orchestral overture to: Olivo e Pasquale [rev] (1 September 1827, Teatro Nuovo, Naples)
  • Orchestral overture to: Otto mesi in due ore (13 May 1827, Teatro Nuovo, Naples) (Gli esiliati in Siberia)
  • Orchestral overture to: Il borgomastro di Saardam (19 August 1827, Teatro del Fondo, Naples)
  • Orchestral overture to: Le convenienze ed inconvenienze teatrali , also known as Viva la mamma (21 November 1827, Teatro Nuovo, Naples)
  • Orchestral overture to: L'esule di Roma, ossia Il proscritto (1 January 1828, Teatro San Carlo, Naples)
  • Orchestral overture to: Emilia di Liverpool [rev] (8 March 1828, Teatro Nuovo, Naples)
  • Orchestral overture to: Alina, regina di Golconda (12 May 1828, Teatro Carlo Felice, Genoa)
  • Orchestral overture to: Gianni di Calais (2 August 1828, Teatro del Fondo, Naples)
  • Orchestral overture to: Il paria (12 January 1829, Teatro San Carlo, Naples)
  • Orchestral overture to: Il giovedi grasso (Il nuovo Pourceaugnac) (26 February 1829?, Teatro del Fondo, Naples)
  • Orchestral overture to: Il castello di Kenilworth (6 July 1829, Teatro San Carlo, Naples)
  • Orchestral overture to: Alina, regina di Golconda [rev] (10 October 1829, Teatro Valle, Rome)
  • Orchestral overture to: I pazzi per progetto (6 February 1830, Teatro San Carlo, Naples)
  • Orchestral overture to: Il diluvio universale (28 February 1830, Teatro San Carlo, Naples)
  • Orchestral overture to: Imelda de' Lambertazzi (5 September 1830, Teatro San Carlo, Naples)
  • Orchestral overture to: Anna Bolena (26 December 1830, Teatro Carcano, Milan)
  • Orchestral overture to: Le convenienze ed inconvenienze teatrali [rev of Le convenienze teatrali] (20 April 1831, Teatro Canobbiana, Milan)
  • Orchestral overture to: Gianni di Parigi (written: 1831; premiere: 10 September 1839, Teatro alla Scala Milan)
  • Orchestral overture to: Francesca di Foix (30 May 1831, Teatro San Carlo, Naples)
  • Orchestral overture to: La romanziera e l'uomo nero (18 June 1831, Teatro del Fondo, Naples) (libretto lost)
  • Orchestral overture to: Fausta (12 January 1832, Teatro San Carlo, Naples)
  • Orchestral overture to: Ugo, conte di Parigi (13 March 1832, Teatro alla Scala Milan)
  • Orchestral overture to: L'elisir d'amore (12 May 1832, Teatro Canobbiana, Milan)
  • Orchestral overture to: Sancia di Castiglia (4 November 1832, Teatro San Carlo, Naples)
  • Orchestral overture to: Il furioso all'isola di San Domingo (2 January 1833, Teatro Valle, Rome)
  • Orchestral overture to: Otto mesi in due ore [rev] (1833, Livorno)
  • Orchestral overture to: Parisina (17 March 1833, Teatro della Pergola, Florence)
  • Orchestral overture to: Torquato Tasso (9 September 1833, Teatro Valle, Rome)
  • Orchestral overture to: Lucrezia Borgia (26 December 1833, Teatro alla Scala Milan)
  • Orchestral overture to: Il diluvio universale [rev] (17 January 1834, Teatro Carlo Felice, Genoa)
  • Orchestral overture to: Rosmonda d'Inghilterra (27 February 1834, Teatro della Pergola, Florence)
  • Orchestral overture to: Maria Stuarda [rev] (Buondelmonte) (18 October 1834, Teatro San Carlo, Naples)
  • Orchestral overture to: Gemma di Vergy (26 October 1834, Teatro alla Scala Milan)
  • Orchestral overture to: Maria Stuarda (30 December 1835, Teatro alla Scala Milan)
  • Orchestral overture to: Marin Faliero (12 March 1835, Théâtre-Italien, Paris)
  • Orchestral overture to: Lucia di Lammermoor (26 September 1835, Teatro San Carlo, Naples)
  • Orchestral overture to: Belisario (4 February 1836, Teatro La Fenice, Venice)
  • Orchestral overture to: Il campanello di notte (1 June 1836, Teatro Nuovo, Naples)
  • Orchestral overture to: Betly, o La capanna svizzera (21 August 1836, Teatro Nuovo, Naples)
  • Orchestral overture to: L'assedio di Calais (19 November 1836, Teatro San Carlo, Naples)
  • Orchestral overture to: Pia de' Tolomei (18 February 1837, Teatro Apollo, Venice)
  • Orchestral overture to: Pia de' Tolomei [rev] (31 July 1837, Sinigaglia)
  • Orchestral overture to: Betly [rev] ((?) 29 September 1837, Teatro del Fondo, Naples)
  • Orchestral overture to: Roberto Devereux (28 October 1837, Teatro San Carlo, Naples)
  • Orchestral overture to: Maria de Rudenz (30 January 1, 1838 Teatro La Fenice, Venice)
  • Orchestral overture to: Gabriella di Vergy [rev] (written: 1838; August 1978 recording, London)
  • Orchestral overture to: Poliuto (written: 1838; premiere: 30 November 1848, Teatro San Carlo, Naples)
  • Orchestral overture to: Pia de' Tolomei [rev 2] (30 September 1838, Teatro San Carlo, Naples)
  • Orchestral overture to: Lucie de Lammermoor [rev of Lucia di Lammermoor] (6 August 1839, Théâtre de la Renaissance, Paris)
  • Orchestral overture to: Le duc d'Albe (written: 1839; premiere: 22 March 1882, Teatro Apollo, Rome) (Il duca d'Alba)
  • Orchestral overture to: Lucrezia Borgia [rev] (11 January 1840, Teatro alla Scala Milan)
  • Orchestral overture to: Poliuto [rev] (Les martyrs) (10 April 1840, Paris Opera (Salle Le Peletier)
  • Orchestral overture to: La fille du régiment (11 February 1840, Opéra-Comique, Paris)
  • Orchestral overture to: L'ange de Nisida (1839; ?)
  • Orchestral overture to: Lucrezia Borgia [rev 2] (31 October 1840, Théâtre-Italien, Paris)
  • Orchestral overture to: La favorite [rev of L'ange de Nisida] (2 December 1840, Paris Opera (Salle Le Peletier)
  • Orchestral overture to: Adelia (11 February 1841, Teatro Apollo, Rome)
  • Orchestral overture to: Rita (Deux hommes et une femme) (written: 1841; premiere: 7 May 1860, Opéra-Comique, Paris)
  • Orchestral overture to: Maria Padilla (26 December 1841, Teatro alla Scala Milan)
  • Orchestral overture to: Linda di Chamounix (19 May 1842, Kärntnertortheater, Vienna)
  • Orchestral overture to: Linda di Chamounix [rev] (17 November 1842, Théâtre-Italien, Paris)
  • Orchestral overture to: Caterina Cornaro (18 January 1844, Teatro San Carlo, Naples)
  • Orchestral overture to: Don Pasquale (3 January 1843, Théâtre-Italien, Paris)
  • Orchestral overture to: Maria di Rohan (5 June 1843, Kärntnertortheater, Vienna)
  • Orchestral overture to: Dom Sébastien (13 November 1843, Paris Opera (Salle Le Peletier)
  • Orchestral overture to: Dom Sébastien [rev] (6 February 1845, Kärntnertortheater, Vienna)


