No.
|
Subtitle
|
Instrumentation
|
Date
|
Key
|
Notes
|
Hob.Ia:1
|
L'infedelta delusa
|
Strings, flute, 2 oboes, bassoon, 2 horns (and kettledrums?)
|
ca. 1769-73
|
C major
|
see also: Hob. XXVIII:5
|
Hob.Ia:2
|
Il Ritorno di Tobia
|
Strings, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, kettledrums
|
1774
|
C major
|
see also: Hob. XXI:1
|
Hob.Ia:3
|
L'Anima del Filosofo
|
Orchestra
|
1794 ?
|
C major
|
see also: Hob. XXVIII:13
|
Hob.Ia:4
|
Overture
|
Strings, flute, 2 oboes, 2 bassoons, 2 horns
|
1776-85
|
D major
|
|
Hob.Ia:5
|
Acide e Galatea
|
Strings, 2 oboes, 2 horns
|
1762
|
D major
|
see also: Hob. XXVIII:1
|
Hob.Ia:6
|
L'incontro improvviso
|
2 violins, viola, violoncello solo, bass, 2 oboes, bassoon, 2 horns, 2 trumpets, kettledrum, drum, cymbal
|
1782
|
D major
|
see also: Hob. XXVIII:6
|
Hob.Ia:7
|
Overture
|
Strings, 2 oboes, 2 bassoons, 2 horns
|
1777
|
D major
|
alternate finale of Symphoy No. 53
|
Hob.Ia:7 bis
|
Overture
|
Strings, 2 oboes, 2 bassoons, 2 horns
|
1777
|
D major
|
a malapropism of overture Hob. Ia:7
|
Hob.Ia:8
|
Philemon and Baucis
|
Strings, 2 oboes, 2 Horns
|
1773
|
D major
|
see also: Hob. XXIX:2
|
Hob.Ia:9
|
King Lear
|
Strings, 2 flutes, 2 bassoons, 2 horns
|
?
|
E♭ major
|
Composed by W. G. Stegmann
|
Hob.Ia:10
|
Lo Speziale
|
Strings, flute, 2 Oboes, bassoon, 2 horns
|
1782
|
G major
|
Some sources list this work as overture of "La vera costanza".
|
Hob.Ia:11
|
La Fedeltà premiata
|
Orchestra
|
1780
|
G major
|
Prelude to the entrance choir of the first act of the opera „La Fedeltà premiata” - see also: Hob. XXVIII:10
|
Hob.Ia:12
|
Il Mondo della Luna
|
Orchestra
|
1777
|
G minor
|
Prelude of the third act of the opera "Il mondo della Luna" - see also: Hob. XXVIII:7
|
Hob.Ia:13
|
L'Isola disabitata
|
Strings, flute, 2 oboes, bassoon, 2 horns
|
1779
|
G minor
|
see also: Hob. XXVIII:9
|
Hob.Ia:14
|
Armida
|
Strings, flute, 2 oboes, 2 bassoons, 2 horns
|
1783
|
B♭ major
|
see also: Hob. XXVIII:13
|
Hob.Ia:15
|
La vera Costanza
|
Strings, 2 oboes, bassoon, 2 horns
|
1777
|
B♭ major
|
see also: Hob. XXVIII:8
|
Hob.Ia:16
|
Orlando Paladino
|
Strings, 2 Oboes, bassoon, 2 horns
|
1782
|
B♭ major
|
see also: Hob. XXVIII:13
|
Hob.Ia:17
|
La Fedeltà premiata
|
Strings, flute, 2 oboes, bassoon, 2 horns or trumpets, kettledrum
|
1780
|
-
|
see also: Hob. XXVIII:10
|
Hob.Ia:C1
|
Overture
|
Orchestra
|
?
|
C major
|
|
Hob.Ia:C2
|
Overture
|
Orchestra
|
?
|
C major
|
|
Hob.Ia:D1
|
Overture
|
Orchestra
|
?
|
D major
|
|
Hob.Ia:D2
|
Overture
|
Orchestra
|
?
|
D major
|
|
Hob.Ia:D3
|
Overture
|
Orchestra
|
?
|
D major
|
|
Hob.Ia:D4
|
Overture
|
|
?
|
D major
|
Fragment of a cantata, title "D'onora al piede pongansi"
|
No.
