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Performances
Naxos
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Sheet Music
Scores and Parts
Complete
⇒ 4 more: Violin 1 • Violin 2 • Violoncello • Continuo
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Venice: Gioseppe Sala, 1700.
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Amsterdam: Estienne Roger, n.d.
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Suonate a Tre; Due Violini Con Violoncello e parte per l'organo
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Selections
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PAK (2020/4/13)
⇒ 5 more: Sonata No.3 in C major • Sonata No.8 in G minor • Sonata no.10 in F minor • Sonata No.11 in D major • Sonata No.12 in D minor
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PAK (2020/5/1)
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PAK (2020/5/1)
PDF typeset by editor
PAK (2020/4/13)
PDF typeset by editor
PAK (2020/4/13)
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PAK (Unknown)
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Per Arne Karlsson
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Per Arne Karlsson, 2020.
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Sonata No.1 in F major
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Frederick F. Polnauer (1905-1974)
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Antiqua Series
Mainz: Schott, ANT 5365, 1967.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
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Daniel Van Gilst
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Daniel Van Gilst
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Sonata No.5 in E minor
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Frederick F. Polnauer (1905-1974)
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Antiqua Series
Mainz: Schott, ANT 25, 1967.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Sonata No.7 in A major
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Erich Schenk (1902-1974)
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Das Musikwerk, Vol.7
Cologne: Arno Volk Verlag, 1955.
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Sonata No.9 in B minor
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Erich Schenk (1902-1974)
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Diletto musicale, No.441
Vienna: Ludwig Doblinger, 1951. Plate D. 13 260.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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General Information
Navigation etc.
Only two sets of 12 sonatas, Opp.1 and 2, were printed in Caldara's lifetime.
However, 8 solo violin sonatas and 8 further trio sonatas are extant in manuscript.
The earlier attribution to Steffani by Hugo Riemann and Andreas Moser was due to the name appearing on a manuscript copy in the Hamburger Staatsbibliothek. The first printed edition is available in the Vienna Hofbibliothek, the Liceo Musicale in Bologna and in the British Library.
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