Ariadne auf Naxos, Op.60 (Strauss, Richard)

Contents

Performances

Sheet Music

Full Scores

Original version (1912)

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Publisher. Info. Berlin: Adolph Fürstner, 1912. Plate A. 6300 F.
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Revised version (1916)

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Publisher. Info. Berlin: Fürstner, 1916. Plate A. 7450 F.
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4 more: Vorspiel • Overture • Recitative and Aria • Scene

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Publisher. Info. Berlin: Adolph Fürstner, 1916. Plate 9126.
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Publisher. Info. Berlin: Adolph Fürstner, 1916. Plate 9126.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A7967.
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Parts

Original version (1912)

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30 more: Flute 2 • Oboe 1 • Oboe 2 • Clarinet 1 (B♭) • Clarinet 2 (B♭) • Bassoon 1 • Bassoon 2 • Horn 1 (E♭/E/F) • Horn 2 (E♭/E/F) • Trumpet (B♭/C) • Trombone • Timpani/Glockenspiel/Tambourine/Cymbals • Snare Drum/Triangle • Celesta • Harmonium • Piano • Harp 1 • Harp 2 • Violin 1 (Player 1) • Violin 1 (Player 2) • Violin 2 (Players 3/4) • Violin 3 (Players 5/6) • Viola 1 (Player 1) • Viola 1 (Player 2) • Viola 2 (Players 3/4) • Cello 1 (Player 1) • Cello 1 (Player 2) • Cello 2 (Players 3/4) • Double Bass (Players 1/2, Manuscript) • Double Bass (Players 1/2)

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Editor P. Schmidt, harmonium part
Publisher. Info. Berlin: Fürstner, 1912. Plate A. 6301 F.
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Revised version (1916)

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30 more: Flute 2 • Oboe 1 • Oboe 2 • Clarinet 1 • Clarinet 2 • Bassoon 1 • Bassoon 2 • Horn 1 • Horn 2 • Trumpet • Trombone • Timpani/Bells/Tambourine/Cymbals • Snare Drum/Triangle • Bass Drum/Cymbals • Celesta • Harmonium • Piano • Harp 1 • Harp 2 • Violin 1 (Player 1) • Violin 1 (Player 2) • Violin 2 (Players 3/4) • Violin 3 (Players 5/6) • Viola 1 (Player 1) • Viola 1 (Player 2) • Viola 2 (Players 3/4) • Cello 1 (Player 1) • Cello 1 (Player 2) • Cello 2 (Players 3/4) • Double Bass (Players 1/2)

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Publisher. Info. Berlin: Adolph Fürstner, 1916. Plate A. 7451 F.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A7967.
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Publisher. Info. Berlin: Adolph Fürstner, 1916. Plate A. 7451 F.
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Selections

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Editor Orfeo Mandozzi
Publisher. Info. Vienna: Orfeo Mandozzi 9.5.2015
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Vocal Scores

Original version (1912)

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Arranger Otto Singer II (1865-1931), piano reduction
Publisher. Info. Berlin: Adolph Fürstner, 1912. Plate A. 6303 F.
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Revised version (1916)

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Arranger Otto Singer II (1865-1931), piano reduction
Language German
Publisher. Info. Berlin: Adolf Fürstner, 1916. Plate A. 6368 F.
Reprinted London: Boosey & Hawkes, n.d.(after 1940). Plate B. & H. 15781.
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Arranger Otto Singer II (1865-1931), piano reduction
Language English
Translator Alfred Kalisch (1863–1933), English text
Publisher. Info. Berlin: Adolph Fürstner, 1922. Plate A. 7356 F.
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Language German
Publisher. Info. Berlin: Adolph Fürstner, 1916. Plate A. 6368 F.
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Misc. Notes Extracted from London: Boosey & Hawkes edition. Reformatted layout for pianists' page turns.
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Arrangements and Transcriptions

Trio

For Violin and Piano (Heldburg)

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Arranger R. Heldburg
Publisher. Info. Der Kleine Violinist. Vol.6 (No.35)
Berlin: Fürstner, 1913. Plate A. 6920 F.
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General Information