|
Subtitle
|
Instrumentation
|
Date
|
Key
|
Notes
|
Hob.III:1
|
“La chasse”
|
Strings
|
|
B-flat major
|
6 String Quartets, Op.1 No.1
|
Hob.III:2
|
|
Strings
|
|
E-flat major
|
6 String Quartets, Op.1 No.2
|
Hob.III:3
|
|
Strings
|
|
D major
|
6 String Quartets, Op.1 No.3
|
Hob.III:4
|
|
Strings
|
|
G major
|
6 String Quartets, Op.1 No.4
|
Hob.III:5
|
|
Strings
|
|
B-flat major
|
6 String Quartets, Op.1 No.5
|
Hob.III:6
|
|
Strings
|
|
C major
|
6 String Quartets, Op.1 No.6
|
Hob.III:7
|
|
Strings
|
|
A major
|
6 String Quartets, Op.2 No.1
|
Hob.III:8
|
|
Strings
|
|
E major
|
6 String Quartets, Op.2 No.2
|
Hob.III:9
|
|
Strings
|
|
E-flat major
|
6 String Quartets, Op.2 No.3
|
Hob.III:10
|
|
Strings
|
|
F major
|
6 String Quartets, Op.2 No.4
|
Hob.III:11
|
|
Strings
|
|
D major
|
6 String Quartets, Op.2 No.5
|
Hob.III:12
|
|
Strings
|
|
B-flat major
|
6 String Quartets, Op.2 No.6
|
Hob.III:13
|
|
Strings
|
|
E minor
|
6 String Quartets, Op.3 No.1
|
Hob.III:14
|
|
Strings
|
|
C major
|
6 String Quartets, Op.3 No.2
|
Hob.III:15
|
|
Strings
|
|
G major
|
6 String Quartets, Op.3 No.3
|
Hob.III:16
|
|
Strings
|
|
B-flat major
|
6 String Quartets, Op.3 No.4
|
Hob.III:17
|
|
Strings
|
|
F major
|
6 String Quartets, Op.3 No.5
|
Hob.III:18
|
|
Strings
|
|
A major
|
6 String Quartets, Op.3 No.6
|
Hob.III:19
|
|
Strings
|
|
C major
|
6 String Quartets, Op.9 No.1
|
Hob.III:20
|
|
Strings
|
|
E-flat major
|
6 String Quartets, Op.9 No.2
|
Hob.III:21
|
|
Strings
|
|
G major
|
6 String Quartets, Op.9 No.3
|
Hob.III:22
|
|
Strings
|
|
D minor
|
6 String Quartets, Op.9 No.4
|
Hob.III:23
|
|
Strings
|
|
B-flat major
|
6 String Quartets, Op.9 No.5
|
Hob.III:24
|
|
Strings
|
|
A major
|
6 String Quartets, Op.9 No.6
|
Hob.III:25
|
|
Strings
|
|
E major
|
6 String Quartets, Op.17 No.1
|
Hob.III:26
|
|
Strings
|
|
F major
|
6 String Quartets, Op.17 No.2
|
Hob.III:27
|
|
Strings
|
|
E-flat major
|
6 String Quartets, Op.17 No.3
|
Hob.III:28
|
|
Strings
|
|
C minor
|
6 String Quartets, Op.17 No.4
|
Hob.III:29
|
|
Strings
|
|
G major
|
6 String Quartets, Op.17 No.5
|
Hob.III:30
|
|
Strings
|
|
D major
|
6 String Quartets, Op.17 No.6
|
Hob.III:31
|
|
Strings
|
|
E-flat major
|
6 String Quartets, Op.20 No.1
|
Hob.III:32
|
|
Strings
|
|
C major
|
6 String Quartets, Op.20 No.2
|
Hob.III:33
|
|
Strings
|
|
G minor
|
6 String Quartets, Op.20 No.3
|
Hob.III:34
|
|
Strings
|
|
D major
|
6 String Quartets, Op.20 No.4
|
Hob.III:35
|
|
Strings
|
|
F minor
|
6 String Quartets, Op.20 No.5
|
Hob.III:36
|
|
Strings
|
|
A major
|
6 String Quartets, Op.20 No.6
|
Hob.III:37
|
|
Strings
|
|
B minor
|
6 String Quartets, Op.33 No.1
|
Hob.III:38
|
“The Joke”
|
Strings
|
|
E-flat major
|
6 String Quartets, Op.33 No.2
|
Hob.III:39
|
“The Bird”
|
Strings
|
|
C major
|
6 String Quartets, Op.33 No.3
|
Hob.III:40
|
|
Strings
|
|
B-flat major
|
6 String Quartets, Op.33 No.4
|
Hob.III:41
|
“How do you do?”
|
Strings
|
|
G major
|
6 String Quartets, Op.33 No.5
|
Hob.III:42
|
|
Strings
|
|
D major
|
6 String Quartets, Op.33 No.6
|
Hob.III:43
|
|
Strings
|
|
D minor
|
|
Hob.III:44
|
|
Strings
|
|
B-flat major
|
6 String Quartets, Op.50 “Prussian” No.1
|
Hob.III:45
|
|
Strings
|
|
C major
|
6 String Quartets, Op.50 “Prussian” No.2
|
Hob.III:46
|
|
Strings
|
|
E-flat major
|
6 String Quartets, Op.50 “Prussian” No.3
|
Hob.III:47
|
|
Strings
|
|
F-sharp minor
|
6 String Quartets, Op.50 “Prussian” No.4
|
Hob.III:48
|
|
Strings
|
|
F major
|
6 String Quartets, Op.50 “Prussian” No.5
|
Hob.III:49
|
“La grenouille”
|
Strings
|
|
D major
|
6 String Quartets, Op.50 “Prussian” No.6
|
Hob.III:50
|
|
Strings
|
|
B-flat major
|
7 String Quartets, Op.51 “Seven Last Words of Christ” No.1
|
Hob.III:51
|
|
Strings
|
|
C minor
|
7 String Quartets, Op.51 “Seven Last Words of Christ” No.2
|
Hob.III:52
|
|
Strings
|
|
E major
|
7 String Quartets, Op.51 “Seven Last Words of Christ” No.3
|
Hob.III:53
|
|
Strings
|
|
F major
|
7 String Quartets, Op.51 “Seven Last Words of Christ” No.4
|
Hob.III:54
|
|
Strings
|
|
A major
|
7 String Quartets, Op.51 “Seven Last Words of Christ” No.5
|
Hob.III:55
|
|
Strings
|
|
G minor
|
7 String Quartets, Op.51 “Seven Last Words of Christ” No.6
|
Hob.III:56
|
|
Strings
|
|
E-flat major
|
7 String Quartets, Op.51 “Seven Last Words of Christ” No.7
|
Hob.III:57
|
|
Strings
|
|
C major
|
3 String Quartets, Op.54 “Tost I” No.2
|
Hob.III:58
|
|
Strings
|
|
G major
|
3 String Quartets, Op.54 “Tost I” No.1
|
Hob.III:59
|
|
Strings
|
|
E major
|
3 String Quartets, Op.54 “Tost I” No.3
|
Hob.III:60
|
|
Strings
|
1788
|
A major
|
3 String Quartets, Op.55 “Tost II” No.1
|
Hob.III:61
|
“razor”
|
Strings
|
1788
|
F minor
|
3 String Quartets, Op.55 “Tost II” No.2
|
Hob.III:62
|
|
Strings
|
1788
|
B-flat major
|
3 String Quartets, Op.55 “Tost II” No.3
|
Hob.III:63
|
|
Strings
|
|
D major
|
6 String Quartets, Op.64 “Tost III” No.5
|
Hob.III:64
|
|
Strings
|
|
E-flat major
|
6 String Quartets, Op.64 “Tost III” No.6
|
Hob.III:65
|
|
Strings
|
|
C major
|
6 String Quartets, Op.64 “Tost III” No.1
|
Hob.III:66
|
|
Strings
|
|
G major
|
6 String Quartets, Op.64 “Tost III” No.4
|
Hob.III:67
|
|
Strings
|
|
B-flat major
|
6 String Quartets, Op.64 “Tost III” No.3
|
Hob.III:68
|
|
Strings
|
|
B minor
|
6 String Quartets, Op.64 “Tost III” No.2
|
Hob.III:69
|
|
Strings
|
1793
|
B-flat major
|
3 String Quartets, Op.71 “Apponyi” No.1
|
Hob.III:70
|
|
Strings
|
1793
|
D major
|
3 String Quartets, Op.71 “Apponyi” No.2
|
Hob.III:71
|
|
Strings
|
1793
|
E-flat major
|
3 String Quartets, Op.71 “Apponyi” No.3
|
Hob.III:72
|
|
Strings
|
1793
|
C major
|
3 String Quartets, Op.74 “Apponyi” No.1
|
Hob.III:73
|
|
Strings
|
1793
|
F major
|
3 String Quartets, Op.74 “Apponyi” No.2
