6 String Trios, Op.1 (Dittersdorf, Carl Ditters von)

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Parts

 Violin 1
#342783 - 3.18MB, 13 pp. -  0.0/10 2 4 6 8 10 (0)- V/V/V - 58x

PDF scanned by F-Pn
Fynnjamin (2014/9/4)

 Violin 2
#342784 - 2.48MB, 10 pp. -  0.0/10 2 4 6 8 10 (0)- V/V/V - 29x

PDF scanned by F-Pn
Fynnjamin (2014/9/4)

 Violoncello
#342785 - 1.70MB, 7 pp. -  0.0/10 2 4 6 8 10 (0)- V/V/V - 34x

PDF scanned by F-Pn
Fynnjamin (2014/9/4)

PMLP50303-dittersdorf 6 trios op1 vn1.pdf
Publisher Info.:

Paris: Cousineau, Vve Daulle, n.d.

Copyright:

Public Domain [tag/del]

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 Complete parts
#21904 - 22.51MB, 62 pp. -  7.0/10 2 4 6 8 10 (2)- V/V/V - 2002x

PDF scanned by DK-Kk
dekock (2008/9/12)

PMLP50303-Ditters Carl Sei Sonate a Tre Op 1.pdf
Publisher Info.:

Manuscript copy, n.d.(19th century)

Copyright:

Public Domain [tag/del]

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 Violin 1
#299751 - 0.60MB, 8 pp. -  0.0/10 2 4 6 8 10 (0)- V/V*/V* - 282x

PDF scanned by Jurabe
Jurabe (2013/4/17)

 Violin 2
#299755 - 0.69MB, 7 pp. -  0.0/10 2 4 6 8 10 (0)- V/V*/V* - 145x

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Jurabe (2013/4/17)

 Cello
#299754 - 0.58MB, 6 pp. -  0.0/10 2 4 6 8 10 (0)- V/V*/V* - 164x

PDF scanned by Jurabe
Jurabe (2013/4/17)

 Covers, Title Page, Postface
#277714 - 1.23MB, 6 pp. -  0.0/10 2 4 6 8 10 (0)- V/V*/V* - 126x

PDF scanned by Jurabe
Jurabe (2013/4/17)

PMLP50303-Dittersdorf 6 Trios Vl1.pdf
Editor:

Friedrich Noack (1890-1958)

Publisher Info.:

Hortus Musicus 92
Kassel: Bärenreiter, 1952.

Copyright:

Public Domain [tag/del]

Misc. Notes:

From the uploader's library.

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General Information

Work Title Sei Sonate a Tre
Alternative Title
Composer Dittersdorf, Carl Ditters von
Opus/Catalogue Number Op.1
Piece Style Classical
Instrumentation 2 violins, cello/continuo (unfigured)


Misc. Comments

Grove lists the instrumentation as 2 violins, basso. The basso part is clearly a cello part with no numbers for realization. Friedrich Noack in his Postface to his edition of the work wrongly refers to the only available source being in the Darmstadt State Library gutted by fire during an air raid in September 1944. However he was able to save a copy he had made in 1926 on which he based his later edition. He goes on to stress that the work is for soloists, without the need for a figured bass.

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