6 Organ Concertos, Op.26 (Corrette, Michel)

Sheet Music

Scores and Parts

Complete

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Coulonnus (2016/6/27)

6 more: Violin I • Violin II • Violin III • Viola • Cello • Organ or Harpsichord solo

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Coulonnus (2016/6/27)

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Coulonnus (2016/6/27)

PDF scanned by F-Pn
Coulonnus (2016/6/27)

PDF scanned by F-Pn
Coulonnus (2016/6/27)

PDF scanned by F-Pn
Coulonnus (2016/6/27)

Editor First edition
Publisher. Info. Paris: l'auteur, n.d.[1756].
Copyright
Misc. Notes Cleaned, margins reduced, de-skewed and converted to monochrome.
Bibliothèque nationale de France, Musique (F-Pn): RISM A/I: C 3989
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PDF typeset by editor
editor (2017/12/22)

Editor Pierre Gouin - Contact
Publisher. Info. Montréal: Les Éditions Outremontaises, 2017
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Misc. Notes Urtext edition after a facsimile of the original publication.
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Concerto No.4

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Sielemann (2020/7/11)

Editor Jan Sielemann (b. 1970)
Publisher. Info. Jan Sielemann, 2020.
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Arrangements and Transcriptions

For 2 Harpsichords (Sielemann)

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Sielemann (2020/7/11)

Arranger Jan Sielemann (b. 1970)
Publisher. Info. Jan Sielemann, 2020.
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General Information

Work Title 6 Concertos (for organ or harpsichord)
Alternative. Title VI Concerti a sei strumenti, cimbalo o organo obligati, tre violini, flauto, alto viola e violoncello
Composer Corrette, Michel
Opus/Catalogue NumberOp./Cat. No. Op.26
I-Catalogue NumberI-Cat. No. IMC 32
Movements/SectionsMov'ts/Sec's 6 concertos:
  1. Organ Concerto in G major
  2. Organ Concerto in A major
  3. Concerto in D major
    I. Allegro, II. Andante (Aria), III. Allegro
  4. Concerto in C major
    I. Allegro, II. Andante (Zampagna), III. Allegro
  5. Organ Concerto in F major
    I. Allegro, II. Aria e Variazioni, III. Allegro
  6. Concerto in D minor
    I. Allegro, II. Andante, III. Presto
Year/Date of CompositionY/D of Comp. 1756 or before
First Publication. 1756 - Paris: L'auteur
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation organ (or harpsichord), flute or recorder (Nos.3 & 6 only), strings (3 violins, viola, cello)
Extra Information The flute part is only necessary in Concertos 3 & 6 when the solo instrument is the organ.
Pizzicato passages to be played arco when the solo instrument is organ.
These concertos, being written in early classical style, do not need nor provide a continuo part, except for few measures in the Concerto 3