Concertos

  • Concertino for Clarinet in B flat major
  • Concertino for English Horn in G major (1816)
  • Concertino in C minor for flute and chamber orchestra (1819)
  • Concertino for Flute and Orchestra in C major
  • Concertino for Flute and Orchestra in D major * Concertino for Oboe in F major
  • Concertino for Violin and Cello in D minor
  • Concerto for 2 Clarinets "Maria Padilla"
  • Concerto for Violin and Cello in D minor

Chamber works

  • Andante sostenuto for Oboe and Harp in F minor
  • Introduction for Strings in D major
  • Larghetto and Allegro for Violin and Harp in G minor
  • Largo/Moderato for Cello and Piano in G minor
  • Nocturnes (4) for Winds and Strings
  • Quartet for Strings in D major
  • Quartet for Strings no 3 in C minor: 2nd movement, Adagio ma non troppo
  • Quartet for Strings no 4 in D major
  • Quartet for Strings no 5 in E minor
  • Quartet for Strings no 5 in E minor: Larghetto
  • Quartet for Strings no 6 in G minor
  • Quartet for Strings no 7 in F minor
  • Quartet for Strings no 8 in B flat major
  • Quartet for Strings no 9 in D minor
  • Quartet for Strings no 10 in G minor
  • Quartet for Strings no 11 in C major
  • Quartet for Strings no 12 in C major
  • Quartet for Strings no 13 in A major
  • Quartet for Strings no 14 in D major
  • Quartet for Strings no 15 in F major
  • Quartet for Strings no 16 in B minor
  • Quartet for Strings no 17 in D major
  • Quartet for Strings no 18 in E minor
  • Quartet for Strings no 18 in E minor: Allegro
  • Quintet for Guitar and Strings no 2 in C major
  • Solo de concert
  • Sonata for Flute and Harp
  • Sonata for Flute and Piano in C minor
  • Sonata for Oboe and Piano in F major
  • Study for Clarinet no 1 in B flat major
  • Trio for Flute, Bassoon and Piano in F major

Piano works

  • Adagio and Allegro for Piano in G major
  • Allegro for Piano in C major
  • Allegro for Piano in F minor
  • Fugue for Piano in G minor
  • Grand Waltz for Piano in A major
  • Larghetto for Piano in A minor "Una furtiva lagrima"
  • Larghetto for Piano in C major
  • Pastorale for Piano in E major
  • Presto for Piano in F minor
  • Sinfonia for Piano in A major
  • Sinfonia for Piano no 1 in C major
  • Sinfonia for Piano no 1 in D major
  • Sinfonia for Piano no 2 in C major
  • Sinfonia for Piano no 2 in D major
  • Sonata for Piano in C major
  • Sonata for Piano in F major
  • Sonata for Piano in G major
  • Variations for Piano in E major
  • Variations for Piano in G major
  • Waltz for Piano in A major
  • Waltz for Piano in C major
  • Waltz for Piano in C major "The Invitation"
As to the string quartets, they seem not to have been published until ca.1948 (though they have all been recorded, some of them multiple times, and are much more familiar now...) and so would be at best PD-CA if that... Eric 15:59, 2 March 2013 (EST)
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