Romeo and Juliet (overture-fantasia), TH 42 (Tchaikovsky, Pyotr)

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Contents

Performances

Recordings

Version C

MP3 file (audio)
Cypressdome (2013/8/10)

Performer Pages DuPage Symphony Orchestra (orchestra)
Barbara Schubert (conductor)
Publisher Info. DuPage, IL: DuPage Symphony Orchestra
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Misc. Notes Performed 11 May 2013. From archive.org
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Naxos

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Sheet Music

Full Scores

Version A

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P.davydov (2008/7/12)

Editor Anatoly Drozdov (1883–1950)
Igor Belza (1904-1994)
Publisher. Info. Complete Collected Works (Полное собрание сочинений), vol.23
Moscow: Muzgiz, 1950. Plate M. 20556 Г.
URTEXT EDITION 

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Reprinted New York: E.F. Kalmus, n.d.(1965).Orchestral Series No.574
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Misc. Notes Original title page and plate numbers omitted in reprint
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Version B

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P.davydov (2008/7/12)

Editor Anatoly Drozdov (1883–1950)
Igor Belza (1904-1994)
Publisher. Info. Complete Collected Works (Полное собрание сочинений), vol.23
Moscow: Muzgiz, 1950. Plate M. 20556 Г.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted New York: E.F. Kalmus, n.d.(1965).Orchestral Series No.575
Copyright
Misc. Notes Original title page and plate numbers omitted in reprint
Bars 1-459 of the 2nd version (1880) are identical to the 3rd version (1880). This extract commences at bar 460.
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Version C

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Afp0815 (2014/7/8)

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Afp0815 (2014/7/8)

Publisher. Info. Berlin: Ed. Bote & G. Bock, n.d.[1881]. Plate 9325.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Peter (2008/5/24)

Publisher. Info. Leipzig: Eulenburg, No.675, n.d. Plate E.E. 3793.
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Horndude77 (2006/7/15)

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Horndude77 (2006/7/15)

Editor Anatoly Drozdov (1883–1950)
Igor Belza (1904-1994)
Publisher. Info. Complete Collected Works (Полное собрание сочинений), vol.23
Moscow: Muzgiz, 1950. Plate M. 20556 Г.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes File mistakenly described as "2nd version"
Original title page and plate numbers omitted in reprint.
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Parts

Version C

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Ottaviano (2010/3/7)

14 more: Flute 1, 2 • Oboe 1, 2, English Horn • Clarinet 1, 2 (A) • Bassoon 1, 2 • Horn 1, 2, 3, 4 (F) • Trumpet 1, 2 (E) • Trombone 1, 2, 3, Tuba (tenor, bass clefs) • Timpani, Bass Drum/Cymbals • Harp • Violins I • Violins II • Violas • Cellos • Basses

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Ottaviano (2010/3/7)

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easiest2remember (2008/12/4)

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easiest2remember (2008/12/1)

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Ottaviano (2010/3/7)

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Ottaviano (2010/3/7)

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Ottaviano (2010/3/7)

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Ottaviano (2010/3/7)

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Ottaviano (2010/3/7)

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Ottaviano (2010/3/7)

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Ottaviano (2010/3/7)

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Ottaviano (2010/3/7)

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Ottaviano (2010/3/7)

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Generoso (2009/1/18)

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Ottaviano (2010/3/7)

Publisher. Info. Berlin: Bote & Bock, n.d.(1881)
Reprinted New York: Edwin F. Kalmus, n.d.(after 1933)
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Misc. Notes These files are part of the Orchestra Parts Project.
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Arrangements and Transcriptions

Version B

For Piano (Bial)

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Peter (2010/2/26)

Arranger Carl Bial (1833-1892)
Publisher. Info. Berlin: Bote & Bock, n.d.(1871)
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Version C

For 2 Pianos, 8 hands (Schaefer)

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Mattheson78 (2009/6/25)

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Mattheson78 (2009/6/25)

Arranger Aleksandr Schaefer (1866–1914)
Publisher. Info. St. Petersburg: W. Bessel & Co., n.d.(1898). Plate 3960
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For 2 Pianos, 4 hands (Isida)

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Rockzaemon (2008/10/3)

Arranger Kazue Rockzaemon Isida
Publisher. Info. Tokyo: 露久左庵音楽出版 Rockza Music Edition
Copyright
Misc. Notes 3rd version (1880)
Recordings YouTube
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For 2 Pianos, 4 hands (Klindworth)