|
Hob.III:74
|
“The Horseman”
|
Strings
|
1793
|
G minor
|
3 String Quartets, Op.74 “Apponyi” No.3
|
Hob.III:75
|
|
Strings
|
1796-97
|
G major
|
6 String Quartets, Op.76 “Erdody” No.1
|
Hob.III:76
|
”Fifths”
|
Strings
|
1796-97
|
D minor
|
6 String Quartets, Op.76 “Erdody” No.2
|
Hob.III:77
|
“Emperor”
|
Strings
|
1796-97
|
C major
|
6 String Quartets, Op.76 “Erdody” No.3
|
Hob.III:78
|
“Sunrise”
|
Strings
|
1796-97
|
B-flat major
|
6 String Quartets, Op.76 “Erdody” No.4
|
Hob.III:79
|
|
Strings
|
1796-97
|
D major
|
6 String Quartets, Op.76 “Erdody” No.5
|
Hob.III:80
|
|
Strings
|
1796-97
|
E-flat major
|
6 String Quartets, Op.76 “Erdody” No.6
|
Hob.III:81
|
|
Strings
|
|
G major
|
2 String Quartets, Op.77 “Lobkowitz” No.1
|
Hob.III:82
|
|
Strings
|
|
F major
|
2 String Quartets, Op.77 “Lobkowitz” No.2
|
Hob.III:83
|
|
Strings
|
|
D minor
|
String Quartet in D minor, Op.103, incomplete
|
No.
|
Subtitle
|
Instrumentation
|
Date
|
Key
|
Notes
|
Hob.XI:1
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
before 1773
|
A major
|
|
Hob.XI:2
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
before 1773
|
A major
|
|
Hob.XI:3
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
before 1773
|
A major
|
|
Hob.XI:4
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
before 1773
|
A major
|
|
Hob.XI:5
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
before 1773
|
A major
|
|
Hob.XI:6
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
before 1773
|
A major
|
|
Hob.XI:7
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
before 1773
|
A major
|
|
Hob.XI:8
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
before 1773
|
A major
|
|
Hob.XI:9
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
before 1773
|
D major
|
|
Hob.XI:10
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
A major
|
|
Hob.XI:11
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
before 1773
|
F major
|
|
Hob.XI:14
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
D major
|
|
Hob.XI:15
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
A major
|
|
Hob.XI:16
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
A major
|
|
Hob.XI:17
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
before 1773
|
D major
|
|
Hob.XI:19
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
A major
|
|
Hob.XI:25
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
A major
|
|
Hob.XI:26
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
1766-67
|
G major
|
|
Hob.XI:27
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
D major
|
|
Hob.XI:30
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
G major
|
|
Hob.XI:34
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
before 1773
|
D major
|
|
Hob.XI:35
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
1776
|
A major
|
|
Hob.XI:36
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
D major
|
|
Hob.XI:37
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
G major
|
|
Hob.XI:38
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
before 1773
|
A major
|
|
Hob.XI:39
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
1776
|
A major
|
|
Hob.XI:44
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
D major
|
|
Hob.XI:45
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
1766-67
|
D major
|
|
Hob.XI:48
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
D major
|
|
Hob.XI:53
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
|
|
Hob.XI:56
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
before 1773
|
D major
|
|
Hob.XI:70
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
before 1773
|
G major
|
|
Hob.XI:72
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
before 1773
|
D major
|
|
Hob.XI:74
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
D major
|
|
Hob.XI:75
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
before 1773
|
A major
|
|
Hob.XI:76
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
C major
|
|
Hob.XI:77
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
G major
|
|
Hob.XI:80
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
G major
|
|
Hob.XI:82
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
|
|
Hob.XI:87
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
A minor
|
|
Hob.XI:96
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
|
|
Hob.XI:100
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
|
|
Hob.XI:101
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
|
Hob.XI:103
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
|
Hob.XI:106
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
D major
|
|
Hob.XI:108
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
A major
|
|
Hob.XI:109
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
|
|
Hob.XI:110
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
|
|
Hob.XI:111
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
G major
|
|
Hob.XI:113
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
before 1773
|
D major
|
|
Hob.XI:114
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
|
Hob.XI:116
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
G major
|
|
Hob.XI:117
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
|
|
Hob.XI:118
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
|
|
Hob.XI:120
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
D major
|
|
Hob.XI:123
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
|
Hob.XI:124
|
Baryton Trio
|
Baryton, Viola, Violoncello
|
|
|
Hob.XI:C2
|
Divertimento (Trio)
|
Flute, Violin, Bass
|
|
C major
|
spurious
|
There are 3 Concertos for Baryton (italian: Viola di bordone) known but are either lost or whereabouts unknown.
