Armida al campo d'Egitto, RV 699 (Vivaldi, Antonio)

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Sheet Music

Arrangements and Transcriptions

Aria "Ch'alla Colpa fa' traggitto" (Act II, Scene 16)

For Voice, Bassoon and Cello

 Complete Score
#13564 - 1.92MB, 4 pp. -  2.7/10 2 4 6 8 10 (3- V/V/V - 4737x

PDF scanned by DK-Kk
Generoso (2007/9/9)

Vivaldi Aria Sop Vc Fg.pdf
Publisher Info.:

Manuscript, n.d.


Public Domain [tag/del]

Misc. Notes:

Color scan


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 Complete Score
#186449 - 0.09MB, 4 pp. -  2.0/10 2 4 6 8 10 (1- !N/!N/!N - 2855x

PDF typeset by Marcel Estermann
editor (2012/3/11)

PMLP33440-Vivaldi - Ch'alla Colpa fa traggitto.pdf

Marcel Estermann

Publisher Info.:

Marcel Estermann


Creative Commons Attribution Share Alike 3.0 [tag/del]


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 Complete Libretto
#354263 - 4.17MB, 61 pp. -  0.0/10 2 4 6 8 10 (0- V/V/V - 111x

PDF scanned by MDZ
Tito Manlio (2014/11/30)

PMLP33440-Armida 1718 Libretto.pdf
Publisher Info.:

Venice: Marino Rossetti [1718].


Public Domain [tag/del]

Misc. Notes:

Istituto Storico Germanico, Rome (I-Rig): Rar.Libr.Ven.520/525#522.
See further information about this edition on Corago.


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General Information

Work Title Armida al campo d'Egitto
Alternative Title Drama per musica da rappresentarsi nel Teatro Giustiniano di San Moisè il carnovale dell'anno 1718.
Composer Vivaldi, Antonio
Opus/Catalogue Number RV 699
Movements/Sections 3 Acts (each with 13, 16, 13 scenes)
Act 2 is missing
First Performance 1718-02-15 in Venice: Teatro San Moisè A
1718-04-24 in Mantua: Teatro Arciducale B
1720-05 in Vicenza: Teatro delle Grazie C as Gli inganni per vendetta
1738-02-12 in Venice: Teatro San Angelo D
Librettist Giovanni Palazzo
Language Italian
Dedication Marino Rosetti
Composer Time Period Baroque
Piece Style Baroque
Instrumentation voices, chorus, orchestra

According to Turin autograph manuscript:

  • Cast: Armida (A), Califfo (B), Osmira (S), Erminia (S), Emireno (S), Adrasto (A), Tisaferno (A)
  • Mixed Chorus (SAB)
  • Orchestra: solo violin, solo cello, 2 horns, strings, continuo

Misc. Comments

Apparently Act 2 is missing from the score of the work (for now at least) but the other two acts have been recorded.

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