6 Suittes de Clavessin (Dieupart, Charles)

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Sheet Music

Scores

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Irishmaestro (2013/5/14)

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Irishmaestro (2019/3/29)

Publisher. Info. Amsterdam: Estienne Roger, n.d.[1701].
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Misc. Notes Herzog August Bibliothek, Wolfenbüttel (D-W): RISM A/I: D 3042
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editor (2022/7/29)

Editor Pierre Gouin - Contact
Publisher. Info. Montréal: Les Éditions Outremontaises, 2022
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Misc. Notes Urtext edition from a facsimile of the original publication
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Arrangements and Transcriptions

Solo and Continuo

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Feduol (2013/1/27)

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Irishmaestro (2019/3/29)

Editor First edition
Publisher. Info. Amsterdam: Estienne Roger, n.d.[1701].
Copyright
Misc. Notes Herzog August Bibliothek, Wolfenbüttel (D-W): RISM A/I: D 3042
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PDF scanned by D-W
Irishmaestro (2013/5/14)

PDF scanned by D-W
Irishmaestro (2013/5/14)

Editor First edition
Publisher. Info. Amsterdam: Estienne Roger, n.d.[1701].
Copyright
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Free Recordings

Complete suites, Huguette Grémy-Chauliac, harpsichord by William Dowd, after Pascal Taskin (1770)

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General Information

Work Title 6 Suittes de Clavessin Divisées en Ouvertures, Allemandes, Courantes, Sarabandes, Gavottes, Menuets, Rondeaux & Gigues [...] composées et mises en concert ... pour un Violon & Flûte avec une Basse de Viole et un Archilut
Alternative. Title Six Harpsichord Suites, also arranged for Violin & Flute and Continuo (viola da gamba & archlute)
Composer Dieupart, Charles
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 6 suites:
  1. Suite No.1 in A major
  2. Suite No.2 in D major
  3. Suite No.3 in B minor
  4. Suite No.4 in E minor
  5. Suite No.5 in F major
  6. Suite No.6 in F minor
Year/Date of CompositionY/D of Comp. 1701 or before
First Publication. 1701 - Amsterdam: Estienne Roger
Dedication Madame la Comtesse de Sandwich [Elizabeth Wilmot, Countess of Sandwich (1674-1757)]
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation harpsichord, or violin/flute & continuo
InstrDetail violin or flute, continuo (=viola da gamba or cello, keyboard or archlute)
Extra Information The chamber setting consists of two notated parts: the melodic line; the bass (continuo, with figures).