Work Title Ariadne auf Naxos
Alternative. Title
Name Translations Αριάδνη στη Νάξο; Ariadne på Naxos; 낙소스의 아리아드네; Ariadne Naksos'da; Ariadna en Naxos; ナクソス島のアリアドネ; Ariadna na Naksos (opera Straussa); Ариадна на Наксосе; 阿里阿德涅在拿索斯島; 阿里阿德涅在拿索斯岛; Ariadna na Naxu; 阿里阿德妮在纳克索斯; 納克索島的阿麗亞德妮; 納克索斯島的阿麗安內
Name Aliases Αριάδνη εν Νάξω; Ariadne på Naxos (Strauss); Ariadne auf naxos; Ariadne em Naxos; Ariadna a Naxos; Arianna a Nasso; Ariadna de Naxos; ナクソスのアリアドネ; Ariadna na Naxos; Ariane à Naxos; 阿里阿德涅在納索斯島; 阿里阿德妮在納克索斯; 阿里阿德涅在纳索斯岛; 阿里阿德涅在纳克索斯; 阿里阿德涅在納克索斯島; 納克索斯島的阿莉雅德妮; 納克索斯島上的阿麗雅德妮; 納克索斯島的阿麗亞德妮; 納索斯島的阿麗雅德妮; 納克索斯島上的阿莉雅德娜; 納克索斯島上的阿莉亞德妮
Authorities WorldCat; Wikipedia; VIAF: 181054421; LCCN: n82040724; GND: 300156294; SELIBR: 215000; SUDOC: 033314403; BNF: 148052465
Composer Strauss, Richard
Opus/Catalogue NumberOp./Cat. No. Op.60 ; TrV 228a
I-Catalogue NumberI-Cat. No. IRS 5
Movements/SectionsMov'ts/Sec's prologue, 1 act

Original version (1912)
Revised Version (1916)

  • Vorspiel
Einleitung
Mein Herr Haushofmeister!
Du allmächtiger Gott!
Meine Partner
Ich weiss nicht
Ein augenblick ist wenig
An ihre Plätze
  • Oper (1 act)
Ouverture
Schläft sie?
Ach! Wo war ich?
Lieben, Hassen, Hoffen, Zagen
Es gibt ein Reich
Die Dame gibt mit trüben Sinn
Grossmächtige Prinzessin
Hübsch gepredigt!
Ein schönes Wunder!
Circe, kannst du mich hören?
Ich grüsse dich
Gibt es kein Hinüber?
Year/Date of CompositionY/D of Comp. 1912, rev.1916
First Performance. 1916-10-04 in Vienna, Hofoper (revised version)
voices, chorus, orchestra, Franz Schalk (conductor)
First Publication. 1912, 1916
Librettist Hugo von Hofmannsthal (1874-1929)
Language German
Average DurationAvg. Duration 3 hours
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voices, mixed chorus (SATB), orchestra
InstrDetail Revised version

Cast (Prologue)

The Prima Donna (soprano)
The Tenor (tenor)
Zerbinetta (coloratura soprano)
Harlequin (baritone)
Scaramuccio (tenor)
Truffaldino (bass)
Brighella (tenor)
The Composer (mezzo-soprano or soprano)
The Music-Master (baritone)
The Dancing-Master (tenor)
A Wigmaker (baritone)
A Footman (bass)
An Officer (tenor)
The Major-Domo (spoken)

Cast (Opera)

Ariadne (soprano)
Bacchus (tenor)
Zerbinetta (coloratura soprano)
Harlequin (baritone)
Scaramuccio (tenor)
Truffaldino (bass)
Brighella (tenor)
Naiad (high soprano)
Dryad (contralto)
Echo (soprano)

Mixed Chorus (SATB)

Servants

Orchestra

2 flutes (2nd also piccolo), 2 oboes, 2 clarinets, 2 bassoons
2 horns, trumpet, trombone
timpani, percussion:
(glockenspiel, tambourine, triangle, snare drum, cymbals, bass drum)
piano, celesta, harmonium, 2 harps, strings (6,0,4,4,2)
Related Works Der Bürger als Edelmann, TrV 228b, incidental music which originally preceded the opera.
External Links Wikipedia article
Opera Guide
Metropolitan Opera
Aria-database.com
R. Strauss QV
Extra Information The original version of 1912 featured complete incidental music for the Molière play Le Bourgeois gentilhomme in Hofmannsthal's German adaptation Der Bürger als Edelmann, followed by the one act opera Ariadne auf Naxos. This proved to be quite impractical with a total performance time of over 6 hours. The revised version of 1916 replaced the incidental music with a shorter "Vorspiel" to precede the opera itself. This is the version most often performed today.

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