Études d'exécution transcendante, S.139 (Liszt, Franz)

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Troberschalt (2012/12/31)

Performer Pages Julián Pernett Castilla (Piano)
Publisher Info. Julián Pernett Castilla
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Misc. Notes Recorded live on August 16th/2012 at the concert hall of Luis Ángel Arango Library (Bogotá, Colombia)
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ID (2010/10/27)

Editor First edition
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1852]. Plates 8484-85.
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Misc. Notes From the Ruth Dana Collection of Liszt Editions. PDF split by the uploader. Convenient bookmarks added by the uploader.
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Editor Ferruccio Busoni (1866–1924)
Publisher. Info. Musikalische Werke. Serie II, Band 2
Leipzig: Breitkopf & Härtel, 1911. Plate F.L. 35.
Reprinted Mineola: Dover Publications, 1988 (#05360)
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Misc. Notes Originally scanned at about 160pi, converted to 600dpi monocrome.
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Editor Emil von Sauer (1862–1942)
Publisher. Info. Klavierwerke, Band 3: Etüden für Klavier zu zwei Händen
Leipzig: Edition Peters, No.3600c, n.d.[1913-17]. Plate 9882.
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Misc. Notes scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
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piupianissimo (2012/2/27)

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Editor Zoltán Gárdonyi (1906–1986) and István Szelényi (1904–1972)
Publisher. Info. Neue Liszt-Ausgabe. Serie 1, Band 1
Budapest: Editio Musica, 1970. Plate Z.5411.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Reprinted (#09390) Moscow: Muzyka, 1977.
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Misc. Notes scan: score scanned at 600dpi (High Quality Scanning)
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Harmonies du soir (No.11)

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Editor First edition
Publisher. Info. Leipzig: Breitkopf & Härtel, n.d.[1852]. Plate 8485.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project.
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General Information

Work Title Études d'exécution transcendante
Alternative. Title Transcendental études
Name Translations Transcendentaletyde nr. 12 i b-moll; Estudo Transcendental n.º 12; Transcendental Étude No. 12; Étude d'exécution transcendante n° 12; ტრანსცენდენტული ეტიუდი №12 (ლისტი)
Name Aliases Estudo Transcendental Nº12; Chasse-neige; Études d’exécution transcendante, S. 139: Étude No. 12,"Chasse neige"
Authorities WorldCat; Wikipedia; VIAF: 178706646; LCCN: n93114490; BNF: 139182224
Composer Liszt, Franz
Opus/Catalogue NumberOp./Cat. No. S.139 ; LW.A172
I-Catalogue NumberI-Cat. No. IFL 100
Movements/SectionsMov'ts/Sec's 12 pieces (with links to Wikipedia articles)
  1. Preludio (C major)
  2. Molto vivace (A minor)
  3. Paysage (F major)
  4. Mazeppa (D minor)
  5. Feux follets (B major)
  6. Vision (G minor)
  7. Eroica (E major)
  8. Wilde Jagd (C minor)
  9. Ricordanza (A major)
  10. Allegro agitato molto (F minor)
  11. Harmonies du soir (D major)
  12. Chasse-neige (B minor)
Year/Date of CompositionY/D of Comp. 1851
First Publication. 1852 - Leipzig: Breitkopf & Härtel
Dedication Carl Czerny (1791–1857)
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Piano (solo)
External Links Wikipedia article

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Version History

  • Composed for solo piano, 1851 (= S.139), based on the Grandes études, S.137
Published 1852 by Breitkopf & Härtel (Leipzig)

Études by Franz Liszt

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