3 Pieces for Solo Voices, Op.92 (Peters, Rob)

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Performances

Recordings

 1. Exsulta Filia Sion
#248520 - 4.36MB - 4:45 -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 60x

MP3 file (audio)
Rob Peters (2012/8/30)

Performers:

Susan Erens (soprano), Oleg Dideneko (bass), Rob Peters (organ)

Publisher Info.:

Rob Peters

Copyright:

Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]

Misc. Notes:

Live performance Christmas Eve 1998

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Sheet Music

Scores

 1. Exsulta Filia Sion
#243353 - 0.13MB, 4 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 100x

PDF typeset by Rob Peters
Rob Peters (2012/7/21)

 2. Festive Song
#243352 - 0.06MB, 3 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 67x

PDF typeset by Rob Peters
Rob Peters (2012/7/21)

 3. Canon
#243350 - 0.05MB, 2 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 64x

PDF typeset by Rob Peters
Rob Peters (2012/7/21)

PMLP394162-92.1.pdf
Publisher Info.:

Rob Peters

Copyright:

Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]

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Arrangements and Transcriptions

Exsulta Filia Sion (No.1)

For Soprano, Bass and String Sextet (composer)

 Complete Score
#243354 - 0.10MB, 5 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 34x

PDF typeset by Rob Peters
Rob Peters (2012/7/21)

PMLP394162-92.1a.pdf
Publisher Info.:

Rob Peters

Copyright:

Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]

Misc. Notes:

Arrangement for solo voices, 2 violins, 2 violas and 2 cellos

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General Information

Work Title 3 Pieces for Solo Voices
Alternative Title
Composer Peters, Rob
Opus/Catalogue Number Op.92
Movements/Sections 3 pieces:
1. Exsulta Filia Sion
2. Festive Song
3. Canon
Year/Date of Composition 1998
Librettist Nos.1,2: traditional/anonymous, No.3: Thomas Traherne (1637/9-1674)
Language latin, dutch, english
Piece Style Modern
Instrumentation various', see below:
1. soprano, bass and organ
2. solo voice and piano
3. 4 sopranos


Misc. Comments

No. 2 is a "Carnaval" song in popular style, with a text written for a specific occasion in 1998. Only included here for the sake of completeness.

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