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Morel (2009/5/23)

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Morel (2009/5/23)

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Morel (2009/5/23)

Arranger Karl Klindworth (1830–1916)
Publisher. Info. St. Petersburg: W. Bessel & Cie, n.d.(1896). Plate 3205
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For Piano 4 hands (Rimskaya-Korsakova)

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Morel (2008/7/1)

Arranger Nadezhda Rimskaya-Korsakova (1848–1919)
Publisher. Info. Berlin: Bote & Bock, n.d.(1881). Plate 10676
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For Piano 4 hands

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Morel (2012/1/31)

Editor Louis Oesterle (1854–1932)
Publisher. Info. New York: G. Schirmer, 1909. Plate 20642
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For Organ (Lemare)

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Afp0815 (2014/7/22)

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Afp0815 (2014/7/22)

Arranger Edwin Henry Lemare (1865-1934)
Publisher. Info. New York: G. Schirmer, 1909. Plate 21226.
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General Information

Work Title Romeo and Juliet
Alternative. Title Ромео и Джульетта (Romeo i Dzhulyetta)
Name Translations Roméo et Juliette; Romeu i Julieta; Romeo und Julia; Romeo y Julieta; רומאו ויוליה; Romeo e Giulietta; ロメオとジュリエット; Romeo i Julia; Ромео и Джульетта; โรเมโอและจูเลียต; Ромео і Джульєтта; 罗密欧与朱丽叶幻想序曲; رومئو و ژولیت (چایکوفسکی); Romeo và Juliet; Romeo e Xulieta; რომეო და ჯულიეტა; রোমিও এন্ড জুলিয়েট; Romeu e Julieta (Tchaikovski); روميو وجولييت (تشايكوفسكي)
Name Aliases Romeo and Juliet Fantasy Overture
Authorities WorldCat; Wikipedia; VIAF: 177002331; BNF: 13910226k
Composer Tchaikovsky, Pyotr
Opus/Catalogue NumberOp./Cat. No. TH 42
I-Catalogue NumberI-Cat. No. IPT 102
Key B minor
Movements/SectionsMov'ts/Sec's A Andante non troppo—Allegro giusto (B minor, 448 bars)
B Andante non tanto quasi Moderato—Allegro giusto (B minor, 539 bars)
C Andante non tanto quasi Moderato—Allegro giusto (B minor, 522 bars)
Year/Date of CompositionY/D of Comp. 1869 A ; 1870 B ; 1880 C (standard version)
First Performance. 1870-03-16 A — Moscow, Russian Musical Society: Nikolay Rubinstein (conductor)
1872-02-17 B — St. Petersburg, Russian Musical Society: Eduard Nápravník (conductor)
1886-03-01 C — Tiflis, Russian Musical Society: Mikhail Ippolitov-Ivanov (conductor)
First Publication. 1871-72 B ; 1881 C ; 1950 A
Full score, 201 pages. Plate 9325. — Berlin: Bote & Bock, 1871
Piano solo (arr. Bial), 21 pages. — Berlin: Bote & Bock, 1871
Piano 4 hands (arr. N. Rimskaya-Korsakova) — V. Bessel, 1872.
2 pianos (arr. Klindworth), 31 pages. Plate 242. — V. Bessel, 1872.
Full score, 111 pages. — Berlin: Bote & Bock, 1881
Piano solo (arr. Bial), 21 pages. Plate 11545. — Berlin: Bote & Bock, 1881
Piano 4 hands (arr. N. Rimskaya-Korsakova), 37 pages. Plate 10676.
2 pianos (arr. Klindworth). Plate 3205. — St. Petersburg: V. Bessel, 1896
  • Version A B C — Moscow: Muzgiz, 1950.
in Complete Collected Works, vol.23. Plate M. 20556 Г. (pp.3–86)
Dedication Mily Balakirev (1837–1910)
Average DurationAvg. Duration 20 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Orchestra: piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets (A), 2 bassoons + 4 horns (F), 2 trumpets (E), 3 trombones, tuba + timpani, cymbals, bass drum + harp + strings
Related Works For the duet intended for a later opera on the same subject, see: Romeo and Juliet (duet) (Tchaikovsky, Pyotr).
External Links Tchaikovsky Research
Wikipedia article