No.
|
Subtitle
|
Instrumentation
|
Date
|
Key
|
Notes
|
Hob.XIX:1
|
Allegretto
|
Piano
|
1772
|
F major
|
Mechanical Clock from 1772
|
Hob.XIX:2
|
Vivace
|
Piano
|
1772
|
F major
|
Mechanical Clock from 1772
|
Hob.XIX:3
|
Andantino
|
Piano
|
1772
|
F major
|
Mechanical Clock from 1772
|
Hob.XIX:4
|
Andante cantabile ("Der Dudelsack")
|
Piano
|
1772
|
F major
|
Mechanical Clock from 1772
|
Hob.XIX:5
|
Menuett
|
Piano
|
1772
|
F major
|
Mechanical Clock from 1772
|
Hob.XIX:6
|
Vivace ("Der Kaffeeklatsch")
|
Piano
|
1772
|
F major
|
Mechanical Clock from 1772
|
Hob.XIX:7
|
Menuett
|
Piano
|
1772/92
|
C major
|
Mechanical Clocks from 1772 and 1792
|
Hob.XIX:8
|
Menuett ("Der Wachtelschlag")
|
Piano
|
1772/92
|
C major
|
Mechanical Clocks from 1772 and 1792
|
Hob.XIX:9
|
Menuett / Allegro
|
Piano
|
1772/92
|
C major
|
Mechanical Clocks from 1772 and 1792
|
Hob.XIX:10
|
Andante
|
Piano
|
1772/92
|
C major
|
Mechanical Clocks from 1772 and 1792
|
Hob.XIX:11
|
Allegretto
|
Piano
|
1772/93
|
C major
|
Mechanical Clocks from 1772 and 1793
|
Hob.XIX:12
|
Andante
|
Piano
|
1772/93
|
C major
|
Mechanical Clocks from 1772 and 1793
|
Hob.XIX:13
|
Vivace
|
Piano
|
1772/93
|
C major
|
Mechanical Clocks from 1772 and 1793
|
Hob.XIX:14
|
Menuett
|
Piano
|
1772/93
|
C major
|
Mechanical Clocks from 1772 and 1793
|
Hob.XIX:15
|
Allegro ma non troppo
|
Piano
|
1772/93
|
C major
|
Mechanical Clocks from 1772 and 1793
|
Hob.XIX:16
|
Fuga
|
Piano
|
1772/93
|
C major
|
Mechanical Clocks from 1772 and 1793
|
Hob.XIX:17
|
Allegro moderato
|
Piano
|
1792
|
C major
|
Mechanical Clock from 1792
|
Hob.XIX:18
|
Presto
|
Piano
|
1792
|
C major
|
Mechanical Clock from 1792
|
Hob.XIX:19
|
Andante
|
Piano
|
1792
|
C major
|
Mechanical Clock from 1792
|
Hob.XIX:20
|
Menuet
|
Piano
|
1792
|
C major
|
Mechanical Clock from 1792
|
Hob.XIX:21
|
Allegretto
|
Piano
|
1792
|
C major
|
Mechanical Clock from 1792
|
Hob.XIX:22
|
Allegro moderato
|
Piano
|
1792
|
C major
|
Mechanical Clock from 1792
|
Hob.XIX:23
|
Vivace
|
Piano
|
1792
|
C major
|
Mechanical Clock from 1792
|
Hob.XIX:24
|
Presto
|
Piano
|
1792
|
C major
|
Mechanical Clock from 1792
|
Hob.XIX:25
|
Marche
|
Piano
|
1793
|
D major
|
Mechanical Clock from 1793
|
Hob.XIX:26
|
Andante
|
Piano
|
1793
|
E major
|
Mechanical Clock from 1793
|
Hob.XIX:27
|
Allegretto
|
Piano
|
1793
|
G major
|
Mechanical Clock from 1793
|
Hob.XIX:28
|
Allegro
|
Piano
|
1793
|
C major
|
Mechanical Clock from 1793
|
Hob.XIX:29
|
Menuet
|
Piano
|
1793
|
C major
|
Mechanical Clock from 1793
|
Hob.XIX:30
|
Presto
|
Piano
|
1793
|
G major
|
Mechanical Clock from 1793
|
Hob.XIX:31
|
Presto
|
Piano
|
1793
|
C major
|
Mechanical Clock from 1793
|
Hob.XIX:32
|
Allegro
|
Piano
|
?
|
F major
|
Unknown Mechanical Clock
|
No.
