Banchetto musicale (Schein, Johann Hermann)

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Performances

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Synthesized/MIDI

Selections (Suites I–XX)

For 3 Trumpets and 2 Trombones (Rondeau)

MID file (audio/video)
Michrond (2012/6/10)

MID file (audio/video)
Michrond (2012/6/10)

MID file (audio/video)
Michrond (2012/6/10)

MID file (audio/video)
Michrond (2012/6/10)

MID file (audio/video)
Michrond (2012/6/10)

Performers MIDI
Publisher Info. Michel Rondeau
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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MP3 file (audio)
Michrond (2012/6/10)

MP3 file (audio)
Michrond (2012/6/10)

MP3 file (audio)
Michrond (2012/6/10)

MP3 file (audio)
Michrond (2012/6/10)

MP3 file (audio)
Michrond (2012/6/10)

Performers MIDI
Publisher Info. Michel Rondeau
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Scores and Parts

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

PDF scanned by UME
homerdundas (2011/3/27)

Editor Arthur Prüfer (1860–1935)
Publisher. Info. Johann Hermann Schein: Sämtliche Werke, 1 Bd.
Leipzig: Breitkopf & Härtel, 1901. Plate J.H.S. I.
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PMLP200294-Schein Banchetto musicale SuiteI.pdf

PDF scanned by D-Mbs
RTM (2011/12/30)

Editor First edition
Publisher. Info. Leipzig: Abraham Lamberg und Caspar Kloseman, 1617.
Copyright
Misc. Notes Colour scans.
RISM S 1376
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TN-Schein, JH, Banchetto Musicale, Quinta Vox.jpg

ZIP typeset by Ulrich Alpers
Reccmo (2012/6/12)

Editor Ulrich Alpers
Publisher. Info. Ulrich Alpers
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Arrangements and Transcriptions

Selections (Suites I–XX)

For 3 Trumpets and 2 Trombones (Rondeau)

PDF typeset by arranger
Notenschreiber (2012/10/31)

PDF typeset by arranger
Notenschreiber (2012/10/31)

PDF typeset by arranger
Notenschreiber (2012/10/31)

PDF typeset by arranger
Notenschreiber (2012/10/31)

PDF typeset by arranger
Notenschreiber (2012/10/31)

PDF typeset by arranger
Notenschreiber (2012/10/31)

PDF typeset by arranger
Notenschreiber (2012/10/31)

PDF typeset by arranger
Notenschreiber (2012/10/31)

PDF typeset by arranger
Notenschreiber (2012/10/31)

PDF typeset by arranger
Notenschreiber (2012/10/31)

ZIP typeset by arranger
Notenschreiber (2012/10/31)

ZIP typeset by arranger
Notenschreiber (2012/10/31)

Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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PMLP200294-IMSLP232083-WIMA.63f2-Sco.pdf
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General Information

Work Title Banchetto musicale
Alternative. Title
Composer Schein, Johann Hermann
Movements/SectionsMov'ts/Sec's 22 pieces (20 suites à 5 and 2 pieces à 4)
First Publication. 1617
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation All 20 suites are for a consort of 2 treble, alto, tenor, and bass instruments.
The Intrada à 4 (XXI) is marked for Zinck, Violin, Flödt [sic] and Bass; the Padouana à 4 (XXII) for 4 crumhorns.


Misc. Comments

  • There is a keyboard part in the Breitkopf & Härtel edition, though Grove Music does not indicate basso continuo for this. The editorial suggestion for modern instruments is 2 violins, 2 violas, with cello and bass taking the Bassus part.
  • The contents of each the 20 suites is exactly uniform in movement heading and order; the voicing of Cantus, Quinta, Altus, Tenor, Bassus follows the Renaissance conventions for high (chiavette) or low clefs (high: G2, G2, C2, C3, F3; low: C1, C1, C3, C4, F4).