Bosworth & Co.
German publishing company that specialized in popular music. The firm was founded in 1889 in Leipzig by the Englishman Arthur Edwin Bosworth (1858–1923). Originally, Chapell, the publisher of the Gilbert and Sullivan operas, helped to establish the company in order to get Austrian and German copyright protection for its valuable properties, and in fact Bosworth's first publication was the vocal score of "The Gondoliers." Bosworth and Chapell put up the initial capital, but Chapell took no part in the management, leaving it all to the adventurous Bosworth, whose main deficiency was a lack of German language. Fortunately, Bosworth found an energetic local partner in Carl Kratochwill, and between them they created one of Europe's major popular music companies. In fact, the business quickly expanded beyond Gilbert and Sullvan.
After securing popular successes in song, dance, and operetta by Alphons Czibulka (Songe d’amour Op.356, 1890), Erik Meyer-Helmund (Rokoko-Liebeslied 1895) and Carl Zeller (the operetta Der Vogelhändler) the firm began to expand operations beyond Germany, opening four additional branches over the next 25 years, of which the Vienna branch (1902) was the most successful. A policy of expansion through acquisition of smaller publishers brought the catalogs of Wilhelm Aletter of Berlin (1896), Eduard Ebner of Ludwigsburg (1897), and Heinrich Petersen of Leipzig. The Petersen acquisition contributed significantly to the firm's catalog of educational works. A further prize in the educational field was Sevcik's violin studies.
The move to Vienna took the form of the buyout of the bankrupt firm Vinzenz Kratochwill Ltd. The timing was fortunate as Viennese dances, operettas, and songs were reaching their peak of worldwide popularity. Among the popular composers of the time were Alphons Czibulka, Alfred Grünfeld, Karl Komzak, Carl Millöcker, Eugen von Taund and Albert Gortner. Bosworth gained the exclusive rights to works such as the operetta „Zur indischen Witwe“ by Oscar Straus and the ballets of Oskar Nedbal. Further acquisitions in Vienna, such as Julius Chmél, made Bosworth a natural choice for the last great Viennese operetta composer Franz Lehar. Local dialect songs and zither music were also in the catalog, which grew to 30,000 titles by 1914.
After Arthur Edwin Bosworth's death in 1923 his sons Laurence Owen Bosworth (1886–1952) and Arthur Ferdinand Bosworth (1893–1959) took over the company. The two great innovations of the 1920s were the growing influence of American songs and musicals and the role of music in movies and on the radio. Bosworth also got the British rights to Steingraeber’s publications. In 1998, Bosworth was absorbed by Music Sales Group.
Wilhelm Aletter Berlin 1897
Eduard Ebner Ludwigsburg.
Heinrich Petersen Leipzig
A. Payne, Berlin (Reinhold Jockisch works)
Steingräber Leipzig (rights for British Empire)
Wickins & Co., London.
Vinzenz Kratochwill Vienna
1902 to 1905
J. Brixner Vienna
Wilhelm Aletter, Wiesbaden,
Wiener Musik- und Verlagshaus Vienna
Verlag Julius Chmél Vienna
August Huber, Graz
J. Brixner, Wien. Vienna
F. Rörich Vienna
Lyra-Verlag (Translateur & Co.)
Josef BlahaVienna 1939,
Imprints, Agencies, Addresses
Bosworth plate numbers initially employed the prefix B. & Cº.
|92||Sobeck||Wind Quintet No.2, Op.11||1891|
|477||Sitt||3 Albumblätter, Op.13||1894|
|585||Cui||5 Morceaux, Op.52||1895|
|2105||Chopin||Etude, Op.10, No.6 (ed. E. Biehl)|
|2109||Chopin||Etude, Op.10, No.10 (ed. E. Biehl)|
|2820||Sabathil||Da Capo!’s Mauerblümchen, Op.168||1902|
|4289||Ševčík||Violin Studies, Op.7||1901|
|4503||Brüll||2 Piano Pieces, Op.89||1904|
|4515–4516||Sitt||3 Morceaux, Op.75 (nos.1,2)||1901|
|5123||Wilm||6 Bagatelles, Op.188 (No.1)||1903|
|5400–5402||Brüll||3 Pieces for Violin and Piano, Op.90 (ed.Lloyd)||1904|
|5786||Brüll||Waltz for Choir and Orchestra, Op.91 (reduced)||1904|
|6074||Brüll||3 Piano Pieces, Op.93||1905|
|10068||Brüll||3 Piano Pieces, Op.101||1906|
|10171||Rieding||Violin Concertino, Op.25||1907|
|10633||Jentsch||3 Mazurkas, Op.22 (no.3)||1908|
|13211||Brian, Havergal||The vision of Cleopatra, Op.15||1909|
|16163||Arnold, Wilfrid||Ashes of Roses, valse triste (pf. version)||1919|
- The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie. Second Edition. New York and London: Macmillan Publications, 2001.