|
Subtitle
|
Instrumentation
|
Date
|
Key
|
Notes
|
Hob.XXI:1
|
Il Ritorno di Tobia
|
2 Soprano (Raffaelle, Sara), Alto (Anna), Tenore (Tobia), Basso (Tobit), mixed choir SATB, strings, 2 fl, 2 ob, 2 english hn, 2 bsn, 2 hn, 2 tpt, timp
|
1775
|
C minor
|
Libretto by Giovanni Gastone Boccherini
|
Hob.XXI:2
|
Die Schöpfung
|
Soprano (Gabriel, Eva), Tenore (Uriel), Basso (RaphaeI, Adam), mixed choir SATB, strings, 3 fl, 2 ob, 2 cl, 2 bsn, contrabsn, 2 hn, 2 tpt, 3 tbn, timp
|
1796-98
|
C minor
|
libretto by unkown librettist after "Paradise Lost" by Milton; loosely translated into german by Frhr. Gottfried van Swieten
|
Hob.XXI:3
|
Die Jahreszeiten
|
Soprano (Halme), Tenore (Lucas), Basso (Simon), mixed choir SATB, strings, 2 fl, 2 ob, 2 cl, 2 bsn, contrabsn, 4 hn, 3 tpt, 3 tbn, triangel and Tambourin
|
1801
|
G minor
|
Libretto by Frhr. Gottfried van Swieten after "The Seasons" by J.Thomsons
|
No.
|
Subtitle
|
Instrumentation
|
Date
|
Key
|
Notes
|
Hob.XXII:1
|
Missa brevis
|
SS soli, mixed choir, 2 violins, continuo
|
1750?
|
F major
|
|
Hob.XXII:2
|
Missa Sunt bona mixta malis
|
mixed choir a capella
|
before 1770
|
D minor
|
fragment
|
Hob.XXII:3
|
Missa Rorate cœli desuper
|
SS soli, mixed choir, 2 violins, continuo
|
?
|
G major
|
Nach dem Introitus aus der Votivmesse zu Ehren der Gottesmutter in der Adventszeit
|
Hob.XXII:4
|
Grosse Orgelmesse
|
SATB soli, mixed choir, 2 violins, bassoon, 2 english horns, 2 horns, concert organ
|
1766?
|
E flat major
|
Missa in honorem Beatissimæ Virginis Mariæ
|
Hob.XXII:5
|
Cäcilienmesse
|
SATB soli, mixed choir, 2 oboes, 2 bassoons, 2 trumpets, strings, timpani, organ.
|
1766
|
C major
|
Missa Cellensis in honorem Beatissimae Virginis Mariae
|
Hob.XXII:6
|
Missa Sancti Nicolai
|
SATB soli, mixed choir, 2 Oboes, bassoon, 2 horns, strings, organ.
|
1772
|
G major
|
Nicolaimesse
|
Hob.XXII:7
|
Kleine Orgelmesse
|
S solo, mixed choir, strings, organ.
|
before 1778
|
B flat major
|
Missa brevis Sancti Joannis de Deo
|
Hob.XXII:8
|
Mariazellermesse
|
SATB soli, mixed choir, 2 oboes, bassoon, 2 trumpets, timpani, organ.
|
1782
|
C major
|
Missa Cellensis
|
Hob.XXII:9
|
Mass in Time of War
|
SATB soli, mixed chorus (STB), flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, strings, organ
|
1796
|
C major
|
Missa in tempore belli ; Paukenmesse
|
Hob.XXII:10
|
Heiligmesse
|
SSATBB soli, chorus, 2 oboes, 2 bassoons, 2 trumpets, strings, timpani, organ
|
1796
|
B-flat major
|
Missa sancti Bernardi de Offida
|
Hob.XXII:11
|
Nelson Mass
|
SATB soli, mixed chorus, flute, 2 oboes, 2 clarinets, bassoon, 2 horns, 2 trumpets, strings, timpani, organ,
|
1798
|
D minor
|
Missa in Angustiis ; Nelsonmesse ; Imperial Mass ; Coronation Mass
|
Hob.XXII:12
|
Theresa Mass
|
SATB soli, mixed chorus SATB, 2 clarinets, bassoon (ad lib.), 2 trumpets, timpani, strings, continuo
|
1799
|
B flat major
|
Theresienmesse
|
Hob.XXII:13
|
Creation Mass
|
SATB soli, mixed chorus, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, strings, organ
|
1801
|
B-flat major
|
Schöpfungsmesse
|
Hob.XXII:14
|
Harmony mass
|
SATB soli, mixed chorus, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, strings, organ
|
1802
|
B-flat major
|
Harmoniemesse
|
No.
|
Subtitle
|
Instrumentation
|
Date
|
Key
|
Notes
|
Hob.XXVIIa:1
|
Du sollst an einen Gott glauben
|
3 voices
|
1791
|
C major
|
Die X Gebothe Gottes
|
Hob.XXVIIa:2
|
Du sollst den Namen Gottes nicht eitel nennen
|
3 voices
|
1791
|
A major
|
Die X Gebothe Gottes
|
Hob.XXVIIa:3
|
Du sollst Sonn- und Feiertag heiligen
|
3 voices
|
1791
|
B flat major
|
Die X Gebothe Gottes
|
Hob.XXVIIa:4
|
Du sollst Vater und Mutter verehren
|
3 voices
|
1791
|
E flat major
|
Die X Gebothe Gottes
|
Hob.XXVIIa:5
|
Du sollst nicht töten
|
3 voices
|
1791
|
B flat major
|
Die X Gebothe Gottes
|
Hob.XXVIIa:6
|
Du sollst nicht Unkeuschheit treiben
|
3 voices
|
1791
|
C major
|
Die X Gebothe Gottes
|
Hob.XXVIIa:7
|
Du sollst nicht stehlen
|
3 voices
|
1791
|
A minor
|
Die X Gebothe Gottes
|
Hob.XXVIIa:8
|
Du sollst kein falsch Zeugnis geben
|
3 voices
|
1791
|
E major
|
Die X Gebothe Gottes
|
Hob.XXVIIa:9
|
Du sollst nicht begehren deines Nächsten Weib
|
3 voices
|
1791
|
C major
|
Die X Gebothe Gottes
|
Hob.XXVIIa:10
|
Du sollst nicht begehren, deines Nächsten Gut
|
3 voices
|
1791
|
G major
|
Die X Gebothe Gottes
|
Hob.XXVIIb:1
|
Hilar an Narziss
|
3 voices
|
?
