Capricci in musica a tre voci (Ruffo, Vincenzo)

Free public domain sheet music from IMSLP / Petrucci Music Library
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Contents
Movements/Sections 23 pieces
  1. La, Sol, Fa, Re, mi
  2. Quand'io penso al martire
  3. El Chiocho
  4. La Brava
  5. La Gamba in Tenor
  6. Ut, Re, Mi, Fa, Sol, La
  7. Il Capriccioso
  8. Arcadelt: O Felici occhi mei
  9. La Disperata
  10. Verdelot: Martin minoit son portiau au marche
  11. Dormendo un giorno
  12. Il travagliato
  13. La Gamba in Basso e Soprano
  14. Monteverdi: Hor che'l cielo, e la terra
  15. La Danza
  16. El Perfidioso
  17. Arcadelt: Da bei rami scendea
  18. El Pietoso
  19. El Malenconico
  20. Trinitas unitate
  21. El trapolato
  22. El Cromato
  23. La Piva
First Publication 1564
Genre Categories Capriccios; For 3 instruments; Scores with open instrumentation; For 3 players

Sheet Music

Parts

 Complete Parts
#264109 - 3.62MB, 50 (facing) pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 266x⇩

PDF scanned by Unknown
Feduol (2012/12/31)

Publisher Info.:

Milan: Francesco Moscheni, 1564.

Copyright:

Public Domain [tag/del]

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General Information

Work Title Capricci in musica a tre voci
Alternative Title
Composer Ruffo, Vincenzo
Movements/Sections 23 pieces
  1. La, Sol, Fa, Re, mi
  2. Quand'io penso al martire
  3. El Chiocho
  4. La Brava
  5. La Gamba in Tenor
  6. Ut, Re, Mi, Fa, Sol, La
  7. Il Capriccioso
  8. Arcadelt: O Felici occhi mei
  9. La Disperata
  10. Verdelot: Martin minoit son portiau au marche
  11. Dormendo un giorno
  12. Il travagliato
  13. La Gamba in Basso e Soprano
  14. Monteverdi: Hor che'l cielo, e la terra
  15. La Danza
  16. El Perfidioso
  17. Arcadelt: Da bei rami scendea
  18. El Pietoso
  19. El Malenconico
  20. Trinitas unitate
  21. El trapolato
  22. El Cromato
  23. La Piva
First Publication 1564
Dedication Marc'Antonio Martinengo
Piece Style Renaissance


Misc. Comments

Grove Music describes these capricci as follows: "His Capricci in musica a tre voci (1564), textless compositions apparently intended for instrumental performance, are studded with technical and notational difficulties, and are the earliest known instrumental pieces to be described as ‘capricci’."

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