Die Worte des Erlösers am Kreuze, Hob.XX:2 (Haydn, Joseph)

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Bassani (2011/2/12)

Editor First edition
Language German / Italian
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1801].
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Misc. Notes Low resolution.
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Abonds (2016/10/4)

Editor Alan Ernest Bonds
Publisher. Info. Arcodoro Publications
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Misc. Notes High quality typeset in Score
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11 more: Oboe 1, 2 • Clarinet 1/2 (C/B♭/A) • Bassoon 1/2, Contrabassoon • Horn 1/2 (D/B♭ basso/E♭/C/E/F/A/G) • Trumpet 1/2 (C) • Trombone 1, 2 • Timpani • Violins I • Violins II • Violas • Cellos*/Basses*

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Sallen112 (2016/12/8)

PDF scanned by Sallen112
Sallen112 (2016/12/8)

PDF scanned by Sallen112
Sallen112 (2016/12/8)

PDF scanned by Sallen112
Sallen112 (2016/12/8)

PDF scanned by Sallen112
Sallen112 (2016/12/8)

PDF scanned by Sallen112
Sallen112 (2016/12/8)

PDF scanned by Sallen112
Sallen112 (2016/12/8)

PDF scanned by Sallen112
Sallen112 (2016/12/8)

PDF scanned by Sallen112
Sallen112 (2016/12/8)

PDF scanned by Sallen112
Sallen112 (2016/12/8)

PDF scanned by Sallen112
Sallen112 (2016/12/8)

Editor Hubert Unverricht? (b.1927)
Publisher. Info. Kassel: Bärenreiter, n.d. Plate BA 4655.
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Misc. Notes 600 dpi. Needs to be cleaned for the parts to be serviceable in performance and personal study. The Cellos/Basses Part looks to be a copy/pasted part of the orchestral version that have pasted over chorus rests with a plate number of 4650.
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Abonds (2016/10/4)

Editor Alan Ernest Bonds
Publisher. Info. Arcodoro Publications
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Misc. Notes High quality typeset in Score
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Vocal Scores

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Bassani (2011/2/12)

Arranger August Eberhard Müller (1767–1817), piano reduction
Editor First edition
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1801].
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Misc. Notes Low resolution, facing pages
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Coulonnus (2012/5/9)

Publisher. Info. Leipzig: Breitkopf und Härtel, n.d. Plate 10088.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Afp0815 (2014/7/31)

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Carolus (2015/9/9)

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Afp0815 (2014/7/31)

Arranger Vincent Novello (1781-1861), reduction
Language English
Translator Herbert Clementi-Smith (1836-1905), English text
Publisher. Info. London: Novello and Co., n.d.[1875].
Reprinted New York: E.F. Kalmus, n.d.(1933–70).
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Misc. Notes This file is part of the Sibley Mirroring Project. Published in November 1875 according to This.
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Afp0815 (2014/7/9)

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Afp0815 (2014/7/9)

Language English
Translator Herbert Clementi-Smith (1836-1905), English text
Publisher. Info. London: Novello and Co., n.d.[1875].
Reprinted New York: H.W. Gray Co., n.d.
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Carolus (2015/9/9)

Arranger Vincent Novello (1781-1861), reduction
Editor Wilhelm Weismann (1900-1980)
Language German
Publisher. Info. Leipzig: C.F. Peters, No.1371, n.d.(ca.1935).
Reprinted New York: E.F. Kalmus, n.d.(1950).
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Editor Alan Ernest Bonds
Publisher. Info. Arcodoro Publications
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Misc. Notes May need to be printed to larger paper
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General Information

Work Title Die Worte des Erlösers am Kreuze
Alternative. Title Die sieben letzten Worte unseres Erlösers am Kreuze
Composer Haydn, Joseph
Opus/Catalogue NumberOp./Cat. No. Hob.XX/2
I-Catalogue NumberI-Cat. No. IJH 611
Movements/SectionsMov'ts/Sec's 9 movements
  1. Introduzione. Adagio
  2. I: Vater vergieb Ihnen. Largo
  3. II: Fürwahr ich sage dir. Grave e cantabile
  4. III: Frau hier siehe deinen Sohn. Grave
  5. IV: Mein Gott, mein Gott, warum hast du micht verlassen. Largo
  6. V: Jesus rutet. Adagio
  7. VI: Es ist vollbracht. Lento
  8. VII: Vater in deine Hände empfehle. Largo
  9. Il Terremoto. Presto e con tutta la forza
Year/Date of CompositionY/D of Comp. 1796
First Publication. 1801 - Leipzig: Breitkopf und Härtel
Librettist Josef Freibert?, adapted by Gottfied can Swieten
Language German
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation voices, chorus, orchestra
Voices (soprano, alto, tenor, bass)
Mixed Chorus (SATB)
Orchestra
2 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon
2 horns, 2 trumpets, 2 trombones, timpani, strings
Related Works Based on Die Worte des Erlösers am Kreuze, Hob.XX.1
External Links Hoboken catalogue
Wikipedia article (all settings)
Extra Information The orchestral setting was composed in 1785, the arrangements for string quartet and piano followed in time for publication of all three settings in 1787 by Artaria. The setting for chorus and orchestra came a decade later in 1796.