12 Sonate da chiesa (McManus, Stephen)
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Performances
Recordings
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Synthesized/MIDI
Sonata No.1
Synthesised
Stephen McManus
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Sonata No.2
Synthesised
Stephen McManus
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Sonata No.3
Synthesised
Stephen McManus
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Sonata No.4
Synthesised
Stephen McManus
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Sonata No.5
Synthesised
Stephen McManus
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Sonata No.6
MIDI performance
*#184333 - 30.04MB - 13:07 - (0) - - !N/!N/!N - 10x⇩
Synthesised
Stephen McManus
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Sonata No.7
Synthesised
Stephen McManus
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Sonata No.8
MIDI performance
*#184350 - 29.96MB - 13:05 - (0) - - !N/!N/!N - 9x⇩
Synthesised
Stephen McManus
Creative Commons Attribution No Derivatives 3.0 [tag/del]
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Sonata No.9
Synthesised
Stephen McManus
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Sonata No.10
Synthesised
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Sonata No.11 'The Passion'
MIDI performance
*#184374 - 29.75MB - 12:59 - (0) - - !N/!N/!N - 17x⇩
Synthesised
Stephen McManus
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Sonata No.12 'The Resurrection'
Synthesised
Stephen McManus
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Sheet Music
Scores and Parts
Sonata No.1
Complete score
*#184299 - 0.63MB, 15 pp. - (0) - !N/!N/!N - 62x⇩
Trumpet 1 (B♭)
*#184300 - 0.25MB, 3 pp. - (0) - !N/!N/!N - 13x⇩
Trumpet 2 (B♭)
*#184301 - 0.23MB, 3 pp. - (0) - !N/!N/!N - 11x⇩
Stephen McManus
Creative Commons Attribution No Derivatives 3.0 [tag/del]
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Sonata No.2
Complete score
*#275053 - 0.96MB, 31 pp. - (0) - !N/!N/!N - 25x⇩
Stephen McManus
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Sonata No.3
Complete score
*#275055 - 0.74MB, 24 pp. - (0) - !N/!N/!N - 17x⇩
Trumpet part
*#184315 - 0.39MB, 7 pp. - (0) - !N/!N/!N - 18x⇩
Stephen McManus
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Sonata No.4
Complete score
*#275056 - 0.73MB, 20 pp. - (0) - !N/!N/!N - 23x⇩
Instrument Part
*#184321 - 0.37MB, 6 pp. - (0) - !N/!N/!N - 58x⇩
Stephen McManus
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Sonata No.5
Complete score
*#184325 - 0.95MB, 28 pp. - (0) - !N/!N/!N - 95x⇩
Instrument Part
*#184321 - 0.37MB, 6 pp. - (0) - !N/!N/!N - 58x⇩
Stephen McManus
Creative Commons Attribution No Derivatives 3.0 [tag/del]
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Sonata No.6
Complete score
*#184331 - 0.60MB, 19 pp. - (0) - !N/!N/!N - 30x⇩
Instrument Part
*#184321 - 0.37MB, 6 pp. - (0) - !N/!N/!N - 58x⇩
Stephen McManus
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Sonata No.7
Complete score
*#278408 - 1.24MB, 30 pp. - (0) - !N/!N/!N - 13x⇩
Flute part
*#184336 - 0.60MB, 10 pp. - (0) - !N/!N/!N - 38x⇩
Stephen McManus
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Sonata No.8
Complete score
*#184347 - 0.65MB, 32 pp. - (0) - !N/!N/!N - 33x⇩
Instrumental Part
*#184321 - 0.37MB, 6 pp. - (0) - !N/!N/!N - 58x⇩
Stephen McManus
Creative Commons Attribution No Derivatives 3.0 [tag/del]
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Sonata No.9
Complete score
*#278409 - 0.78MB, 22 pp. - (0) - !N/!N/!N - 16x⇩
Instrumental Part
*#184358 - 0.54MB, 11 pp. - (0) - !N/!N/!N - 24x⇩
Stephen McManus
Creative Commons Attribution No Derivatives 3.0 [tag/del]
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Sonata No.10
Complete score
*#184365 - 0.65MB, 22 pp. - (0) - !N/!N/!N - 37x⇩
'Cello Part
*#184366 - 0.33MB, 6 pp. - (0) - !N/!N/!N - 24x⇩
Stephen McManus
Creative Commons Attribution No Derivatives 3.0 [tag/del]
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Sonata No.11 'The Passion'
Complete score
*#184371 - 0.13MB, 15 pp. - (0) - !N/!N/!N - 48x⇩
Viola Part
*#184372 - 0.06MB, 5 pp. - (0) - !N/!N/!N - 19x⇩
Stephen McManus
Creative Commons Attribution No Derivatives 3.0 [tag/del]
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Sonata No.12 'The Resurrection'
Complete score
*#184375 - 0.34MB, 41 pp. - (0) - !N/!N/!N - 47x⇩
Clarinet (B♭)
*#184378 - 0.09MB, 8 pp. - (0) - !N/!N/!N - 18x⇩
Stephen McManus
Creative Commons Attribution No Derivatives 3.0 [tag/del]
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General Information
| Work Title | 12 Sonate da Chiesa |
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| Alternative Title |
| Composer | McManus, Stephen |
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| Movements/Sections | 12 sonatas |
| Piece Style | Modern |
| Instrumentation | For instruments and organ (see above). |
Misc. Comments
The Sonata da Chiesa are intended to be used as preludes to a Mass or Religious Service, but can be performed as independent pieces at a concert. Most have been written for instruments in C, the accompanying instrument is generally organ but other keyboard instruments may be used. When played on the organ registration and (in some instances) use of the pedal organ is left to the descretion of the organist. I encourage the player to extemporize where possible, using ornamentation and figuration to decorate melodic lines in repeat sections (a good example is the beginning of Sonata 7, to decorate the long cantus-firmus like notes with extemporized figurations). The pieces range from easy to difficult.
Although some ornamentation is provided, discretion is again left to the performer (following Baroque convention).
