7 Preludes, Op.103 (Diabelli, Anton)

		Movements/Sections 7 Genre Categories Preludes; For guitar; Scores featuring the guitar; For 1 player

Performances

• Recordings (7)

Recordings

For Guitar

 Prelude No.1
*#188029 - 3.86MB - 2:06 -  4.4/10 2 4 6 8 10 (11) - - !N/!N/!N - 599x⇩

MP3 file (audio)
Papas (2012/3/14)

 Prelude No.2
*#190859 - 2.66MB - 1:56 -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 176x⇩

MP3 file (audio)
Papas (2012/3/19)

 Prelude No.3
*#190860 - 3.85MB - 2:48 -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 107x⇩

MP3 file (audio)
Papas (2012/3/19)

 Prelude No.4
*#190861 - 4.49MB - 3:16 -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 87x⇩

MP3 file (audio)
Papas (2012/3/19)

 Prelude No.5
*#190862 - 3.17MB - 2:18 -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 93x⇩

MP3 file (audio)
Papas (2012/3/19)

 Prelude No.6
*#190863 - 4.51MB - 3:16 -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 84x⇩

MP3 file (audio)
Papas (2012/3/19)

 Prelude No.7
*#190864 - 2.17MB - 1:34 -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 107x⇩

MP3 file (audio)
Papas (2012/3/19)

Performer Pages:

Papasyuzo (Guitar)

Publisher Info.:

Yuzo Nishio

Copyright:

Creative Commons Attribution 3.0 [tag/del]

Purchase:

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Sheet Music

• Guitar Scores (1)

Guitar Scores

 Complete Score
*#21775 - 0.82MB, 15 pp. -  5.0/10 2 4 6 8 10 (1) - V/V/C - 1975x⇩

PDF scanned by Det Kongelige Bibl.
Aldona Jones (2008/9/8)

Editor:

Georg Meier (b.1865)

Publisher Info.:

Berlin: N. Simrock, 1921. Plate 14204.

Copyright:

Public Domain [tag/del]

Purchase:

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General Information

Work Title	7 Preludes
Alternative Title

Composer	Diabelli, Anton
Opus/Catalogue Number	Op.103
Movements/Sections	7
Piece Style	Classical
Instrumentation	Guitar

Misc. Comments

Does anyone have a first edition of this score? The Diabelli works listed in Whistling (1828) under Präludien are diverse but contain none with opus numbers (those in HMB, for 1829 on, start with op. 129 or so, so first publication date may? have preceded that. Also want to determine original instrumentation more surely; even works always played with a certain instrumentation may have been composed for another.)- Schissel