6 Concerts for Two Flutes (Montéclair, Michel Pignolet de)

Contents

Performances

Recordings

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Concert No.1

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Performers MIDI
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Sheet Music

Scores

Complete

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Publisher. Info. Paris: l'Auteur, Boyvin, et al, n.d.
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Concert No.1

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Pstevenin (2013/4/21)

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PMLP344730-1. Prélude.pdf

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Misc. Notes Full scores in modern Key
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PMLP344730-Montéclair-Quatrième Concert.pdf

Arrangements and Transcriptions

For 2 Alto Recorders

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Misc. Notes Transposed a minor third up, to fit the recorder
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PMLP344730-Montéclair-Quatrième Concert- Bfl..pdf
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General Information

Work Title Concerts à deux flûtes traversières sans basses
Alternative. Title
Composer Montéclair, Michel Pignolet de
Movements/SectionsMov'ts/Sec's 6 ‘Concerts’ or ‘Suites’:
  • 1st Concert (D minor and major)
Prélude, Premier & Deuxième Menuets, Air, Air (Gracieusement), Première & Badines, Air, Plainte, Fugue.
  • 2nd Concert (E minor and major)
Prélude, Air, Gavotte en rondeau, Menuets, Courante à la française, Courante à l’italienne, Plainte en dialogue, Premier et Deuxième Menuets, Air dans le goût ancien, Premier & Deuxième airs dans le goût des brunettes.
  • 3rd Concert (G major and minor)
Rondeau (tendrement), Air (gai), Première et Deuxième Musettes, Première et Deuxième Sarabandes, Prélude (lentement), Allemande, Gigue en rondeau, Sarabande (lentement et tendre), Fugue.
  • 4th Concert (A minor)
Dialogue, La Rieuse, La Terpsichore, L'Allemande, L'Anglaise, L'Italienne, La Française (Air dans le goût ancien) et Double, La Picarde.
  • 5th Concert (A major)
Prélude, Badinage, Musette, Gavotte à la manière française, Gavotte à la manière italienne, Gai, Sarabande, Gigue à la manière française, Gigue à la manière italienne, Les Ramages, Fugue.
  • 6th Concert (B minor)
Allemande, Forlana, Passacaille, Le Papillon (Menuet), Le Moucheron (Passepied), Prélude, Bourrée et Double, Gavotte, Sicilienne, Sarabande, Chaconne.
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation 2 flutes

Misc. Comments

Here the French word ‘Concert’ is a synonym of ‘Suites’, like for Couperin’s ‘Concerts Royaux’ and ‘Nouveaux Concerts’. This doesn’t have to do with italian ‘concerto’.