26 Variations on 'La folia di Spagna' (Salieri, Antonio)

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Parts

 Flute 1
#147562 - 0.15MB, 6 pp. -  6.0/10 2 4 6 8 10 (1- !N/!N/!N - 1074x

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Alonso del Arte (2011/11/7)

 Flute 2
#147563 - 0.15MB, 5 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 294x

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Alonso del Arte (2011/11/7)

 Oboe 1
#149374 - 0.14MB, 6 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 421x

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Alonso del Arte (2011/11/10)

 Oboe 2
#149375 - 0.13MB, 5 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 206x

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Alonso del Arte (2011/11/10)

 Clarinet 1 (B)
#150994 - 0.13MB, 5 pp. -  6.0/10 2 4 6 8 10 (1- !N/!N/!N - 399x

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Alonso del Arte (2011/11/13)

 Clarinet 2 (B)
#150995 - 0.13MB, 5 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 217x

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Alonso del Arte (2011/11/13)

 Bassoon 1
#152136 - 0.16MB, 7 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 368x

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Alonso del Arte (2011/11/15)

 Bassoon 2
#152472 - 0.15MB, 7 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 217x

PDF typeset by Alonso del Arte
Alonso del Arte (2011/11/16)

PMLP266134-La Folia - I. Flute.pdf
Editor:

Alonso del Arte

Publisher Info.:

Alonso del Arte

Copyright:

Creative Commons Attribution Non-commercial 3.0 [tag/del]

Misc. Notes:

There is some confusion about the meaning of Salieri's turn symbols. These have been rendered as groups of three grace notes with the applicable accidentals here, though it is entirely possible I have made mistakes here in regards either to direction or placement within the beat. This issue does not apply to the brass instruments.

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 Horn 1 (F)
#142190 - 0.10MB, 3 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 282x

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Alonso del Arte (2011/10/28)

 Horn 2 (F)
#142191 - 0.10MB, 3 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 183x

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Alonso del Arte (2011/10/28)

 Trumpet 1 (C)
#141410 - 0.09MB, 3 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 288x

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Alonso del Arte (2011/10/26)

 Trumpet 2 (C)
#141411 - 0.09MB, 3 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 174x

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Alonso del Arte (2011/10/26)

 Tenor Trombone 1
#141308 - 0.08MB, 2 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 259x

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Alonso del Arte (2011/10/25)

 Tenor Trombone 2
#141309 - 0.08MB, 2 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 177x

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Alonso del Arte (2011/10/25)

 Bass Trombone
#141310 - 0.08MB, 2 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 216x

PDF typeset by Alonso del Arte
Alonso del Arte (2011/10/25)

PMLP266134-La Folia - I. Horn in F.pdf
Editor:

Alonso del Arte

Publisher Info.:

Alonso del Arte

Copyright:

Creative Commons Attribution Non-commercial 3.0 [tag/del]

Misc. Notes:

Horns in F throughout as opposed to in F switching to in D for the coda in the original. Trumpets in C throughout as opposed to trumpets in D throughout in the original. Perhaps the three trombone parts could just as easily be played on three tenor trombones. The distinction for the bass trombone here is that in this edition it is notated in bass clef rather than tenor clef.

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 Snare Drum
#140721 - 0.07MB, 1 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 276x

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Alonso del Arte (2011/10/22)

 Timpani
#140722 - 0.08MB, 3 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 275x

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Alonso del Arte (2011/10/22)

PMLP266134-La Folia - Snare Drum.pdf
Editor:

Alonso del Arte

Publisher Info.:

Alonso del Arte

Copyright:

Creative Commons Attribution Non-commercial 3.0 [tag/del]

Misc. Notes:

It is possible that Salieri meant these percussion parts to be played by one man. Nowadays two separate musicians should be hired.

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 Offstage Violin 1
#157744 - 0.08MB, 1 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 515x

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Alonso del Arte (2011/11/28)

 Offstage Violin 2
#157745 - 0.08MB, 1 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 214x

PDF typeset by Alonso del Arte
Alonso del Arte (2011/11/28)

PMLP266134-La Folia - I. Offstage Violin.pdf
Editor:

Alonso del Arte

Publisher Info.:

Alonso del Arte

Copyright:

Creative Commons Attribution Non-commercial 3.0 [tag/del]

Misc. Notes:

The first and second violins should be placed antiphonally (that is, to the left and right of the conductor), and the first offstage violin should be drawn from the first violins and placed offstage on the same side as them; likewise with the second offstage violin and the rest of the second violins.

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 Principal Violin I
#157751 - 0.26MB, 10 pp. -  8.0/10 2 4 6 8 10 (1- !N/!N/!N - 1150x

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Alonso del Arte (2011/11/28)

 Assistant Principal Violin I
#157752 - 0.26MB, 10 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 368x

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Alonso del Arte (2011/11/28)

 Violins I
#157753 - 0.21MB, 9 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 601x

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Alonso del Arte (2011/11/28)

 Violins II
#159089 - 0.20MB, 8 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 259x

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Alonso del Arte (2011/12/1)

 Violas
#159526 - 0.18MB, 7 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 281x

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Alonso del Arte (2011/12/2)

 Cellos
#160017 - 0.14MB, 5 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 393x

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Alonso del Arte (2011/12/3)

 Double Basses
#160018 - 0.17MB, 8 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 287x

PDF typeset by Alonso del Arte
Alonso del Arte (2011/12/3)

PMLP266134-La Folia - Principal Violin I.pdf
Editor:

Alonso del Arte

Publisher Info.:

Alonso del Arte

Copyright:

Creative Commons Attribution Non-commercial 3.0 [tag/del]

Misc. Notes:

There is no need to hire a violin soloist for the violin solos in these Variations; the concertmaster (or leader, in British parlance) should be able to do a good job of it. Then, during those solos, the assistant concertmaster will be leading the rest of the first violins, so for that reason he or she is provided with a part showing both what the first violins are playing as a section and what the concertmaster plays as a soloist. As for the logistics of removing the mutes, this needs to be done before Variation 4: a gradual removal during Variation 3 might be acceptable.

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General Information

Work Title 26 Variations on La Folia di Spagna
Alternative Title
Composer Salieri, Antonio
Key D minor
Movements/Sections 28
Year/Date of Composition 1815
First Publication 1816
Average Duration 20 minutes
Piece Style Classical
Instrumentation 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, snare drum, timpani, harp, strings
Related Works List of compositions with the theme "La Folia"


Misc. Comments

Theme, 26 variations, coda.

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