|
G major
|
Lyrics by F. v. Hagedorn
|
Hob.XXVIIb:2
|
Auf einen adeligen Dummkopf
|
3 voices
|
?
|
E flat major
|
Lyrics by G. E. Lessing
|
Hob.XXVIIb:3
|
Der Schuster bleib bei seinem Leist
|
8 voices
|
?
|
F major
|
Lyrics by K. v. Eckartshausen
|
Hob.XXVIIb:4
|
Herr von Gänsewitz zu seinem Kammerdiener
|
4 voices
|
?
|
C minor
|
Lyrics by G. A. Bürger
|
Hob.XXVIIb:5
|
An den Marull
|
5 voices
|
?
|
F major
|
Lyrics by G. E. Lessing
|
Hob.XXVIIb:6
|
Die Mutter an ihr Kind in der Wiege
|
3 voices
|
?
|
E flat major
|
|
Hob.XXVIIb:7
|
Der Menschenfreund
|
4 voices
|
?
|
E flat major
|
Lyrics by Ch. F. Gellert
|
Hob.XXVIIb:8
|
Gottes Macht und Vorsehung
|
3 voices
|
?
|
G major
|
Lyrics by Ch. F. Gellert
|
Hob.XXVIIb:9
|
An Dorilis
|
4 voices
|
?
|
F major
|
Lyrics by K. F. Kretschmann
|
Hob.XXVIIb:10
|
Vixi
|
4 voices
|
?
|
G minor
|
Lyrics by Horaz
|
Hob.XXVIIb:11
|
Der Kobold
|
4 voices
|
?
|
E flat major
|
Lyrics by M. G. Lichtwer
|
Hob.XXVIIb:12
|
Der Fuchs und der Marder
|
4 voices
|
?
|
A minor
|
Lyrics by M. G. Lichtwer
|
Hob.XXVIIb:13
|
Abschied
|
5 voices
|
?
|
B flat minor
|
|
Hob.XXVIIb:14
|
Die Hofstellungen
|
3 voices
|
?
|
B minor
|
Lyrics by F. v. Logau
|
Hob.XXVIIb:15
|
Aus Nichts wird Nichts
|
5 voices
|
?
|
C major
|
Lyrics by M. Richey
|
Hob.XXVIIb:16
|
Cacatum non est pictum
|
4 voices
|
?
|
A major
|
Lyrics by G. A. Bürger
|
Hob.XXVIIb:17
|
Tre cose
|
4 voices
|
?
|
E flat major
|
Lyrics by M. G. Lichtwer
|
Hob.XXVIIb:18
|
Vergebliches Glück
|
2 voices
|
?
|
A major
|
Lyrics of Arabian derivation
|
Hob.XXVIIb:19
|
Grabschrift
|
4 voices
|
?
|
G minor
|
Lyrics by P. W. Hensler
|
Hob.XXVIIb:20
|
Das Reitpferd
|
3 voices
|
?
|
E flat major
|
Lyrics by M. G. Lichtwer
|
Hob.XXVIIb:21
|
Tod und Schlaf
|
4 voices
|
?
|
A flat major
|
Lyrics by F. v. Logau
|
Hob.XXVIIb:22
|
An einen Geizigen
|
3 voices
|
?
|
D major
|
Lyrics by G. E. Lessing
|
Hob.XXVIIb:23
|
Das böse Weib
|
3 voices
|
?
|
G major
|
Lyrics by G. E. Lessing, 1. version
|
Hob.XXVIIb:23bis
|
Das böse Weib
|
3 voices
|
?
|
A minor
|
Lyrics by G. E. Lessing, 2. version
|
Hob.XXVIIb:24
|
Der Verlust
|
3 voices
|
?
|
E major
|
Lyrics by G. E. Lessing
|
Hob.XXVIIb:25
|
Der Freigeist
|
3 voices
|
?
|
G major
|
|
Hob.XXVIIb:26
|
Die Liebe der Feinde
|
3 voices
|
?
|
A major
|
Lyrics by Ch. F. Gellert
|
Hob.XXVIIb:27
|
Der Furchtsame
|
3 voices
|
?
|
C minor
|
Lyrics by G. E. Lessing
|
Hob.XXVIIb:28
|
Die Gewissheit
|
4 voices
|
?
|
E flat major
|
Lyrics by G. E. Lessing
|
Hob.XXVIIb:29
|
Phoebus und sein Sohn
|
4 voices
|
?
|
G major
|
Lyrics by M. G. Lichtwer
|
Hob.XXVIIb:30
|
Die Tulipane
|
2 voices
|
?
|
C major
|
Lyrics by M. G. Lichtwer
|
Hob.XXVIIb:31
|
Das größte Gut
|
3 voices
|
?
