8 Clavierstücke, Op.5 (Ritter, Frédéric Louis)

		Movements/Sections 8 pieces Heft 1 Capriccietto Im Frühling Herbstlied Zur Weinlese Heft 2 Allegretto scherzando Fantasiestück Im Winter Allegro molto vivace First Publication 1870 (or 1871) – Mainz: Schott Genre Categories Pieces; For piano; Scores featuring the piano; For 1 player

Sheet Music

• Piano Scores (2)

Piano Scores

 Heft 1: Complete Score
*#186343 - 1.22MB, 10 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 132x⇩

PDF scanned by Libr. of Congress
Cypressdome (2012/3/10)

 Heft 2: Complete Score
*#186921 - 1.23MB, 10 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 96x⇩

PDF scanned by Libr. of Congress
Cypressdome (2012/3/11)

Editor:

First edition

Publisher Info.:

Mainz: B. Schott's Söhne, n.d.[1871]. Plate 20401.
U.S. copyright claimant: G. Schirmer, 1870.

Copyright:

Public Domain [tag/del]

Misc. Notes:

Original images: 300dpi, black and white tif files approx. 3400 by 4200 pixels.
Editing: de-skewed, re-sampled to 600dpi, and set uniform margins.

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General Information

Work Title	8 Clavierstücke
Alternative Title	8 Klavierstücke

Composer	Ritter, Frédéric Louis
Opus/Catalogue Number	Op.5
Movements/Sections	8 pieces Heft 1 Capriccietto Im Frühling Herbstlied Zur Weinlese Heft 2 Allegretto scherzando Fantasiestück Im Winter Allegro molto vivace
First Publication	1870 (or 1871) – Mainz: Schott
Dedication	Seinem Freunde Edward J. Connolly
Piece Style	Romantic
Instrumentation	Piano

Misc. Comments

Interestingly, this work was copyrighted in the United States by G. Schirmer in 1870. It was published by Schott and appears in the July 1871 issue of Hofmeister's Monatsbericht. Furthermore, the plate number (20401) would place it as published in 1871.

As I see it, HMB catches what it catches (but not more)- they miss a number of French first publications of works that were only later published nearer to Austria/Germany, for example, and perhaps similarly for the USA. Don't know, just a guess, but it seems to have happened at least a few times... and even though this was a copublication with Schott which admittedly makes it confusing.- Schissel