Ave Maria, Op.162 (Lachner, Franz Paul)

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 Complete Score
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TN-Lachner, Franz Paul, Ave Maria, Op.162, FullScore.jpg
Publisher Info.:

Leipzig: Robert Forberg, n.d.[1873]. Plate 1400.

Copyright:

Public Domain [tag/del]

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Parts

 Soprano Solo
#79766 - 0.84MB, 1 pp. -  0.0/10 2 4 6 8 10 (0- V/V/V - 183x

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 Sopranos
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 Altos
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 Tenors
#79769 - 0.88MB, 1 pp. -  0.0/10 2 4 6 8 10 (0- V/V/V - 82x

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 Basses
#79770 - 0.80MB, 1 pp. -  0.0/10 2 4 6 8 10 (0- V/V/V - 81x

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 Violins I
#79771 - 0.62MB, 1 pp. -  0.0/10 2 4 6 8 10 (0- V/V/V - 138x

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 Violins II
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 Violas
#79773 - 0.71MB, 1 pp. -  0.0/10 2 4 6 8 10 (0- V/V/V - 92x

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 Cellos
#79774 - 0.65MB, 1 pp. -  0.0/10 2 4 6 8 10 (0- V/V/V - 86x

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 Double Basses
#79775 - 0.65MB, 1 pp. -  0.0/10 2 4 6 8 10 (0- V/V/V - 106x

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PMLP161935-Lachner, Franz Paul, Ave Maria, Op.162, Soprano solo.pdf
Publisher Info.:

Leipzig: Robert Forberg, n.d.[1873]. Plate 1400.

Copyright:

Public Domain [tag/del]

Misc. Notes:

Colour scans.

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General Information

Work Title Ave Maria
Alternative Title „Ave Maria“, f. Sopransolo u. Chor m. Begl. von 2 Viol., Vcllo u. Bass (od. Orgel od. Harmonium). Neue Bearbeitung des Ave Maria Op. 132
Composer Lachner, Franz Paul
Opus/Catalogue Number Op.162
Key F major
Movements/Sections 1
First Publication 1873
Language Latin
Dedication Fräulein Marie Mahlknecht gewidmet
Piece Style Romantic
Instrumentation Soprano solo, Mixed Choir, String Orchestra** (or else accompanied by Organ or Harmonium)


Misc. Comments

  • *There are 3 versions of that work which only differ in the adaptation to the respective performing conditions. The substantial defferences are marginal.

First version (autograph): SSST (S3 divisi) and Organ. Comp. Tegernsee, July 1867
Second version (Op.132): Soprano solo, SAAT, 2 Vl, Vla, Cello, Double Bass (or Org. or Melodium) (between 1867 and 1870). Herrn Dr. van Elewyck gewidmet. Mainz: B. Schott's Söhne, [1870], Plate 19995.
Third version (Op.162): Soprano solo, SATB, 2 Vl, Vla, Cello, Double Bass (or Org. or Harm.) (ca. 1872). Fräulein Marie Mahlknecht gewidmet. Leipzig: Robert Forberg, (pub.1873), Plate 1400. "Neue Bearbeitung" of Op.132.

**Cello divisi in last part of piece (pp.12-14) indicates this was most likely intended for string orchestra, not a quintet.
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