|
A minor
|
|
Hob.XXVIIb:32
|
Der Hirsch
|
5 voices
|
?
|
C major
|
Lyrics by M. G. Lichtwer
|
Hob.XXVIIb:33
|
Überschrift eines Weinhauses
|
4 voices
|
?
|
E major
|
Lyrics by M. Opitz, of Latin derivation
|
Hob.XXVIIb:34
|
Der Esel und die Dohle
|
4 voices
|
?
|
C major
|
Lyrics by M. G. Lichtwer
|
Hob.XXVIIb:35
|
Schalksnarren
|
6 voices
|
?
|
B flat major
|
Lyrics by F. v. Logau
|
Hob.XXVIIb:36
|
Zweierlei Feinde
|
3 voices
|
?
|
F major
|
Lyrics by Tscherning, of Arabian derivation
|
Hob.XXVIIb:37
|
Der Bäcker und die Maus
|
5 voices
|
?
|
C major
|
Lyrics by M. G. Lichtwer
|
Hob.XXVIIb:38
|
Die Flinte und der Hase
|
4 voices
|
?
|
G major
|
Lyrics by M. G. Lichtwer
|
Hob.XXVIIb:39
|
Der Nachbar
|
4 voices
|
?
|
G minor
|
Lyrics by M. G. Lichtwer
|
Hob.XXVIIb:40
|
Liebe zur Kunst
|
4 voices
|
?
|
G major
|
Lyrics by F. v. Logau
|
Hob.XXVIIb:41
|
Frag und Antwort zweier Fuhrleute
|
5 voices
|
?
|
G minor
|
|
Hob.XXVIIb:42
|
Der Fuchs und der Adler
|
3 voices
|
?
|
C major
|
Lyrics by M. G. Lichtwer
|
Hob.XXVIIb:43
|
Wunsch
|
4 voices
|
?
|
G minor
|
Lyrics by F. v. Hagedorn
|
Hob.XXVIIb:44
|
Gott im Herzen, ein Weib im Arm
|
3 voices
|
?
|
F major
|
|
Hob.XXVIIb:45
|
Turk was a faithful dog
|
4 voices
|
?
|
B flat major
|
Lyrics by V. Rauzzini
|
Hob.XXVIIb:46
|
Thy voice, o Harmony, is divine
|
3 voices
|
?
|
C major
|
|
Hob.XXVIIb:47
|
- (no lyrics)
|
7 voices
|
?
|
G major
|
|
No.
|
Subtitle
|
Instrumentation
|
Date
|
Key
|
Notes
|
Hob.XXVIII:1
|
Acide
|
2 Soprano (Galatea, Glauce), Alto (Thide), Tenore (Acide), Basso (Polyfemo), strings, 2fl, 2 ob, 2 bsn, 2 hn
|
1762
|
C major
|
Festa teatrale in uno parte, libretto by Giovanni Battista Migliavacca
|
Hob.XXVIII:2
|
La Canterina
|
3 Soprano (Gasperina, Apollonia, Don Ettore) and Tenore (Don Pelagio), strings, 2fl, 2 ob, 2 english hn, 2 hn
|
1766
|
D major
|
Intermezzo in Musica in due parte, unknown librettist
|
Hob.XXVIII:3
|
Lo Speziale
|
2 Soprano (Grilletta, Volpino), 2 Tenore (Sempronio, Mengone), strings, 2fl, 2 ob, bsn, 2 hn
|
1768
|
D major
|
Dramma giocoso in tre parte, libretto by Carlo Goldoni
|
Hob.XXVIII:4
|
Le Pescatrici
|
2 Soprano (Lesbina, Nerina), Alto (Eurilda), 2 Tenore (Burlotto, Frisellino), 2 Basso (Lindoro, Mastricco), choir, strings, 2fl, 2 ob (2 english hn in Aria 4a), 2 bsn, 2 hn
|
1769
|
D major
|
Dramma giocoso per musica in tre parte, libretto by Carlo Goldoni
|
Hob.XXVIII:5
|
L'Infedeltà delusa
|
2 Soprano (Vespina, Sandrina), 2 Tenore (Filippo, Nencio), Basso (Nanni),
Streicher (mit Violoncello obligato), strings (with vc obligato), 2 ob, bsn, 2 hn, timp
|
1773
|
D major
|
"Burletta per musica" in due parte, libretto by Marco Coltellini
|
Hob.XXVIII:6
|
L'Incontro improvviso
|
3 Soprano (Rezia, Balkis, Dardane), 2 Tenore (Ali, Osmin), Basso (Calandro), 3 Calandri and some underpart for Tenor (Officer) and Basso (Sultan), strings (vc obligato), fl, 2 ob (in No. 12 replaced by 2 english hn), 2 bsn (obligat in No.10, 24 and 40), 2 tpt, tim, percussion
|
1775
|
D major
|
Dramma giocoso per musica in tre parte, french libretto by Dancourt, music by Gluck (La rencontre imprevue, 1764), italian libretto by Karl Friberth
|
Hob.XXVIII:7
|
Il Mondo della Luna
|
3 Soprano (Clarice, Flaminia, Lisette), Alto (Ernesto), 2 Tenore (Ecclitico, Cecco), Basso (Buonafede), 4 Basso (pupils or cavaliers), strings, 2 fl, 2 ob, 2 bsn, 2 hn, 2 tpt, timp and 2 bsn and 2 hn on stage
|
before 1777
|
C major
|
Dramma giocoso in tre parte, libretto by Carlo Goldoni
|
Hob.XXVIII:8
|
La vera Costanza
|
3 Soprano (Rosina, Baronessa Irene (in libretto Marchesa), Lisetta), 3 Tenore (Conte Errico, Marchese Ernesto, Masino), Basso (Villotto), strings, (2) fl, 2 ob, 2 bsn, 2 hn, timp
|
1777/78
|
B flat major
|
Dramma giocoso per musica in tre parte, libretto by Francesco Puttini, revised by Pietro Travaglia
|
Hob.XXVIII:8a
|
Laurette
|
3 Soprano (Laurette, La Baronne Irene , Lisette), 3 Tenore (Le Comte, Le Bailli, Gervais), Basso (Thibaudin), strings, (2) fl, 2 ob, 2 bsn, 2 hn, timp
|
1791
|
B flat major
|
Comic operar in tre parte after No. of "Vera Costanza", in differen order, without recitativos and mixed with some other pieces of Haydns works. French libretto by P. U. Dubuisson.
