Aria della Battaglia a 8 (Padovano, Annibale)
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Performances
Arrangements and Transcriptions
For 4 Guitars (Grayson)
Computer synthesised performance
*#88927 - 5.20MB - 6m - (0) - - !N/!N/!N - 406x⇩
MP3 file (audio)
Martin Grayson (2010/12/31)
Sibelius Sounds
Martin Grayson
Creative Commons Attribution 3.0 [tag/del]
The guitar version of the score and parts are now here. I need to consult a good source before putting out the 8 parts of the original version.
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Sheet Music
Scores and Parts
Complete Score (Recorder Clefs)
*#165708 - 0.16MB, 19 pp. - (2) - !N/!N/!N - 462x⇩
PDF typeset by Sibelius 6
Martin Grayson (2011/12/19)
Complete Parts (Recorder Clefs)
*#165709 - 0.39MB, 32 pp. - (0) - !N/!N/!N - 148x⇩
PDF typeset by Sibelius 6
Martin Grayson (2011/12/19)
Martin Grayson
Creative Commons Attribution 3.0 [tag/del]
This piece was written for a royal wedding celebration in 15XX. It would benefit from a comparison with the primary source but it seems to be the same notes as on Jordi Savall's performance. Jordi Savall's performance does not appear on the Amazon link here. It is on: BATTAGLIE E LAMENTS. Montserrat Figueras (sop); Graham Pushee (counter-ten); Harry van der Kamp (bass); Hespérion XX Ensemble / Jordi Savall. Archiv Produktion 0 2533 468. (1982)
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Arrangements and Transcriptions
For 4 Guitars (Grayson)
Complete score
*#88944 - 0.17MB, 13 pp. - (0) - !N/!N/!N - 418x⇩
PDF typeset by Sibelius 6
Martin Grayson (2010/12/31)
Playing parts
*#88945 - 0.27MB, 16 pp. - (0) - !N/!N/!N - 134x⇩
PDF typeset by Sibelius 6
Martin Grayson (2010/12/31)
Martin Grayson
Creative Commons Attribution 3.0 [tag/del]
An 8 part piece (not double choir) made into a guitar quartet
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General Information
| Work Title | Aria della Battaglia a 8 |
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| Alternative Title |
| Composer | Padovano, Annibale |
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| Movements/Sections | 1 |
| Average Duration | 6 minutes |
| Piece Style | Renaissance |
| Instrumentation | 8 instruments |
Misc. Comments
The editor does not know much about this piece yet other than it was written for an aristocratic wedding celebration in the 1550s. It is often recorded with a mixture of 8 cornetts and sackbuts.

