6 Geistliche Lieder nach Gedichten von Eichendorff (Wolf, Hugo)

Contents

Performances

Recordings

Ergebung (No.5)

For Mixed Chorus (Stenov)

MP3 file (audio)
Stenov (2019/6/19)

Performer Pages Cantores Carmeli Linz (chorus)
Michael Stenov (director)
Publisher Info. Michael Stenov
Copyright
Misc. Notes Live recording from the Karmelitenkirche Linz 2014, Transposition to Bb major
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Naxos

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Synthesized/MIDI

MID file (audio/video)
wrshannon (2012/7/13)

MID file (audio/video)
wrshannon (2012/7/13)

Publisher Info. Altena: Jürgen Knuth
Performers Jürgen Knuth
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Scores

Complete

PDF scanned by TJ Busse
TJ Busse (2011/2/24)

Editor Eugen Thomas (1863-1922)
Publisher. Info. Leipzig: Lauterbach & Kuhn, 1903.
Copyright
Misc. Notes An English singing translation in the original edition has been removed in this copy.
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PDF scanned by albrights
Albrights (2018/1/29)

Editor Hans Jancik
Publisher. Info. Published under licence by Wien: Ludwig Doblinger (Bernhard Herzmansky), No. 44750, 1972. Plate D. 14.466
Sämtliche Werke, Vol.X
Vienna: Musikwissenschaftlicher Verlag, 1974.
URTEXT EDITION 

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Copyright
Misc. Notes Printed from the scientific „Hugo-Wolf-Gesamtausgabe“.
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Aufblick (No.1)

PDF typeset by Editor
wrshannon (2012/7/13)

ZIP typeset by Editor
wrshannon (2012/7/13)

Editor Jürgen Knuth
Publisher. Info. Altena: Jürgen Knuth
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Resignation (No.3)

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Pgfeller (2014/4/29)

Editor Paul-Gustav Feller
Publisher. Info. Ritter von Schleyer Verlag
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Ergebung (No.5)

PDF typeset by Editor
wrshannon (2012/7/13)

ZIP typeset by Editor
wrshannon (2012/7/13)

Editor Jürgen Knuth
Publisher. Info. Altena: Jürgen Knuth
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Arrangements and Transcriptions

Selections

For Voice and Piano or Harmonium (Schneider)

PDF scanned by Ralph Theo Misch
Ralph Theo Misch (2011/8/17)

PDF scanned by Ralph Theo Misch
Ralph Theo Misch (2011/8/17)

Arranger Friedrich Hermann Schneider (1860-1930)
Language German / English
Translator Edward Oxenford (1846-1929), English text
Publisher. Info. Berlin: Bote & Bock, 1921. Plate B. & B. 19099, 19098.
Copyright
Misc. Notes Scanned at 600dpi grayscale, converted to monochrome.
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Ergebung (No.5)

For Mixed Chorus (Stenov)

PDF typeset by arranger
Stenov (2019/6/19)

Arranger Michael Stenov
Publisher. Info. Michael Stenov
Copyright
Misc. Notes Transposition to Bb major
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General Information

Work Title 6 geistliche Lieder nach Gedichten von Eichendorff
Alternative. Title
Composer Wolf, Hugo
I-Catalogue NumberI-Cat. No. IHW 9
Movements/SectionsMov'ts/Sec's 6 sacred songs:
  1. Aufblick
  2. Einklang
  3. Resignation
  4. Letzte Bitte
  5. Ergebung
  6. Erhebung
Year/Date of CompositionY/D of Comp. 1881
First Publication. 1903
Librettist Joseph von Eichendorff (1788-1857)
Language German
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation mixed chorus (SATB?)

Navigation etc.

The published version in 1902/1903 contained minor revisions by Eugen Thomas. A copy of the choruses was found among the papers of Arnold Mendelssohn, and a description the variants is published in The Music Review, 1941. This version, however shows an earlier version of the choruses, and Wolf's letters indicate he considered publishing the works in 1892 and 1894. It is likely he revised the works around this time, becoming the basis for the published copy.

Eugen Thomas conducted the chorus "Ergebung" at Wolf's funeral in 1903. The popularity of Wolf's works upon his death spurred interest in these choruses' publication. Wolf had been seriously ill since 1899 and unlikely to assist in the preparation of the first edition; therefore, Thomas's revisions should not be readily dismissed. Thomas was a well-regarded choral conductor, and the revisions clean a few spots of awkward choral voice-leading. The only arguable variation from Wolf's score is the removal of a low b for the basses at the end of Ergebung – outside the range of most choruses, and understandably excised by Thomas for practical reasons.