5 Piano Sonatas and a Duet, Op.1a (Clementi, Muzio)

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Editor First edition
Engraver Mme Olivier
Publisher. Info. Paris: M. Bailleux, n.d.(ca.1781).
Copyright
Misc. Notes Bibliothèque nationale de France, Musique (F-Pn): AC P-2222
Sonatas Nos.1-5 (complete) + No.6 Duet for 2 Pianos (piano 1 part only - see #399632)
#399631 - publisher obscured by Leduc's label
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Publisher. Info. Braunschweig: Henry Litolff's Verlag, 1800. Plate 2395-2397.
Copyright
Misc. Notes Matched to Op 1a No 1 3 & 4 in Tyson catalogue page 34 at archive.org.
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General Information

Work Title 5 Sonatas for the Piano or the Harpsichord and a Duo for 2 Pianos or 2 Harpsichords
Alternative. Title V Sonates pour le forte-piano ou le clavecin et un duo pour deux forte-piano ou deux clavecins
Composer Clementi, Muzio
Opus/Catalogue NumberOp./Cat. No. Op.1a (Oeuvre 1)
I-Catalogue NumberI-Cat. No. IMC 20
Movements/SectionsMov'ts/Sec's 5 sonatas (actually 4 and 1 fugue) and 1 duet:
  1. Sonata (F major)
    1. Andante
    2. La pantoufle avec des variations. Allegro
  2. Sonata (B major)
    1. Allegro moderato
    2. Andantino grazioso (E major)
    3. Air du balet de Mirza avec des variations. Allegro
  3. Sonata (G major)
    1. Allegretto
    2. Black Joke. Air anglais avec des variations. Allegro
  4. Sonata (A major)
    1. Larghetto
    2. Tempo di Minuetto
  5. Sonata (Fugue). Allegro (A minor)
  6. Duetto (B major)
    1. Allegro di molto
    2. Tempo di Minuetto. Allegretto
First Publication. 1780 ca. — Paris: Mr. Bailleux
Dedication Madame Duvivier
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation piano or harpsichord (Nos.1–5), 2 pianos or 2 harpsichords (No.6)
Related Works Variations 8, 4, 5, 11, 9, 10, 16 and 6 of 21 Variations on 'The Black Joke', WO 2 are revised here for Mvt. 2 of Sonata No.3.
Exercice 69, Fuga (A minor) in Gradus ad Parnassum, Op.44, by Muzio Clementi is a revision of Sonata No.5 (Fugue).
Extra Information A "revised" version of Clementi's Op.1, re-using some musical material but containing mostly new compositions.