|
Hob.XXVIII:9
|
L'Isola disabitata
|
2 Soprano (Costanza, Silvia), Tenore (Gernando), Basso (Enrico), strings, fl, 2 ob, bsn, 2 horns, timp
|
1779
|
D major
|
Azione teatrale in due parte, libretto by Pietro Metastasio
|
Hob.XXVIII:10
|
La Fedeltà premiata
|
4 (3) Soprano (Amaranta, Nerina, Fillide [Celia], Diana), 2 Tenore (Lindoro, Fileno), 2 Basso
(Perrucketto, Melibeo), strings, fl, 2 ob, 2 bsn, 2 hn or 2 tpt, timp
|
1780
|
D major
|
Dramma giocoso per musica, libretto after "l'Infedelta fedele" by G.B.Lorenzi
|
Hob.XXVIII:10bis
|
L'Infedeltà fedele
|
|
?
|
D major
|
Opera by Cimarosa, Libretto by G.B.Lorenzi
|
Hob.XXVIII:11
|
Orlando Paladino
|
3 Soprano (Angelica, Eurilla, Alcina), 4 Tenore (Orlando, Pasquale, Medoro, Ikone), 2 Basso (Rodomonte, Caronte), strings,
fl, 2 ob, 2 cl, 2 bsn, 2 hn, 2 tpt, timp
|
1782
|
B flat major
|
Dramma eroicomico in tre atti. Ritter Roland, libretto by Nunziato Porta, composed for the planned but not realised visit of the Earl of the North (later czar Paul I) and his wife
|
Hob.XXVIII:12
|
Armida
|
2 Soprano (Armida, Zelmire), 3 Tenore (Rinaldo, Ubaldo, Clotarco), Basso (Idreno), strings, fl, 2 ob, 2 cl, 2 bsn, 2 hn
|
1783
|
B flat major
|
Dramma eroico in tre parte, libretto by Jacopo Durandi
|
Hob.XXVIII:13
|
L'Anima del Filosofo (Orfeo ed Euridice)
|
2 Soprano (Euridice, Genio), Tenore (Orfeo), 3 Basso (Creonte, Pluto, Coristo), mixed choir SATB, strings, 2 fl, 2 ob / english
hn, 2 cl, 2 bsn, 2 hn, 2 tpt, timp
|
1791
|
E flat major
|
Dramma per Musica, libretto by Carlo Francesco Badini
|
No.
|
Subtitle
|
Instrumentation
|
Date
|
Key
|
Notes
|
Hob.XXIXa:1
|
Philemon und Baucis
|
2 female voices (Baucis and Narcissa, probably Soprano), 2 male voices (Philemon and Aret, probably Tenore), Jupiter and Merkur (spaeking parts), choir, strings, 2 Ob, 2 Hn
|
before September 1773
|
|
after a drama by C.G.Pfeffel
|
Hob.XXIXa:1a
|
Prelude to No. 1 without title
|
Soli (9 goddesses and gods) and choir, strings, 2 Ob, 2 Hn
|
|
D major
|
"Der Götterrath", Music lost.
|
Hob.XXIXa:2
|
Der Hexenschabbas
|
|
Autumn 1773
|
|
Music lost.
|
Hob.XXIXa:3
|
Didone Abbandonata (Dido)
|
7 Persons (Dido, Selene, Eneas, larbas, Araspes, Osmidas and a hierophant of Neptun), choir and orchestra
|
1776
|
|
Music lost.
|
Hob.XXIXa:4
|
Opera Comique vom abgebrannten Haus
|
|
|
|
Music lost.
|
Hob.XXIXa:5
|
Genovevens vierter Theil
|
|
1777
|
|
Music lost. Libretto by Joseph Karl von Pauersbach
|
Hob.XXIXb:1a
|
Der krumme Teufel
|
|
1751?
|
|
Music lost. Libretto by Johann Joseph Felix Kurz (named Bernardon)
|
Hob.XXIXb:1b
|
Der neue krumme Teufel
|
|
before 1759
|
|
Music lost. Libretto by Johann Joseph Felix Kurz (gen. Bernardon)
|
Hob.XXIXb:2
|
Philemon und Baucis
|
2 Soprano (Baucis, Narcissa), 2 Tenore (Philemon, Aret), 2 speaking parts (Jupiter, Merkur), choir, strings, Vcl solo (in No.8), 2 fl, 2 ob, 2 bsn, 2 hn, 2 tpt, timp
|
|
D minor
|
Musical comedy after the marionette opera XXIXa:1
|
Hob.XXIXb:3
|
Die bestrafte Rachbegierde
|
6 main voices (king Liebnold, Lucinde, major, Furetter,
Magician, Funest, Candide) and many other characters , choir, orchestra
|
1779
|
D minor
|
Music lost. Libretto by P. G. Bader
|